- Email me
- Nail Your Novel: books
- FAQ: I’m a new writer: which book should I read first?
- FREE Nail Your Novel Instant Fix: 100 Tips For Fascinating Characters
- My writing process: the picture tour
- Nail Your Novel: Why Writers Abandon Books and how you can Draft, Fix and Finish With Confidence
- Reviews of Nail Your Novel
- Who’s tweeting about Nail Your Novel …
- Writing Characters Who’ll Keep Readers Captivated: Nail Your Novel
- Writing Plots With Drama, Depth & Heart: Nail Your Novel
- Who am I?
Posts Tagged how to teach creativity
In infants’ school I remember being taught to write neatly. Servicably. We copied letter-forms. As we matured, certain pupils were singled out for approval and the rest of the class fell in with their styles. The Debbie – slanting copperplate. The Elizabeth – small and round. The Katie – wide and loopy.
Seeing this, I chose to invent my own.
I don’t know why. Perhaps because we spent most of our time all writing the same thing. Copying from the blackboard, taking dictation, answering questions – 20 girls all processing the same words and thoughts. I must have decided I had to do it differently.
I experimented with letter-shapes. One week, ys and gs might curl under the line in luxuriant loops. The next they would be jagged reversed lightning bolts. I might team this with a Debbie cursive slope for a while, enjoying the clash of styles. All possible Greek letters were tried, and for a while all Rs were small capitals (very time-consuming, so not practical).
Fascinated by a computerish font on the back of a sci-fi novel, I tried to emulate that.
Serifs were another passing phase, too fiddly for everyday use. An American girl arrived at the school who dotted her ‘i’s with a little bubble. A teacher told her off for it in front of everyone. Outraged, I adopted it immediately.
This makes me sound like a rebel. I wasn’t. You couldn’t have pointed to a more obedient pupil. I wanted a hassle-free life, even if the rules were bewilderingly dumb. But no matter how often I was penalised for eccentric letters or lack of neatness, I couldn’t toe that line. My identity on the page was not the teachers’ business. It was a sacred search for originality in world where everything else was repetition and regurgitation.
Freedom – or not
At least English allowed us to express ourselves.
In the middle school, that changed too.
One day we were discussing exams, and how to tackle the essay question options – factual, debate, true-life account, story prompt. ‘You mustn’t pick the story prompt,’ said the teacher. ‘They’re very hard. From now on, we won’t do them.’
This was ludicrous. I always, without hesitation, picked the story. I got high marks. (And I bet I wasn’t the only one.)
I didn’t want to write an account of a holiday or discuss the popularity of the motor car. Not when I was being invited to finish the story that started ‘I should never have gone for that bicycle ride…’ And if no one did these essays well, should we not be taught to do them better?
This was my second great disobedience. I carried on choosing the story option, as I always had. Again there were grumbles but it did me well enough at O level, if A is a respectable grade.
These tiny rebellions gave me habits that I now realise are essential to the creative nature, whether our weapon of choice is art, music, writing (or handwriting). This is how we do what we do.
- We will not accept the ordinary
- We dig for the remarkable in the everyday
- We ignore what everyone else is looking at and peer around the corners instead
- We collect what moves us, especially if we don’t know why
- We listen to our instincts instead of the voices who tell us we can’t
- We play endlessly
- We see expressive potential in everything
- To non-creatives we probably seem infuriating and insane.
What would you add? How did you first start being creative?
authors, creative writing, deepen your story, fiction, handwriting, handwriting analysis, having ideas, how can you be more creative, how to be creative, how to be more creative, how to have ideas, how to have original ideas, how to teach creativity, how to write a book, how to write a novel, inspiration, literature, My Memories of a Future Life, Roz Morris, society, writer's block, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, Writing Plots With Drama, Depth & Heart
- A plea for reviewers – can we open up a dialogue about self-published books? April 23, 2017
- Writing the perfect love triangle – guest post at Writers Helping Writers April 11, 2017
- Before Arrival: appreciating Story Of Your Life by Ted Chiang April 9, 2017
- ‘The unrelenting passage of time’ – The Undercover Soundtrack, Theresa Milstein April 2, 2017
- Slow-burn books, publishing misfits and separation anxiety – interview at Henry Hyde’s blog March 21, 2017
- Dear me: how fiction authors adapt to writing memoir March 12, 2017
- The blank page – conquering your fears. And a couple of writing prompts February 26, 2017