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Posts Tagged how authors work
It’s been a while since I’ve had an Undercover Soundtrack guest, but that doesn’t mean it’s muted forever. I’ve been writing, and the soundtrack collection for my own book is almost as tall as its namesake (Everest). Meanwhile, I’ve bumped into a few people who would be perfect guests and this week you can meet the first of them – SD Mayes. Her novel is called Letters To The Pianist, which you’ll probably agree makes her the perfect first act for the second act of this series. Letters To The Pianist is set in the London of World War II and draws heavily on the author’s own family history. Music was a route map for the key emotions of the characters – from fantasy escape, feelings of teenage inadequacy and the feelings of wild abandon that come from communion with an instrument. Hop to the Red Blog to hear more.
classical music for writing, creativity, historical fiction, how authors work, how writers work, Letters To the Pianist, London, SD Mayes, stories set in London, The Undercover Soundtrack, twentieth century, wartime London, writing with music
My guest this week says he is much concerned with reinvention. He’s spent his life setting himself challenges to embrace new careers, lifestyles, places to live – and the latest of those reinventions is being a novelist. His debut title is a story of 1970s Glasgow and required some daring imaginative reinventions – not least, writing in the voice and psyche of a 22-year-old woman. A soundtrack was essential – Tangerine Dream to soothe and order the brain; Pink Floyd, Bob Dylan and David Bowie to restart the period – and provide other wisdom besides. He is Glyn Harper – writing as GD Harper – and he’s on the Red Blog with his Undercover Soundtrack.
Oh my! Do you know what I forgot to do? There hasn’t been an Undercover Soundtrack for a few weeks, and now there is I forgot to publish the teaser post. How easily we forget our own routines. Even more heinous, I’ve been adding the tracks to the soundtrack for my own WIP, greedily enjoying it while forgetting I needed to share it with you. Apologies, apologies.
So: my guest spent 16 years as a rock journalist, interviewing stars and trying to understand what their music was trying to say. When he started to write his first novel, music took on a fresh role – no longer the endpoint, it was now the beginning. The book is the story of a man looking back on an intense love affair, and the music is an aural journey of the character’s obsession, his unstable serenity that could turn dark, his complex sense of comfort in the prison of his memories. Dan Gennoe is on the Red Blog with his Undercover Soundtrack (and has been since Wednesday, mea culpa). Proper writing post to follow later, but for now, sit back with Dan.
contemporary fiction, contemporary novels, Dan Gennoe, how authors work, how writers work, inspiration for authors, music for writers, music for writing, publishing, The Undercover Soundtrack, writers and music
- 7 swift storytelling hacks for back story, description, dialogue, exposition, point of view and plot August 18, 2019
- The secret is out: 10 thoughts on nearly finishing a long-haul novel July 27, 2019
- 9 tips to nail dialogue – guest post at Ingram Spark July 8, 2019
- The ‘under-arrest’ test – how to see the holes in your story’s ending June 20, 2019
- Roger Ebert, Werner Herzog, Antarctica … and a manifesto for maverick creatives May 23, 2019
- Writing multiple projects and keeping in touch with a book when you take a break – interview at Joined Up Writing podcast May 12, 2019
- ‘Something elusively wistful’ – The Undercover Soundtrack, Gwendolyn Womack April 28, 2019