Posts Tagged guest post
It’s always a struggle to find time to write. If you’ve got a book in progress, it’s tempting to spend all your free moments on it. But don’t sacrifice time that you would usually spend reading. It’s a false economy.
Similarly, don’t fear that your reading is going to influence your work to a detrimental extent, or that you might end up copying ideas. The chances are you won’t. Your book is much bigger in your mind than anything you read, or watch, or any conversation you overhear. Any influence will be minor by comparison with the huge amount of work you’ve already done.
But if you stop reading while you write your book you might lose touch with the way prose tells stories, and you won’t be using your ideas to their maximum potential. We do many things on instinct, and those instincts are learned unconciously. Reading feeds our muse and our technique.
Today I’m at the wonderful Writers Helping Writers site, run by Angela Ackerman and Becca Puglisi of Emotion Thesaurus fame. They’ve devised a series of writing lectures this year and have invited various coaches to be regular contributors, and I’m honoured to be on their list (note that nice award they have from Writer’s Digest). And because I wrote the piece as the year was turning, my mind was operating in resolution mode. If I was to identify a change that I’d urge writers to make, what should it be? Many of my author clients would do their work a world of good by reading more, but it’s job to persuade them. So here’s my persuasion. Do hop over.
When we’re writing, we just let our instincts pull us on. But at some point we have to decide who our book’s readers will be, and how to categorise it. Enter the G-word: genre. And the various A-words – young adult, new adult, adult, age. Here’s how to unmuddle yourself. Hop over to Anne R Allen’s blog where I’m attempting to pin down some principles.
And you’ll find more discussions of genre – including the whole question of literary – in Writing Plots With Drama, Depth & Heart: Nail Your Novel 3.
If you’re exploring characters for your story, this exercise might help. Triskele Books is holding a creative writing summer school and I’ve contributed this snippet to uncover interesting tensions that make a scene sizzle. And once you’re there, you’ll find several other storybending assignments from seasoned fictioneers. Step this way.
Some of you know that I began my writing career incognito, as a ghost-writer. It gave me certain habits and approaches that I still use to this day, and I’m sure they were a head start for productive writing processes. Today I’m talking about those habits at Jo Malby’s blog. (And as I’ve had two guest posts this week, I hope you’ll forgive me for taking the rest of the weekend off. There is bank holidaying to do, as well as a spot of writing.)
And if you’re wondering about ghost-writing yourself, let me clear my throat discreetly and point you to this…
It seems there are certain pitfalls we all encounter when we’re plotting a novel. Creaky story metaphors; genre muddle; clumsy handling of ‘non-real’ material; tunnel vision; ignoring common-sense solutions to the characters’ troubles. This week I had the hot seat at the Alliance of Independent Authors blog, listing dumb things we all might do when building a story (whether self-publishing or not).
As I’ve dinged your inbox several times already this week because of the ghost-writing course launch, this will be my regular writing post. (And this seems a good moment to mention that, if you’re interested, the ghost-writing course early bird offer expires on 17 May – more details here.)
In this post at Jane Friedman’s blog, I outline the mindset and skills needed, some of the challenges you might encounter …. and most of all, why ghost-writing is an attractive option.
When astronaut Major Tim Peake blasted off for the International Space Station, the UK literary community launched a project of its own. One Giant Read is described as ‘a shared reading experience from Literature Works in partnership with the UK Space Agency, Royal National Institute for Blind People and supported by Gollancz, the Poetry Archive and Plymouth University’.
I’m beyond delighted that Lifeform Three is included in this month’s edition, which explores artificial intelligence in both the provable world (I refer you to that fetching shot of Benedict Cumberbatch in The Imitation Game) and in speculative fiction.
I’m taking a short blogging break to finish a big project before Easter, but in the meantime I can leave you with some slightly unusual bloggery.
Look at the question in the header. When I received it in my email, I thought I’d quietly pass. I don’t really see my fiction as a cudgel for issues. But I followed the link and found Howlarium, a thoughtful discussion blog by short story writer Jason Howell. And by then, I was itching to answer. So today I find myself on his blog, with a few other thoughtful types who have plenty to say about what we ‘should’ or ‘shouldn’t’ write.
If you’ve got an opinion about that too, argue it here in the comments. Back soon!
There are. They’re my secret.
Actually, they’re not a secret at all. The 4 Cs of a great plot is one of the questions I discuss with Lorna Faith on her writing podcast (which also has a visual, handwaving, grinning version, see right).
Lorna quizzes me about the ins and outs of a good plot and we grapple with many storytelling essentials, including structure, turning points and where plots come from. Step this way.
This book is being read everywhere, apparently! Or it is in the USA, which is home of Literary Roadhouse. They invited me to be part of their book club podcast, where we spent a good hour getting our teeth into Fates and Furies by Lauren Groff.
Some of us adored it. Some of us grumbled about the very things the others loved. Such is the nature of a truly satisfying book club discussion. If that’s your bag too, step this way.