How do you use research to build a plot? If you’re writing beyond your own personal experience – and most of us are – what details make a difference? How can you use your actual experience as a starting point? What are the absolutes to cover if you’re writing historical fiction, or fiction set in a special world?
Today I’m at BooksGoSocial, talking about this to Tom Burkhalter. He writes World War II novels created from meticulous research and deep understanding of his subject – indeed he’s often complimented on his flying experience, which he admitted to me was 90% research. And I have wide experience of writing what I don’t physically know, from my years as a ghostwriter and now with my own novels. Just for my most recent novel, Ever Rest, I learned two special worlds – music and mountaineering.
We also talk about how to organise material for a novel and how to teach yourself revision techniques that are effective and rewarding. If you’ve hung around here for any length of time, you’ll know I’m zealous about revision – for me it’s one of the great creative processes. Do come over.
My guest this week might be familiar to you. I featured Claire Scobie a few months ago in a story about crowdfunding, when she was campaigning on Unbound to get her novel The Pagoda Tree published. I’m thrilled to say she hit her targets, and I went to the launch a few weeks ago in the very beautiful Daunt’s Bookshop in Marylebone. While her supporters chatted under its high glass roof, a violinist sat in the gallery and played sweeping, sultry traditional Indian music – the kind of music the novel’s protagonist would have heard as part of her daily life. Needless to say, it’s the kind of music Claire listened to as she wrote the story, about a temple dancer in Tamil Nadu in the 18th century. But Claire’s Undercover Soundtrack also includes some unexpected modern touches from James Blunt and Adele. Anyway, do drop by the Red Blog for her post.