Posts Tagged Garry Craig Powell
Last year I got in conversation about this with creative writing professor Garry Craig Powell – you might recognise him because he’s been an Undercover Soundtrack guest and interviewed me about Not Quite Lost. So I thought it would be good to write a proper, in-depth interview about it – and it turned out to be very long!
We’re publishing it in parts at Late Last Night Books. In part 1, we chew over the following questions, with actionable points at the end –
What are the benefits and limitations of creative writing degrees?
What experience level should a writer have so their work is enhanced rather than forced into a standard mould (the often-derided MFA novel)?
As writing is largely self-taught, do writers need formal teachers?
Misconceptions about creative writing teachers!
Thanks for the pic, Pixabay
And if you’ve taken a creative writing degree yourself – or considered it and decided not to – do share your experiences in the comments here. Also, post any questions you’d like us to tackle. If they’re not in one of the interviews, we can gather them into a special at the end.
How much should a writer’s personality show in a book? Some authors keep themselves out of the narrative voice, even in a personal book such as a memoir. Others colour every page with their sensibilities and personality, even if they’re writing fiction. This is just one of the questions I’m discussing today in the literary magazine Rain Taxi.
You might recognise my interviewer – Garry Craig Powell, who has been a guest on The Undercover Soundtrack (he put Phil Collins songs to unforgettable and cheeky use). Garry has also taught creative writing at university level, so that’s another discussion we have – are these courses useful, necessary, a hindrance, something else? What about journalism – when is that a good start for a fiction author?
And then there’s Englishness. What is that? Well, it could be a quality of restraint – when saying less means more. It might also be a sense of Elysian yearning for an emblematically romantic world, including the tradition of stories about remarkable houses. We’re trying to thrash it out. Do come over, and bring tea.