Posts Tagged literary novels
How do you like to talk about books? Themes, juxtapositions and the complication of being human – an interview at Late Last Night Books @L8NiteBooks
I have a Bachelor’s degree in English literature, but if I’m honest, I didn’t enjoy the course. However, I loved studying English literature in the final two years of school, at A level. (Note for non-Brits: you probably call this high school, age 16-18.)
My degree disappointed me because it was too wideswept; it seemed chiefly to value an author for the way they represented a historical period, a concern of the age or a step in the evolution of a form. I was disappointed because it gave little priority to the literary work itself – the novel, poem or play as a creation of beauty and power, enduring resonance and relevance.
But A level was mainly about appreciating the work. While context wasn’t ignored, each novel, poem or play was examined in its own right, as an entity worth detailed attention. We learned to notice how the author might be playing with our hearts and minds. We discussed themes and juxtapositions and narrative devices. We might have found patterns the author did not intend; we might have overthought things. That did not matter; decoding this richness was part of the joy, a quest to discover why this work enspelled us so. We were discovering a wondrous thing – the author’s craft.
I still love this. It’s my favourite way to talk about a book.
If you like that too, you might enjoy my interview here at Late Last Night Books,
The subject is Ever Rest and my interrogator is Garry Craig Powell, a former creative writing professor and author of the prizewinning short story collection Stoning The Devil (which you might remember from his appearance on The Undercover Soundtrack).
We talk about juxtapositions. Why I put this with that. The man frozen in the ice, as young as the day he went in, and the people who remember that day and are now 20 years older.
We talk about themes and narrative aims. We talk about places where we can be gods (playing music to a crowd of 10,000) and places where we are too fragile to survive (the top of Everest). We talk about love and death and loss, the massive complication of being human. And things I wasn’t aware of until Garry asked. Do come over.
Do bring your own questions too if you’ve already read the novel – or you can drop them in the comments here.
If you’d like more concentrated writing advice, my Nail Your Novel books are full of tips. If you’re curious about my own creative writing, find novels here and my travel memoir here. And if you’re curious about what’s been going on on at my own writing desk, here’s my latest newsletter. You can subscribe to future updates here.
And so I have a novel coming out.
It’s not that I’ve been unproductive in that time. I’ve released courses, writing books, a travel memoir I didn’t expect to be writing. I’ve written hundreds of thousands of words in my coaching and editing reports. And blogs, guest posts, journalism, newsletters.
If we totalled that as a words biomass, it would be substantial. My three novels – my now three novels – would be only a tiny proportion. So I’m a novelist who mostly does other things.
But my novels are my truest purpose. They are the work I am most painstakingly careful about. If I get an epitaph, I want the novels as the headline. Everything else is an also.
So how long did Ever Rest take me? Seven years, and it seemed to fall into seven distinct steps, though that is coincidental. Some steps took more than one year. Anyway, the sequence might be familiar if you’re also a long-haul writer.
Step 1 – short story to novel
Ever Rest started as a short story – here’s a post about expanding a short story into a long one. I wasn’t good at short stories, which is why you’ve never seen a short story from me. I get too involved. I can’t let them go. You’ll see this in later steps.
Step 2 – vow of silence
Authors on social media are used to sharing their work in progress. Character back stories, snippets of chapters. I wanted to join their ranks, share the proof that I was working as they were, get cheery encouragement. But I couldn’t. I couldn’t workshop my rough ideas in case they tarnished the finished book. Also, I couldn’t talk about it. It was too deeply difficult. I discussed that here – how much do you talk about the novel you’re writing?
Step 3 – losing faith
I didn’t know what I was writing. The same happened with Lifeform Three. For a long time, I was merely its baffled interpreter. I lost faith in it, hundreds of times. I wrote about that here, especially the idea of creative faith and long-term determination.
Step 4 – write 100 pages, discard 80
In terms of word biomass, this book is substantial, but much was wastage. I wrote a lot; I binned a lot. During that phase, I read an interview where Marlon James said ‘you can write 100 pages and only use 20’. Even though I knew this to be the case from previous novels, I found his comment comforting. At the time, I was on my third draft and the book was already scar tissue. I eventually did 23 drafts. Here’s how that went.
Step 5 – never let it go
After 15 drafts, the novel operated as I hoped it would. I was ready for beta readers. For many years, the book had dominated my thoughts and my reading choices. I could now widen my diet. Pursue other interests. But did I want to? Very mixed feelings.
Step 6 – red pen and sweet reunion
I knew there would be more work after the readers’ feedback. Some was forehead-smacking, but most was a relief. It was good to be back. A final dance. No, several. Revise, revise, until draft 23.
Step 7 – real writer again
Now, I have it ready. My third novel. Look, I’m a real writer again.
My guest this week is making a return appearance to the series. Last time he wrote about how he’d driven his wife bonkers by playing certain albums that evoked the souls of his characters. This good spouse will surely be donning the earplugs again as his musical choice for his current novel is a striking album by Fiona Apple, which consists of drums, close-up vocals and percussive piano. He describes the pieces as having the feel of a therapy session, all raw emotion and obsession – and perfect for his characters who are all connected by an act of betrayal. He is Scott D Southard and he’s on the Red Blog with his Undercover Soundtrack.
And there’ll be a slight hiatus in my posting schedule this weekend as I’m teaching at WriteCon in Zurich. (This is tremendously exciting as it’s the first time anyone’s flown me anywhere to teach!) So I’m tied up preparing for that at the moment, but I’m anticipating some interesting issues to share afterwards.