Posts Tagged ghostwriting
Writing multiple projects and keeping in touch with a book when you take a break – interview at Joined Up Writing podcast
One of those books is my third novel, Ever Rest, an undertaking that seems as gigantic as the mountain itself, and has to be fitted around other deadlines.
Hopping between projects is a way of life for most writers and is one of the subjects I discuss with Wayne Kelly on this new episode of his podcast. We also talk about ghostwriting (my course on that is here if you’re seriously curious), how we learn as writers, finding our niche, growing up in a landscape full of stories and the new Nail Your Novel Workbook. Do come over.
PS If you’re curious about why Ever Rest is taking so long, and how many other mountains I’m trying to tackle at the same time, there’s more in my newsletter
I recently recorded this interview at The Bestseller Experiment, and I’m hugely flattered because their guest hotseat has held some pretty famous bottoms. Bryan Cranston has sat there. Richard Morgan who writes Altered Carbon has sat there. Tad Williams and Michelle Paver have sat there (and Michelle and I share a liking for Everest so I made sure I listened to that one). Anyway, it’s my turn. You can find the others if you dig around their vaults.
And if my interview has made you seriously consider ghostwriting, don’t forget to check out my course.
There’s a question I get asked a lot. So I thought I’d let two Rozzes, 15 years apart, slog it out.
Young Roz, fresh-faced ghostwriter: Why don’t you write a quick series of novels that would sell shedloads and make a mint. Then you can spend the rest of your time on your, er, slower-selling books. The arty ones.
Older, wiser Roz: Hmmm. It’s not that simple.
Young Roz, FF ghostwriter: But you’ve had the best bootcamp ever for commercial fiction writing. You’ve worked with ruthless and brilliant editors. You’ve seen your books as posters on the London Underground.
Older, wiser Roz: When I ghostwrote, I was new to professional writing. Unformed. Looking for my way. Then I started on my own novel and everything changed. Once upon a time, my goal was to please those taskmasters. I discovered I could suddenly please myself. I’d learned to drive the car; now I could take it anywhere I wanted.
Young Roz, FF ghostwriter: Well come on, why do those books take so long? I can hammer out a ghostwritten novel in six weeks. I thought My Memories of a Future Life would be a left-field suspense. Lifeform Three was supposed to be a light futuristic romp. What on earth were you doing?
Older, wiser Roz: The books kept changing. The more I worked on them, the more they seemed to pose an irresistible mystery about life. A novel in progress isn’t just a thing I pick up at the keyboard and put down again. It travels with me. An endless conversation. A personal crusade. Keyboard-time is when I catch up with the points I honed as I watched a film, worked an editing shift, went for a run, cooked dinner, groomed a horse. That process is one of the pleasures of building a novel. And frequently the frustration. Do you know what? I don’t want to live with a book unless I can take it to its genuine limit.
Young Roz, FF ghostwriter: Don’t over-think it. Just write to a trend.
Older, wiser Roz: Hmmm. I was chatting to a senior editor at a Big Five publisher. ‘Roz,’ he said, ‘we’re looking for another Girl On The Train. Just knock one off. The manuscripts we’re getting from agents are rubbish. We need you.’
Young Roz, FF ghostwriter: I am totally going to do that.
Older, wiser Roz: Yes, you will. You’ll take a publisher’s informal hint and write a thriller that chases a trend. By the time it’s ready, the trend will be over. And anyway, I don’t read books like that.
Young Roz, FF ghostwriter: But … bestsellers. Hot categories. Salivating now.
Older, wiser Roz: Yes, the cash doesn’t just rain out of the air if you write one manuscript. You need to feed readers regularly. You won’t just write one, you’ll write several. Even a book that is fast to draft has a lot of other time behind it – knowledge of the market, promotion activities, reading the innovators so your work is fresh enough. Have I mentioned that readers will spot if you don’t adore that genre to your very boot-soles? Writing like that is not a part-time job, it’s a dedicated role. It’s full on, full time. What bandwidth does that leave for crafting a nice book for the soul?
Young Roz, FF ghostwriter: But there are surprise breakouts. I’ll take a few rejections on my determined chin, and eventually we’ll be Rowling in £££s. I’ll whack a book on Kindle when it’s invented, learn some sales-fu and watch it rain dollars.
Older, wiser Roz: Oh just buy a ticket for the lottery.
Young Roz, FF ghostwriter: Think of those Tube posters for the books we ghostwrote. Wouldn’t it be nice to see our real name there?
Older, wiser Roz: Yes, there was a time when I could dash off a genre book. I was new and eager and didn’t know what I wanted to write for myself. I’m happy to ghostwrite non-fiction, because that’s creative journalism. I like editing too; it’s the fun part of problem-solving, helping another writer with their vision. Being a supportive godmother instead of the flailing, gnashing parent.
In the professional world of publishing, there’s no such thing as writing a book for easy money. So I prefer to be careful how I spend my creative energy. Because there’s a lot I want to do.
(Psst… if you’re curious to know more, sign up for my newsletter.)
Sometimes, the way to find yourself is to start by being someone else. That’s the subject of this podcast by the messaging app Slack. Each episode they interview people who find their identity in the work they do – and this time they’re looking at disguises. So they typed ‘ghostwriting’ into Google and found my grinning face … (Quick mention here of my ghostwriting course in case you’re professionally curious)
We talked about how I got started, the pressure from publishers to carry on writing sure-fire bestsellers, and the struggle to strike out as myself, writing my own fiction on my own terms. Along the way, presenter Lily Ames describes My Memories of a Future Life in a way I’ve never heard before … which proves yet again that someone else is always better at summing up your novel than you are.
The second half is a seasonal tale of a Vietnam veteran who became Santa Claus – and the surprising ways that this red, woolly-bearded disguise has made a genuine difference in people’s lives.
Find it here on iTunes or stream it directly here (they concentrate on the Santa story in the write-up, but I’m on as the warm-up – you are in the right place!).
And merry everything xxxx
Some of you know that I began my writing career incognito, as a ghost-writer. It gave me certain habits and approaches that I still use to this day, and I’m sure they were a head start for productive writing processes. Today I’m talking about those habits at Jo Malby’s blog. (And as I’ve had two guest posts this week, I hope you’ll forgive me for taking the rest of the weekend off. There is bank holidaying to do, as well as a spot of writing.)
And if you’re wondering about ghost-writing yourself, let me clear my throat discreetly and point you to this…
In this post at Jane Friedman’s blog, I outline the mindset and skills needed, some of the challenges you might encounter …. and most of all, why ghost-writing is an attractive option.