Posts Tagged interview
Oh my heavens, it’s publication day. Not Quite Lost: Travels Without A Sense of Direction is no longer a tease in a tweet or a blogpost. It’s a real thing. A paperback book. A hunk of Kindle estate, or Kobo, or whatever other ebook format floats your boat. (Though there are no boats in the travels … plenty of buses, however.)
And my writer/designer friend Henry Hyde has invited me to his blog to chat about it. We cover technical stuff like developing a writing style, influences like Bill Bryson and Gavin Maxwell, and some of the main thematic stops such as the romance of old houses, impostor syndrome and 1970s Doctor Who. Do hop aboard. Oh, and you can find the book here.
Bill Bryson, Lewis Carroll logic and cryonics – interview about Not Quite Lost at Andrea Darby’s blog
I’m thrilled to be at Andrea Darby’s blog today, talking about Not Quite Lost. You might recognise her name because she was a recent guest on The Undercover Soundtrack with her novel The Husband Who Refused to Die. Andrea and I discovered we had a certain chilly, chilling interest in common – cryonics, the daring science of preserving the dead in the hope that they can be revived when science is more advanced. Andrea spent a day with a cryonics group and wove it into the plot of her novel. I interviewed the same group several years before and wrote it in my diary, and eventually it became one of the encounters in my travel doodlings.
We also discuss how the book came about (with a sideways nod to Mr Carroll), the literary figures who showed me the way (sideways nod to Mr Bryson and others). And why writing – of diaries, novels or anything else – becomes a way of life even when publishing can be troublesome. Do hop over.
Today I’m at Michelle Dunton’s Youtube channel, talking about ideas, where they come from and how they end up as books. Michelle’s been reading my novels and decided to pick my brains for her podcast. One question of hers I particularly liked: she asked how a first-time fiction author should start writing a book. Should it be the characters, the plot, what? My answer: ‘start with something you can’t stop thinking about’. And from there, everything flows – as it does in this discussion. Do hop over.
When astronaut Major Tim Peake blasted off for the International Space Station, the UK literary community launched a project of its own. One Giant Read is described as ‘a shared reading experience from Literature Works in partnership with the UK Space Agency, Royal National Institute for Blind People and supported by Gollancz, the Poetry Archive and Plymouth University’.
I’m beyond delighted that Lifeform Three is included in this month’s edition, which explores artificial intelligence in both the provable world (I refer you to that fetching shot of Benedict Cumberbatch in The Imitation Game) and in speculative fiction.
I’m taking a short blogging break to finish a big project before Easter, but in the meantime I can leave you with some slightly unusual bloggery.
Look at the question in the header. When I received it in my email, I thought I’d quietly pass. I don’t really see my fiction as a cudgel for issues. But I followed the link and found Howlarium, a thoughtful discussion blog by short story writer Jason Howell. And by then, I was itching to answer. So today I find myself on his blog, with a few other thoughtful types who have plenty to say about what we ‘should’ or ‘shouldn’t’ write.
If you’ve got an opinion about that too, argue it here in the comments. Back soon!
There are. They’re my secret.
Actually, they’re not a secret at all. The 4 Cs of a great plot is one of the questions I discuss with Lorna Faith on her writing podcast (which also has a visual, handwaving, grinning version, see right).
Lorna quizzes me about the ins and outs of a good plot and we grapple with many storytelling essentials, including structure, turning points and where plots come from. Step this way.