‘An earworm of the heart’ – The Undercover Soundtrack, Katharine Grant

My guest this week says she would like to be able to play the piano to concert standard, but since she can’t, she uses words as her instrument of enthrallment. Pianos are central to the plot of her latest novel, a historical romance in which four nouveau riche fathers attempt to marry off their daughters by displaying their talents in a music recital. Mayhem ensues, con brio. She says her musical ear guides her writing; Bach helps her to listen to the cadence of words and Purcell reminds her, in the most emotional way, that writing is all about remembering. (Are you guessing that Dido’s Lament might be coming up?) She is Royal Literary Fund Fellow Katharine Grant and she’s on the Red Blog with her Undercover Soundtrack.

‘Music for writing the 12th century’ – The Undercover Soundtrack, Mark Richard Beaulieu

My guest this week has an epic sequence of novels, and an epic musical background for them. They span the life of Eleanor of Aquitaine – but if you were expecting a purely medieval soundtrack, think again. There are, of course, some historically appropriate pieces, but also a host of unusual tracks from Chris Isaak, Jon Hassell, Ennio Morricone and Peter Gabriel. This post is a musical epic all of its own, and listening to the choices brought me many new gems. One of them, CocoRosie’s Smokey Taboo, I liked so much that I found an excuse to shoehorn it into my radio show (here, in case you’re interested, though that episode is currently in production). Anyway, the author is Mark Richard Beaulieu, and he’s on the Red Blog with his Undercover Soundtrack. Bring a packed lunch.

‘Music and love transform your internal landscape’ – The Undercover Soundtrack, Louisa Treger

My guest this week used to be a classical violinist. She says music informs every word she writes, expressing states of feeling that she then strives to render in words. Her novel is a biographical story about the little-known author Dorothy Richardson, who pioneered the stream of consciousness technique, although she is overshadowed today by Virginia Woolf. In the novel, Richardson is invited to stay with a friend who is married to HG Wells, which is the start of a tangled and tumultuous affair. It’s a novel full of love and loss, with a soundtrack to match. She is Louisa Treger and she’s on the Red Blog with her Undercover Soundtrack – and if you comment you could win a copy of her novel.

‘A horse, a hat and a fight for freedom’ – The Undercover Soundtrack, Tanya Landman

My guest this week grew up in thrall to wild west movies, especially the ones with epic theme music. Many years later, she was reading some history books as research and stumbled across the freed slaves who were conscripted to fight the Indian Wars. Those early movie memories with their sweeping soundscapes came back to her, along with a more bitter kind of song – gospel music and spirituals by Nina Simone, Paul Robeson and Sam Cooke. She emerged with a mission to, as she puts it, tell the story of the Civil War from the other side. She is Tanya Landman, her novel has been shortlisted for this year’s Carnegie Medal, and she’s on the Red Blog with her Undercover Soundtrack.

‘Spurred by the song’s rhythm, my typing fingers flew’ – The Undercover Soundtrack, Dianne Greenlay

My guest this week has a taste for the adventurous. Her novel is set in the pirate-infested waters of the West Indies in 1717, and her characters are unwittingly pulled into a hazardous sea journey. The music that sustained this imaginative voyage is epic and foreboding, but not without its lighter elements. My guest discovered in her research that sailors used dance to ward off boredom on the interminable days at sea, so she wrote a scene to the soundtrack of a reel. But it became more than dance; when the characters shrugged off their tensions they began to behave in unexpected and delightful ways. In case you’re imagining it’s all lace, beards and cutlasses, though, there’s a distinctly modern note at the end: Moby makes an appearance (no, not the whale). The author is Dianne Greenlay (one of my co-conspirators at the League of Extraordinary Authors) and she’s on the Red Blog with her Undercover Soundtrack.

‘The music of exile’ – The Undercover Soundtrack, Kathleen Jones

My guest this week has written a novel of exiles – artists, sculptors and musicians displaced from their home countries by the border shifts after World War II. The central character is doubly exiled, born between genders at a time when such things were poorly understood. Music helped her create their personalities, guide her research and develop their histories. She drew on a rich heritage of opera, jazz and folk – and even composed her own folk song for the novel. She is Kathleen Jones and she’s on the Red Blog with her Undercover Soundtrack.

‘Music of raw power, pulling back from chaos and feedback’ – The Undercover Soundtrack, David Penny

My guest this week describes his writing as a constant state of striving – to achieve the same visceral punch of great music. His books come to him that way too – protagonist, thread and plot in one hit. In fact I’ve actually seen this thunderbolt descend; I was with him on a course one day when he told me he’d just overheard a conversation that gave him an entire plot and its characters in an instant. After that comes the hard work, of course, and music helps him return to that state of fever. The novel he is talking about this week is the first in a crime series, set in the final years of Moorish rule in Spain, and its soundtrack is full of sweat, guitars, lutes and bass. He is David Penny and he’s on the Red Blog with his Undercover Soundtrack.

‘Break your heart in just three minutes’ – The Undercover Soundtrack, David Gaughran

My guest this week says music has always been a companion to his writing. He drafted his first book in restaurants, bars and cafes while travelling the world, and now he turns to music to settle into the writing mood. In his fiction he likes to explore the bittersweet, the unresolved, the questions, the dark side of a strength, and draws inspiration from the songwriters and performers who can break your heart in three minutes flat – while fitting the shape of a tune. He is David Gaughran and he’s on the Red Blog with his Undercover Soundtrack.

‘Music used to be background until this character’ – The Undercover Soundtrack, Helen Hollick

My guest this week used to regard music as a mostly-ignorable atmosphere. Then one inspirational moment changed everything. She was listening to Mike Oldfield when a character leaped, fully formed, into her imagination – an enigmatic pirate of the Caribbean, skilled with a cutlass and a roguish smile. This character also proved a turning point in her career, as her agent advised her that the adult readership did not want stories about pirates. But so strong was her conviction about the character that she wrote him anyway – and thus her indie career was born. She is Helen Hollick, her novels are the Sea Witch series, and she’s on the Red Blog with her Undercover Soundtrack. All say ‘arrr’.

How to write what you don’t know – research tips for writers

Ideally we’d all write from personal experience, but most of us have much bigger imaginations than our pockets, lives, bravery levels or the laws of the land can accommodate. So we have to wing it from research.

Ghostwriting is the ultimate rebuke to the idea that you write what you know. We pretend all the way, even down to our identity, outlook and heart. When I was ghosting I became a dab hand at travel by mouse – there was no way the publisher paid enough for me to jet to my book’s location. Or would spring me out of jail.

So here are my tips for bridging the experience gap.

Good first-hand accounts

Obviously the web is full of blogs about just about anything. They’ll give you up-close, spit-and-sweat details from those who are living the life. But look further afield. Good memoirs and novels will not only provide raw material, they’ll show how to bring a place alive on the page.

Guides for writers

There are scores of books published for writers who want to bone up on unfamiliar areas – whether crime, ways to kill or die, historical periods and what might be possible in steampunk. Or how to write a vampire novel. Some of you may know I’m an obsessive equestrian, and Dave’s roleplaying fraternity used to ask me constant questions about what you could do with horses until I wrote this piece for them.

What everybody else may already know

If there are famous books or movies that tackle your subject or feature your key location, get acquainted with them. Some readers hunt down every story that features their favourite keywords. They will not be impressed if you miss an obvious location for a murderer to hide a body, or an annual festival that should muck up your hero’s plans.

Photographs

Flickr is wonderful for finding travellers’ snaps. But don’t discount professional photography. The best captures the emotional essence of a place, not just the visual details. I wrote one novel set in India and found a book of photographs of the monsoon. Those exquisite images of deluge gave me powerful, dramatic scenes.

Before the days of broadband, my go-to was National Geographic on searchable CD-ROM. I bought it as a Christmas present for Dave many years ago and probably you can now get the same thing on line. Sublime photography and descriptive writing that will get your fingers tapping.

Befriend an expert

Misapprehensions are inevitable if you’re appropriating others’ experiences. If possible, tame an expert you can bounce ideas off – especially if you’ve hung a major plot point on your theoretical understanding. When ghosting, I could ring my ‘authors’ for advice, but they weren’t always available so I found other sources to get my facts straight.

You’ll be surprised where these experts could be hiding. I never noticed my neighbourhood had a diving shop until I needed to write scenes featuring scuba. They were flattered and excited when I asked if I could pick their brains for a novel. When I was working on My Memories of a Future Life, a friend mentioned her family knew one of the BBC Young Musicians of the Year. Voila – I had an introduction to a concert pianist. Right now, I’m recruiting high-altitude climbers and pop musicians. Say hi in the comments if you know any.

Thanks for the travel pic moyan_brenn

What do you use to write what you don’t know? Share your tips in the comments! And do you have any research needs at the moment? Appeal for help here and you may find your perfect partner!