Posts Tagged how to research
Ghostwriting, writer’s block, researching a novel … and training a horse. Interview at @officialSNWfest
How do I tackle writer’s block? How much research do I do before I start writing – and what kind of information do I look for? What’s the hardest thing about writing and what is the most joyful? And… what’s it like to write books for other people as a professional ghostwriter?
On Sunday 25th April I’m presenting a session on ghostwriting at the Surrey New Writers Festival (you don’t have to be in Surrey to attend.. we are Zooming!). So here I am on their blog, talking about how I work, how I keep working when it isn’t necessarily easy, and other strategies for a productive author life. Oh, and they asked about a little horse. Do come over.
Meanwhile, if you’d like more concentrated writing advice, I’m teaching the second part of my self-editing masterclass at Jane Friedman’s next Thursday. It’s all available as videos and transcripts if you can’t make the live broadcast. Find it here.
You might also like my Nail Your Novel books.
If you’re curious about my own creative writing, find novels here and my travel memoir here. If you’d like to support bricks-and-mortar bookstores use Bookshop.org. And if you’re curious about what’s going on at my own writing desk (and my very exciting new novel), look here. You can subscribe to future updates here.
November is when web-aware writers get their speed boots on; NaNoWriMo is afoot. We’ll see growing wordcounts reported around the tweetwires, in the forums and Facebook groups. I’ve never formally Nanoed, but I’m definitely a fan of the fast first draft. Here’s why.
It’s not just about speed for its own sake. It’s about harnessing all possible oomph from that initial ride of discovery with the characters. This draft is when we first make them speak and act instead of viewing them from a distance in note form. I’ve found a fast, intense blast is the best way to capture this in full vividness.
I’ve also learned what disrupts the flow – so here are five tips to keep the ideas coming.
1 Ignore the language. If the perfect wording comes to mind, fantastic. But my main aim is to write what I see, and that’s a scramble in itself. I just get it in the can. In any case, those scenes might be repurposed in edits, given to different characters, the roles may be swapped. Buffing the nuances would be a waste of time. So I don’t worry at all about whether my prose is fit to show around. I just hurl it onto the page.
2 Postpone the research. There are two kinds of facts you need for a novel.
1 The facts to check your story events are possible, or to find ingenious surprises from the special conditions of the story world. Usually we sort these out while we’re outlining.
2 Smaller details that arise while we’re writing the scene. Oh dear, you need to know what pall-bearers wear? No you don’t, because it doesn’t greatly affect what anyone will say or do. I scrawl a note in square brackets – [find out] – and continue to channel the action.
3 Don’t worry about factual consistency within the book – did this event happen on a Thursday, and was it twenty years ago? In most cases, you don’t need to sort your timeline out as you draft. Again, a short phrase in square brackets will allow you to flag it for later.
4 Or what characters look like. Eek, you’re writing your main character’s ex-lover for the first time. Or your main character. What do they look like? What’s it like to be in a room with them? If you haven’t already thought about this, you might grind to a halt, go squirreling off through Google, looking for actors who have the qualities that you’d like, or other things that help you visualise. But you don’t need to know this now. Write [what does he look like] and carry on as if you already know.
5 Or the beginning. You can’t know what the proper beginning of the book should be until you’ve polished the draft multiple times, so don’t fidget and dither about it now. Write a scene that roughly does the job – and you’re in.
Thanks for the lovely racehorse pic, Paul on Flickr
Do you have any tips for smart drafting? How detailed are you about your first draft, and are there any tasks you leave until later?