Posts Tagged how to get ideas
Just before we recorded this episode I’d been chairing a roundtable at a writing conference. I was struck by how our books come together from fragments. Snippets of inspiration and research; structures that reveal themselves in pieces which we join together like a jigsaw puzzle; snatches of voice that suggest characters or perhaps the narrative tone of the entire work; the contributions from beta readers and editors later on; the way we might be pleased with certain parts but have to sweat over others. Books are long haul; they come together from so many directions. This creative process is what we’re talking about in today’s episode.
Asking the questions is independent bookseller Peter Snell. Answering them is me!
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This post wasn’t originally written for April 1st, because I am gullible all year round. But on balance, I think I’d better stay in today.
I am hopeless at spotting a fib. The other day I was at the hairdresser having the red refreshed. Instead of my usual contact lenses I was in glasses, which have to come off while my locks are being daubed. I was listening in a thick myopic fog while my hairdresser, who is Spanish, was telling me about Christmas traditions in Madrid. They were quite charming and I repeated them in wonder: you put out gifts on January 6th for the Three Kings, including water for their camels? Wow – I love that.
She might have been kidding, but I would never have seen any ironic winks or smiles because I couldn’t see beyond my own eyelashes. The rest of the stylists in the salon and their clients might have been sniggering through their capes, agog for what I would believe next. If they were, I don’t mind. I was having a great time because I liked the story.
I have always been hopeless at spotting a fib. If you tell me something whacky that sounds interesting, I will find a reason why it is plausible. So a glass of water left out for the Wise Men’s camels makes perfect sense to me, because it has story logic, and in my head I’ve joined the narrative dots.
As storysmiths, the extraordinary, the ironic and the surprising are our currency. Part of our job is to invent the logic that gets from A to bizarre – or the other way around. Good stories are about big changes, interesting journeys, the unexpected.
If a straitlaced friend tells me she has taken up burlesque dancing, the last thing on earth I’d say is ‘you’re joking’. I’d swallow it because I’d think what a surprising and refreshing turn her life has taken, how wonderful it is that she has conquered her stage fright, shyness, objections to female exploitation and previously voiced disapproval of skimpy feathered costumes. I will think: ‘she must have needed it – I wonder why?’
So I am A1- gullible. But I’ve far outgrown being embarrassed by it. It’s served me well as source of stories.
Do you value the strange? Have any personality traits that may seem laughable or embarrassing, but that you feel help you as a writer? Share in the comments!