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Posts Tagged horses
I was teaching a masterclass at The Guardian yesterday and we were discussing characters. One of my students said this:
‘I think of my characters as horses.’
To be honest, I couldn’t believe my ears. If you know me on Facebook and Twitter, you’ll know I’m rather fond of the equine breed, so when one of my students said ‘I think of my characters as horses’, I thought I was still in bed at home, waiting for the alarm.
Not as mad as it seems
But she went on to explain. She ran a carriage-driving centre, and found that all of her horses were such different temperaments they were a great basis for building fictional characters.
Stay with me here, because it makes glorious sense. One of the fundamentals of a character is what they’re like in the core of their soul, the things they can’t fake or change. Whether they’re bold in new situations, whether they feel safer following the crowd or prefer to be in charge, what kind of personalities annoy them, whether there are bad past experiences that have left scars, whether they’re naturally friendly or touchy-feely, or prefer to keep to themselves, whether they’re gentle or insensitive.
If you hang around horses a lot – and, I can imagine, dogs – you’re used to the company of a creature that can’t pretend. It always shows the material they’re made of. Then if we start to imagine those behaviours translated into a human character, who might try to cover them up, and whose life might make more complex demands…
The Johari Window
Indeed, this is not unlike the Johari Window, which can be useful for designing characters. It’s a grid, split into four, in which you write:
- the things the character and everyone else knows
- the things only the character knows
- the things everyone else knows but the character doesn’t
- the things that are unknown – the traits, fears, and feelings that no one suspects.
These last two are where we can have most fun with the character: the impulses that drive them, behaviours they are not in control of, and make them complex and interesting.
That’s the horse self. (And a nice excuse for me to include a picture of my own Lifeform Three.)
Use this to write a character who is very different from your own personality
Another student asked how to write a character who is very different from you.
This is where advice to ‘write what you know’ seems somewhat unhelpful. If we followed it we wouldn’t write murderers, queens, abuse victims, abusers, fatally jealous people, talented artists, heiresses, politicians, housemaids in Victorian houses, wizards…
On the other hand, ‘writing what you know’ is the place to start. All characters will have certain traits that we can relate to. Again, these come back to very simple impulses. What do they want to protect? What makes them feel threatened? What gives them joy and release? What makes them feel safe? If you start with those, you can find your way into most characters.
There are more tips for your fictional people in Writing Characters Who’ll Keep Readers Captivated: Nail Your Novel.
Do you have any off-the-wall tips for getting to the hidden depths in a character? All pets welcome.
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My new novel isn’t set in the world of music and none of the characters are musicians. It’s a quirky take on the future dystopia/utopia, with a smattering of Arcadia too – misty woods, abandoned towns, a forbidden life by night; the scent of bygone days; and an enigmatic door in a dream. Behind the scenes, though, music did all the early work for me. The first, rough outline came to me from favourite tracks by Boards of Canada, Peter Gabriel, Vangelis, Enya, Ralph Vaughan Williams and the Hungarian electronica composer Gabor Presser. As I built the story I listened to them repeatedly, and now each of them represents a landmark on my main character’s journey. Join me on the Red Blog, when I’ll explain the Undercover Soundtrack for Lifeform Three.
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‘An enigmatic contradiction; fragile but powerfully emotive’ – The Undercover Soundtrack, Jennifer Scoullar
It was hard to choose a quote to introduce this week’s Undercover Soundtrack. Jennifer Scoullar’s novel about Australia’s Brumby horses and the people who live among them has a soundtrack of many moods – from the intensely spiritual to the raucously rocking. She has also dedicated Brumby’s Run to causes that protect wild horses. In the end, ‘fragile but powerful’ seems the best way to do it justice. Join me at the Red Blog for her Undercover Soundtrack
Australian wild horses, authors, brumby horses, Brumby's Run, horses, how to write a novel, inspiration, Jennifer Scoullar, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence, novels, publishing, Roz Morris, The Undercover Soundtrack, undercover soundtrack, wild horses, writing life
- My kind of weird, my kind of wonderful – interview at Davida Chazan’s blog September 11, 2019
- How to outline a novel – post at Ingram Spark September 8, 2019
- 7 swift storytelling hacks for back story, description, dialogue, exposition, point of view and plot August 18, 2019
- The secret is out: 10 thoughts on nearly finishing a long-haul novel July 27, 2019
- 9 tips to nail dialogue – guest post at Ingram Spark July 8, 2019
- The ‘under-arrest’ test – how to see the holes in your story’s ending June 20, 2019
- Roger Ebert, Werner Herzog, Antarctica … and a manifesto for maverick creatives May 23, 2019