Posts Tagged interview

Not Quite Lost is launched! And making-of interview with Henry Hyde

Oh my heavens, it’s publication day. Not Quite Lost: Travels Without A Sense of Direction is no longer a tease in a tweet or a blogpost. It’s a real thing. A paperback book. A hunk of Kindle estate, or Kobo, or whatever other ebook format floats your boat. (Though there are no boats in the travels … plenty of buses, however.)

And my writer/designer friend Henry Hyde has invited me to his blog to chat about it. We cover technical stuff like developing a writing style, influences like Bill Bryson and Gavin Maxwell, and  some of the main thematic stops such as the romance of old houses, impostor syndrome and 1970s Doctor Who. Do hop aboard.  Oh, and you can find the book here.

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Bill Bryson, Lewis Carroll logic and cryonics – interview about Not Quite Lost at Andrea Darby’s blog

I’m thrilled to be at Andrea Darby’s blog today, talking about Not Quite Lost. You might recognise her name because she was a recent guest on The Undercover Soundtrack with her novel The Husband Who Refused to Die. Andrea and I discovered we had a certain chilly, chilling interest in common – cryonics, the daring science of preserving the dead in the hope that they can be revived when science is more advanced. Andrea spent a day with a cryonics group and wove it into the plot of her novel. I interviewed the same group several years before and wrote it in my diary, and eventually it became one of the encounters in my travel doodlings.

We also discuss how the book came about (with a sideways nod to Mr Carroll), the literary figures who showed me the way (sideways nod to Mr Bryson and others). And why writing – of diaries, novels or anything else – becomes a way of life even when publishing can be troublesome. Do hop over.

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‘You get an idea and… it just grows’ – interview with book and writing blogger Michelle Dunton

michelle-intToday I’m at Michelle Dunton’s Youtube channel, talking about ideas, where they come from and how they end up as books. Michelle’s been reading my novels and decided to pick my brains for her podcast. One question of hers I particularly liked: she asked how a first-time fiction author should start writing a book. Should it be the characters, the plot, what? My answer: ‘start with something you can’t stop thinking about’. And from there, everything flows – as it does in this discussion. Do hop over.

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How to find your author voice – interview with Joanna Penn

author voiceHello! I’m slightly late posting this week because I knew I had this waiting. Joanna Penn invited me back to her podcast to thrash out a thorny topic – how to find your author voice.

We discuss what voice is, how to develop it, how character dialogue differs from narrative voice, how authors might adapt their style for different kinds of book, voice considerations for non-fiction, the value of experimenting and – that perennial favourite – why literary fiction might take so darn long to write. Plus side helpings of Nigella Lawson and Nigel Slater, so bring a picnic.

You can get it on video, audio download or written transcript – it’s all here.

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AI, the Bradbury tradition and imagined futures – interview at One Giant Read

one giantWhen astronaut Major Tim Peake blasted off for the International Space Station, the UK literary community launched a project of its own. One Giant Read is described as ‘a shared reading experience from Literature Works in partnership with the UK Space Agency, Royal National Institute for Blind People and supported by Gollancz, the Poetry Archive and Plymouth University’.

I’m beyond delighted that Lifeform Three is included in this month’s edition, which explores artificial intelligence in both the provable world (I refer you to that fetching shot of Benedict Cumberbatch in The Imitation Game) and in speculative fiction.

They interviewed me here about writing in the traditions of SF, and reviewed Lifeform Three here. It’s such a nice review that for the rest of today I’ll be wearing One Giant Smile.

Lifeform Three mystical, compellingone giant read

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‘After 13 books I became a real author’ – guest post at Helena Halme

helenaThere’s been quite a fuss about self-publishing on internet channels recently. Brit author Ros Barber swore in The Guardian that she’d never self-publish her fiction, which prompted a lot of us to reassert why we did. This post by me appears to join the general howl, but in fact it was commissioned several months ago.

It’s at the blog of Helena Halme (and in case you’re counting the nationalities, she’s Finnish). Topical or not, I wanted to make the case for self-publishing as a serious option for authors of independent mind and spirit, who can be their own creative directors.  Do come over. It’s just a click. You don’t have to go all the way to Finland.

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Should writers tackle environmental issues instead of playing make-believe? Guest spot at Howlarium

I’m taking a short blogging break to finish a big project before Easter, but in the meantime I can leave you with some slightly unusual bloggery.

Look at the question in the header. When I received it in my email, I thought I’d quietly pass. howlI don’t really see my fiction as a cudgel for issues. But I followed the link and found Howlarium, a thoughtful discussion blog by short story writer Jason Howell. And by then, I was itching to answer. So today I find myself on his blog, with a few other thoughtful types who have plenty to say about what we ‘should’ or ‘shouldn’t’ write.

If you’ve got an opinion about that too, argue it here in the comments. Back soon!

 

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How to write a gripping, unforgettable plot – video podcast guest spot with Lorna Faith

lorna3Think of all the kinds of novels we might write … from a sensitive character study to a sprawling epic to a nailbiting thriller … are there any common factors they all have?

There are. They’re my secret.

Actually, they’re not a secret at all. The 4 Cs of a great plot is one of the questions I discuss with Lorna Faith on her writing podcast (which also has a visual, handwaving, grinning version, see right).

Lorna quizzes me about the ins and outs of a good plot and we grapple with many storytelling essentials, including structure, turning points and where plots come from. Step this way.

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Ghostwriting 101, why I write and a brief blog hiatus

alli ghostingI’m sneaking away from the internet for a brief period so there won’t be any posts for a couple of weeks. Meanwhile, as if by magic timing, a couple of guest posts are setting sail.

First there’s a swift guide to becoming a ghostwriter. Debbie Young, chief blogatrix at the Alliance of Independent Authors, asked me for a starter piece for writers who might be interested in ghostwriting as a career move. It’s something I’m forever asked about, and if you’ve hung around this blog for a while the advice won’t be new to you. But otherwise, step this way.

writers of the worldSecondly, I was contacted by Warren Adler, author of Wars of The Roses (yes, THAT Wars of the Roses), who’d seen me loitering on Twitter and wanted to include me in a showcase on his website, called Writers of the World. The brief was exacting – 150ish words on why I write. Of course, I could give him a complete dossier, and while I tried to super-condense my million-or-so favourite reasons, I ended up with a post about the power of why in storytelling. But I eventually completed my assignment and it’s here.

So I’ll be back in a couple of weeks, with posts and Undercover Soundtracks. In the meantime I’ve cued up a selection of useful tweets to keep your writing at a healthy bubble. See you soon.

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2 interviews about teaching and writing – Venice, BBC Radio London

venice postThe organisers of my Venice masterclass, Henry and Janys Hyde, have just published this interview about the course. If you’d like to know a little more about my teaching approach, or indeed how I came to be doing this at all, this is the place to go. And if you’d like to come to another, let them know!

BBC LondonAlso, I’ve been on BBC Radio London this week, on Jo Good’s afternoon show. The day before I’d listened to Jo interview Candace Bushnell, so I made sure to wear feisty boots. Jo asked me about ghostwriting, tips for writers etc – some of which may be familiar to those of you who have hung around here for a while. Anyway, if you’re curious it’s here for the next 30 days. My section begins at 1 hour 10 minutes.

Oh, and these were my interview boots. Roberto Cavalli. I hope Carrie Bradshaw would approve.

boots

 

 

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