Posts Tagged guest post
Some of you know that I began my writing career incognito, as a ghost-writer. It gave me certain habits and approaches that I still use to this day, and I’m sure they were a head start for productive writing processes. Today I’m talking about those habits at Jo Malby’s blog. (And as I’ve had two guest posts this week, I hope you’ll forgive me for taking the rest of the weekend off. There is bank holidaying to do, as well as a spot of writing.)
And if you’re wondering about ghost-writing yourself, let me clear my throat discreetly and point you to this…
It seems there are certain pitfalls we all encounter when we’re plotting a novel. Creaky story metaphors; genre muddle; clumsy handling of ‘non-real’ material; tunnel vision; ignoring common-sense solutions to the characters’ troubles. This week I had the hot seat at the Alliance of Independent Authors blog, listing dumb things we all might do when building a story (whether self-publishing or not).
As I’ve dinged your inbox several times already this week because of the ghost-writing course launch, this will be my regular writing post. (And this seems a good moment to mention that, if you’re interested, the ghost-writing course early bird offer expires on 17 May – more details here.)
In this post at Jane Friedman’s blog, I outline the mindset and skills needed, some of the challenges you might encounter …. and most of all, why ghost-writing is an attractive option.
When astronaut Major Tim Peake blasted off for the International Space Station, the UK literary community launched a project of its own. One Giant Read is described as ‘a shared reading experience from Literature Works in partnership with the UK Space Agency, Royal National Institute for Blind People and supported by Gollancz, the Poetry Archive and Plymouth University’.
I’m beyond delighted that Lifeform Three is included in this month’s edition, which explores artificial intelligence in both the provable world (I refer you to that fetching shot of Benedict Cumberbatch in The Imitation Game) and in speculative fiction.
I’m taking a short blogging break to finish a big project before Easter, but in the meantime I can leave you with some slightly unusual bloggery.
Look at the question in the header. When I received it in my email, I thought I’d quietly pass. I don’t really see my fiction as a cudgel for issues. But I followed the link and found Howlarium, a thoughtful discussion blog by short story writer Jason Howell. And by then, I was itching to answer. So today I find myself on his blog, with a few other thoughtful types who have plenty to say about what we ‘should’ or ‘shouldn’t’ write.
If you’ve got an opinion about that too, argue it here in the comments. Back soon!
There are. They’re my secret.
Actually, they’re not a secret at all. The 4 Cs of a great plot is one of the questions I discuss with Lorna Faith on her writing podcast (which also has a visual, handwaving, grinning version, see right).
Lorna quizzes me about the ins and outs of a good plot and we grapple with many storytelling essentials, including structure, turning points and where plots come from. Step this way.
This book is being read everywhere, apparently! Or it is in the USA, which is home of Literary Roadhouse. They invited me to be part of their book club podcast, where we spent a good hour getting our teeth into Fates and Furies by Lauren Groff.
Some of us adored it. Some of us grumbled about the very things the others loved. Such is the nature of a truly satisfying book club discussion. If that’s your bag too, step this way.
You might have spotted it’s uncharacteristically quiet here today. Wednesday has, from time immemorial, been Undercover Soundtrack day, and yet you find instead a deafening hush. Rest assured, the series will return next week and I have the post in my paws already. In the meantime, I have a guest post today at Romance University.
And is that an unseasonable word in the post title? Nanowrimo: isn’t that in November? Well, one of the keys to Nano success is preparation. To make sure you keep as much of the creative fun as possible, I’ve focused on designing your characters – and then letting them run riot to give you the plot. Do hop over. (You can also get there by clicking the pic. Last time I ran a guest post, Jonathan Moore pointed out it was idiotic not to link the pic too. Jon, I have at least entered the point-and-click age. Your wish is my command.)
How do you create a fictional character who not only leaps off the page, but lives on in the reader’s mind after the story is finished? Today I’m puzzling these questions at Vine Leaves Literary Journal, with examples from Emily Bronte, Robert Goolrick, Patricia Highsmith and Nevil Shute. Do pull up a chair.