Posts Tagged magic realism
It’s such a pleasure when an early contributor to this series returns with a new title. Today we’re rewinding to a guest from the first year of The Undercover Soundtrack. Dwight Okita was a finalist in the coveted Amazon Breakthrough Novel Award with The Prospect of My Arrival, a story that flirted with ideas of the supernatural and reincarnation. Now with his second novel, The Hope Store, he’s created a low-key magic realism/science fiction fable that centres around an invention that can bring happiness. Music was important for keeping him on message, and Dwight’s muses included U2 and my own favourite, Kate Bush. Drop by the Red Blog to hear more.
At school, I wrote science fiction stories because it made my teachers supremely annoyed. That probably set me up well for my attempts to get an agent or a publisher, when I annoyed with stories that bent and mixed genres. And why not, when it was good enough for Atwood, Banks and Ballard? And the magic realists?
Today I’m at the blog of Jane Davis, one of my co-writers in the Outside The Box collection, answering questions about what I write and why, and how self-publishing began for me as a last resort and became the most positive step I’d ever taken. How times change, you might say – but we also discuss whether self-publishers are truly gaining more legitimacy or whether there is further to go. I think the latter. There are still barriers and indie authors are still treated discourteously.
Did I really use the word ‘discourteously’? I did. Do come over.
Today I’m guesting at Janice Hardy’s blog The Other Side Of The Story. Janice might be familiar to you if you follow my writing tips on Twitter because she blogs exhaustively and perceptively about writing. I first came across her in a post about opening lines and the example she gave – from her own fantasy/SF novel The Shifter – has stuck with me. I’m sure it will stick with you too:
Stealing eggs is a lot harder than stealing the whole chicken. With chickens, you just grab a hen, stuff her in a sack and, make your escape. But for eggs, you have to stick your hand under a sleeping chicken. Chickens don’t like this. They wake all spooked and start pecking holes in your arm, or your face, if it’s close. And they squawk something terrible.
I’m not a fantasy author, like Janice, but I am fascinated by what gives fantasy its power. Underlying every good fantasy is a core of truth that means we put aside our logical minds and believe the story is really about us. Where I think this is most interesting is where it happens in mainstream fiction too. It’s a harder bridge to cross, of course, but once you tempt the reader over, the story possibilities are enormous… It reminds us most of all that every story has a logical side and also an emotional side. Anyway, I hope you enjoy the post.