Posts Tagged gatekeepers

A new mission for literary agents

You might have heard this week that the Ed Victor Literary Agency has started its own ebook and print-on-demand venture, initially to republish clients’ books that have fallen out of circulation.

I said in a comment on my recent post Should You Hit Self-Publish that this was disappointing. Because what I’d really like to see is agents using a model like this to showcase the work of original new writers.

As I said in my post, publishers were once allowed to acquire books purely because they were good, but now they have to worry about selling sure-fire winners to book chains and supermarkets. This means the original, the unusual, the unknown, the pesky cross-genre novelists are not getting publication deals. And yet these books were considered brilliant enough for agents to take them on.

There can’t be an agent in the world who doesn’t have a few titles they’re 100% passionate about but can’t sell.

This is bad for our art form. It’s bad for authors. It’s bad for everyone who likes a good read. It’s ghettoising our next generation of original authors, who ten years ago would have had a chance to build a career.

So what I’d really like to see is this. Agents should start their own ‘discovery’ imprints on POD and ebook. They should showcase, say, six titles every few months that they passionately believe deserve to be read.

The major reviewers would take notice, because the titles would have been stringently picked with the seal of approval of a legitimate agent. It would be another way to encourage publishers to have confidence in these new authors. And even if the showcased titles were too kooky for the mainstream, the publishers might want to know about the author’s other work.

It used to be that if you self-published a book, you’d scuppered all chances of it appearing in print conventionally. Even that’s changing. Kindle Direct Publishing’s latest newsletter features the story of Nancy Johnson, who published her novel on Kindle and has had offers of representation and publishers wanting to buy foreign rights.

All in favour, say aye

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