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Posts Tagged Michael Stutz
‘She and I were both fast nothings forever in the same big lonely dream’ – Michael Stutz, The Undercover Soundtrack
My guest this week has been noodling with music for as long as he’s wielded words. When he needs a break from the keyboard, he picks up a guitar and plucks a string. He describes his novel as ‘the story of a guy who grows up on line’, a world in which music is an essential part of the landscape, haunting the scenes as they come to life on the page. He first released it as a serial, which means he and I have something in common – indeed he sent me an email that prompted a recent post here on the Purple Blog. He is Michael Stutz, and he’s on the Red Blog, talking about the Undercover Soundtrack to Circuits of the Wind.
GIVEAWAY You can also win either an e-copy or a print edition if you comment or share Michael’s post! Details at the Red Blog…
authors, Circuits of the Wind, deepen your story, having ideas, how to write a novel, keyboard, literary fiction, literature, Michael Stutz, music for writing, My Memories of a Future Life, novels, publishing, Roz Morris, self-publishing, serialised fiction, serials, The Undercover Soundtrack, undercover soundtrack, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, Writing Plots With Drama, Depth & Heart, writing to music
More indie authors than ever are interested in serialising their fiction on Kindle and it’s one of the topics I’m most frequently emailed about. (And with Amazon’s announcement of Kindle Serials, I guess the trend is going to continue! More on that below…)
At the time I serialised my novel I wrote about it on Jane Friedman’s blog and Tuesday Serial. But these questions from Michael Stutz, who serialised his literary novel Circuits of the Wind: A Legend of the Net Age, highlight points I haven’t covered before – what to do once you’ve released the final episode.
Michael: Like you, I’m a longtime legacy author who is now experimenting with indie, publishing a 700 -page literary novel in episodes. A lot of what you wrote in your guest post at Jane Friedman’s blog is things that I’m either going through now or discovered the hard way.
Have you found your complete version sells more than the individual episodes?
Yes, definitely. Get your complete edition out as soon as you can. For many reasons –
- it’s easier to link to just that one, so that’s the link you want to spread around
- it’s more convenient on the Kindle – four episodes clog up the screen and look confusing (which I was blissfully unaware of when I hatched my serialisation plan)
- you want to start gathering reviews and it’s best if they go on the full version
Although serialisation was exciting as a launch pad, I’m not sure that readers appreciated being interrupted mid-stream. Some told me they wouldn’t buy until the final episode was up. Others told me they’d knocked stars off their reviews for the inconvenience of waiting (this seems irrelevant when a review will be read in several months’ time, but it just goes to show you don’t want to annoy a reader). I released my complete edition as quickly as I could to grab the interested readers before they decided I was making life too difficult for them.
I wondered about this. But I decided to keep them because:
- People are still finding them. I don’t know how, as I long ago stopped giving out those links, but they must be simmering on distant posts far away. Episode 1 sells the most copies – which possibly demonstrates how much the links were shared because serialising was a story in itself. But I also get surprise sales for the other episodes, so some people might be completing the novel extremely slowly!
- The episodes give me more visibility in the Amazon store – 5 entries for the Kindle book instead of just 1 makes it look more substantial (or annoying, see left… no idea what that camera is doing in a search for My Memories of a Future Life…)
- Episodes are a good way to use KDP Select lending. When KDP Select launched, I wasn’t keen on enrolling the whole novel or my writing book for lending or free promotion. But offering just the first episode is a terrific calling card – both in the lending library and sometimes also free. So because episode 1 is on KDP Select, I have to keep the other parts available for sale.
Michael: What about the Amazon customer reviews – did you have to start with zero again for the complete version, and wait for new reviews?
Amazon understood that the complete book had the same content as the episodes, but regards them as different publications and won’t transfer the reviews. That seems entirely fair to me – but it does mean that you launch the full book with a worryingly naked star rating. The sooner you do it, the sooner those early adopters will review where it helps you most. (And I found they didn’t mind being nudged in the right direction…)
So while it’s frustrating to have reviews that don’t count on the book’s most visible page, browsers still see that when the book was serialised it had good feedback – which all helps to demonstrate a buzz about the series.
STOP PRESS – just as I put this post to bed, Amazon announced the Kindle Serials Programme. If you are chosen for it, it looks as though this takes a lot of the faff out of it. A community gathers around the book, allowing discussion with other readers – and I guess this might collate reviews together too. You don’t have to organise separate launches (as I did, which was time-consuming) and it seems much easier for readers to keep track of the episodes on the Kindle because they’re updated automatically. This means there probably wouldn’t be any need to release a separate complete Kindle version as readers who found it afterwards would get all the episodes in one go. (Perhaps we early serialisers paved the way for them….) You do have to pitch your idea though – which means you can’t just opt in like KDP Select – and we don’t know what their gatekeeping criteria are.
If you’re thinking about serialising, whether it’s the old way or this brand new one, make sure your novel is in good shape for it. Chopping it into parts is a rigorous workout for your novel’s structure – especially if you didn’t originally write it with serialising in mind. This post might help:
This weekend is my novel’s first anniversary (give or take an episode or two). So my blogging schedule is being turned upside down (which is why you’ve got a post today) to make room for something a little unusual and creative. I hope you’ll like it. There will also be a competition with a special prize (top secret at the moment). To make sure you don’t miss it, subscribe to my blog (somewhere in the sidebar) or sign up to my newsletter (somewhere in the sidebar and also here). See you at the party
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- Writing a slow-burn book? Three surprising ways to measure progress August 21, 2016
- The ethics of ghost-writing August 14, 2016
- ‘A fire was in my head’ – The Undercover Soundtrack, Sandra Leigh Price August 12, 2016
- 10 eye-opening tips to add impact to your storytelling August 7, 2016
- An exercise in character and story development – guest spot at Triskele Books August 4, 2016
- 5 essential habits I learned while ghost-writing – guest post at Jo Malby July 29, 2016
- ‘Music brought me closer to that amalgum of confusion, self-pity and nostalgia’ – The Undercover Soundtrack, Anne Goodwin July 28, 2016