- Email me
- Nail Your Novel: books
- FAQ: I’m a new writer: which book should I read first?
- FREE Nail Your Novel Instant Fix: 100 Tips For Fascinating Characters
- My writing process: the picture tour
- Nail Your Novel: Why Writers Abandon Books and how you can Draft, Fix and Finish With Confidence
- Reviews of Nail Your Novel
- Who’s tweeting about Nail Your Novel …
- Writing Characters Who’ll Keep Readers Captivated: Nail Your Novel
- Writing Plots With Drama, Depth & Heart: Nail Your Novel
- Who am I?
Posts Tagged fascinating characters
This week I’m running a series of the sharpest questions from my Guardian self-editing masterclass. In previous posts I’ve discussed three/four-act structure, endings and characters who are either bland or too disturbing to write. When I posted on Tuesday I forgot there would also be an Undercover Soundtrack to disturb the sequence, so here, slightly later than trailered, is Masterclass Snapshots part 4.
Regional accents to make a character sound distinct
One writer had his characters encounter people with strong local dialects. He asked how he should render their speech.
We discussed why he wanted to do this. He explained that it was to include a flavour of the setting and emphasise that the main characters were in unfamiliar territory. The odd speech was one good way to show this – with caution. Strange spellings or contractions will trip up the reader if overused. We discussed other ways of achieving this effect – perhaps by showing local customs and attitudes, lifestyles and so on. All of this will create a sense of a different culture.
This led to another good discussion – how do you make characters look distinct through their dialogue? Favourite phrases are useful, and that might be a way to show foreignness too. Habitual gestures are also good.
Humour styles are a very interesting way to differentiate people. (Curse words too, but some writers might not explore this very thoroughly.) I often see manuscripts where writers have given all their characters the same sense of humour, which makes them look like clones. In reality, you could take any group of people and they’ll all have their individual ways of expressing humour. Some enjoy wordplay. Some will try to grab attention and be the joker of the group. Some will be understated and enjoy the odd ironic quip. These are all ways to use dialogue to create a three-dimensional, distinct character.
(There’s more about this in Writing Characters Who’ll Keep Readers Captivated, including a discussion of phonetic Glaswegian.)
Thanks for the pic Lee Carson
Tomorrow: editing is more than tweaking the language
Have you had difficulty making your characters sound distinct? How have you tackled this?
accents, authors, bland characters, boring characters, character dialects, character voice, characters, characters and cursing, characters and cussing, characters and humour, dialogue, distinct characters, editing, fascinating characters, fiction, fiction characters, Guardian masterclass, Guardian newspapers, having ideas, how to edit your novel, how to write a book, how to write a novel, I want to edit my book, I want to edit my novel, interesting questions, main characters, My Memories of a Future Life, novels, phonetic dialects, polishing, publishing, revising, revision, Roz Morris, self-editing, self-editing for fiction writers, write a good book, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, Writing Plots With Drama, Depth & Heart
This week I’m running a series of the sharpest questions from my Guardian self-editing masterclass. In previous posts I’ve discussed three/four-act structure and endings. Today it’s two questions about difficulties with characters.
The bland friend
One romance writer had a character who was the supportive friend for the protagonist. She worried that, in all the scenes of tea and sympathy, the friend was bland. I suggested giving her a rough edge that showed the limits of this tolerant soul. I drew inspiration from Dave’s mother, easily the most accommodating person I ever met. But she couldn’t abide spiders, and would not have been bothered if you squashed one while removing it from her presence. Suppose, I said to my romance writer, your nice lady is so mortally afraid of spiders that she always stamps on them?
The antagonist you’re afraid to write
Another lady had an antagonist who made her feel inhibited. She knew he should have more darkness than she had written but she feared to explore it. She also recognised this was cheating the book. What if, I said, she put that worry into another character, let them act out her discomfort? Would that free her to unlock the antagonist? She seemed to feel that would do the trick. I also encouraged her to look for the kernel of good that let him feel positive and justified about himself – and maybe even disturbed him.
Thanks for the pic, heyjoewhereareyougoingwiththatguninyourhand
Tomorrow: accents in dialogue
I’m really curious about this question of the character who upsets us so much we feel inhibited when we write them. Have you had experience of this? Let’s talk.
antagonist, antagonists, authors, bland characters, boring characters, characters, contrradictory characters, editing, epilogue, fascinating characters, fiction, fiction characters, Guardian masterclass, Guardian newspapers, having ideas, how to edit your novel, how to write a book, how to write a novel, I want to edit my book, I want to edit my novel, inhibitions with characters, interesting questions, My Memories of a Future Life, novels, polishing, publishing, revising, revision, romance writer, Roz Morris, self-editing, self-editing for fiction writers, villains, write a good book, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing inhibitions, Writing Plots With Drama, Depth & Heart
- Do this before that: 5 production steps for brilliant books – guest post at Alliance of Independent Authors February 18, 2018
- 3 wondrous paradoxes of a slow writing process February 4, 2018
- The writer’s persona in the narrative, MFA courses and Englishness – interview at Rain Taxi January 27, 2018
- Biggest challenge as an indie author and how to stay creative – interview at ALLi January 22, 2018
- ‘What is hope and how do we make more of it?’ The Undercover Soundtrack, Dwight Okita January 15, 2018
- Reaching readers if you write in multiple genres – could crowdfunding be the answer? An interview January 12, 2018
- The culture of a close marriage and weird little trips – guest spot at Victoria Dougherty’s COLD January 6, 2018