Posts Tagged guest post
If you enjoyed my interview with Krishan Coupland of The Liminal Residency, you might like this post by me on their blog. It was inspired by a weird weather effect after a long, long drive in the fog, and perhaps a bit of headlight hypnosis. You can find a longer version in my travel diary Not Quite Lost: Travels Without A Sense of Direction.
Anyway, do hop over … and if you’ve had a similar experience, let’s discuss it in the comments!
Where would you most like to go? Underground, overground, back in time, out of this world? I’ll have all of them, please. (That’s the mysterious Down St Tube station in the picture, abandoned and dark since 1932.)
Book blogger Davida Chazan (who you might remember was incredibly nice about Not Quite Lost) has devised this quirky questionnaire for authors she’s reviewed and today it’s my turn. As well as preposterous travel, expect brightest of times, darkest of times. and a book I wish I’d written. She’s also known as The Chocolate Lady, so one of her questions is, of course, answered by this.
And if you’re curious to know more about my weird and wonderful, here’s my latest newsletter.
Do you outline a novel before you write it or do you dive straight in? That’s the source of one of the great divides between writers, the ‘planners’ v the ‘pantsers’. To complicate matters, some pantsers are actually not as fancy-free as they appear.
And you might ask what counts as an outline. Is there a bare minimum an outline needs to do? Will an outline squash the creativity? Could you outline in a fresh way to give yourself more scope to be inventive? Does your outline even have to be in words? (Interpretive dancers, this is your chance to shine…’ I’m only half joking….)
Today I’m at the IngramSpark blog, because they asked me to talk about all the various and creative ways we can create outlines for our stories. There’s something for everyone. Do come over. There’s also a lot in my workbook, BTW.
And if you’re curious about what’s been going on in my own writerly lab, here’s the latest.
Questions…. they’re the reason a reader gets intrigued by a story. And, at the author’s end, the writing process is an entire cycle of questions, big and small, some arising out of other questions. Some of the process is figuring out the right answers. Some of it is figuring out what to ask in the first place.
If that sounds like a conundrum, some of the most important questions are conundrums in themselves. Confused?
PS If you’re curious about the latest doings of my own creative pen, here’s my latest newsletter
Some books never get out of the writer’s mind and onto the page … and when IngramSpark heard about my new workbook, they thought I might have some advice. Voila, 7 essential points for writing with confidence, which you can see over at their blog. Actually, I didn’t expect to be in your inbox again so quickly after the previous post, but launch times always get a bit frenetic.
This extra post also lets me share a sudden, mad offer. This weekend, in honour of the Bookbrunch Selfie Awards, I’m having a flash sale for my novel Lifeform Three – which a few years ago had a nibble at a very prestigious award (I’ve never been able to tell the story before, but you can find it here). For this weekend, the Kindle edition of Lifeform Three is just 99c. Grab it now!
How do we tease a bunch of ideas into a plot? How much notice should we take of common plot shapes such as the Hero’s Journey? Are they worn to death now? If we get creative and throw the rules out of the window, how do we ensure we don’t end up with an unreadable mess? IngramSpark noticed I have a book about plot, so they asked me over to their blog to write a quick guide to plotting with pizzazz, panache and unpredictability. (I realise that’s 3 Ps, but my post is actually about Cs. Oh well. All will be explained.) Do come over.
I recently recorded this interview at The Bestseller Experiment, and I’m hugely flattered because their guest hotseat has held some pretty famous bottoms. Bryan Cranston has sat there. Richard Morgan who writes Altered Carbon has sat there. Tad Williams and Michelle Paver have sat there (and Michelle and I share a liking for Everest so I made sure I listened to that one). Anyway, it’s my turn. You can find the others if you dig around their vaults.
And if my interview has made you seriously consider ghostwriting, don’t forget to check out my course.
Want to learn some ninja plotting skills? Try these exercises at Reedsy.
Reedsy is principally known as a marketplace for authors and publishers, but it also offers a range of useful lists, from review sites to writing tips. It’s just compiled a set of 100 creative writing exercises from its favourite bloggers (thanks, guys!).
I was invited to contribute three short exercises and I’ve chosen subjects that help you read with a writer’s mindset. They are:
1 Foreshadowing plot twists so they are surprising and fair (the clue hunt)
2 How to keep the reader gripped (the page-turner)
3 Using your material with economy and elegance (the observant writer)
And psst … there are plenty more insider plotting tips in Writing Plots With Drama, Depth & Heart: Nail Your Novel 3