Posts Tagged music for writers

‘Teenage life is freak-out and wonder’ – The Undercover Soundtrack, Josh Malerman

redpianoupdate-3My guest this week is the perfect writer to see us into Halloween. He’s been a guest of the series before and he’s always had a liking for the unusual thrill. The title of his new release will probably tell you that: A House At The Bottom Of A Lake – an imaginative tale with plenty of scares and a good dose of first love. His approach to undercover soundtracks is also oddfield and individual – he likes to play music that feels very opposite of his book idea. But even he had to go with the flow when he found a band that played and recorded an entire show under water. He is Josh Malerman and he’s on the Red Blog with his Undercover Soundtrack.

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‘Hope, chaos and a fighting spirit’ – The Undercover Soundtrack, Deborah Andrews

redpianoupdate-3I settled down to read this week’s Undercover Soundtrack contribution and what did I find? The writer seemed to have plundered some of my own favourite tracks. Massive Attack’s Unfinished Sympathy. The Verve’s Bittersweet Symphony. Kate Bush’s Cloudbusting (though if you’re as much of a Kate Bush nut as I am you could be forgiven for thinking I was going to make an orchestral hat trick with Symphony in Blue). Not only has my guest served up a stirring soundtrack, she’s also made big waves with the novel she’s showcasing – securing a position on the shortlist of the Guardian’s Not The Booker prize. She says music is the emotional heart of the novel, speaking of relationships, times, hope, love and validation. Drop by the Red Blog for the Undercover Soundtrack of Deborah Andrews and Walking The Lights. Yes, despite the cover change, the blog is still resolutely red.

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‘Music brought me closer to that amalgum of confusion, self-pity and nostalgia’ – The Undercover Soundtrack, Anne Goodwin

for logoMy guest this week has a novel about a woman who has kept her past identity hidden. The novel is its reckoning, of course, and its author had a challenge in evoking the many colours of her protagonist’s progress from child to woman. So she built herself a soundtrack. It’s a mix of radio theme tunes from her own childhood (possibly the first appearance in the series of Listen With Mother), traditional songs that conjure a powerful sense of place and melancholy reminders of the emotional rollercoaster of adolescence. Drop in on the Red Blog to meet Anne Goodwin and her Undercover Soundtrack.

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‘Writing this novel has left me less guarded’ – The Undercover Soundtrack, Isabel Costello

for logoWho changes in the course of a novel? We hope the characters do. Sometimes the author does too. My guest this week feels that writing her novel became an act of emotional honesty that left her in a new place. Music was a constant companion – a mix of Bruce Springsteen, Pink Floyd and Parisian-themed works too. She is novelist, short story writer and award-winning book blogger Isabel Costello and she’s on the Red Blog with the Undercover Soundtrack for Paris Mon Amour.

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‘Music to fill my mind but not fight the words’ – The Undercover Soundtrack, GD Harper

for logoMy guest this week says he is much concerned with reinvention. He’s spent his life setting himself challenges to embrace new careers, lifestyles, places to live – and the latest of those reinventions is being a novelist. His debut title is a story of 1970s Glasgow and required some daring imaginative reinventions – not least, writing in the voice and psyche of a 22-year-old woman. A soundtrack was essential – Tangerine Dream to soothe and order the brain; Pink Floyd, Bob Dylan and David Bowie to restart the period – and provide other wisdom besides. He is Glyn Harper – writing as GD Harper – and he’s on the Red Blog with his Undercover Soundtrack.

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‘The lowest note in the universe’ – The Undercover Soundtrack, Tracy Farr

for logoHands up if you know who Delia Derbyshire is. Don’t put them down yet. Keep them up, waft them gently and imagine you are conjuring a shimmering singing sound. That’s how you play a theremin, one of the first electronic musical instruments. Theremins are an abiding inspiration for my guest this week; her novel centres on the life and loves of a cellist who becomes famous in the 1920s and 30s for playing this eerie, theatrical device. Her soundtrack is an ethereal mix of Portishead, PJ Harvey, David Bowie, the classical cellist Yo-Yo Ma, and of course Ms Derbyshire, one of the pioneers of the BBC Radiophonic Workshop in the 1960s. And I also must mention that the novel (The Life and Loves of Lena Gaunt) has been nominated for several awards. She is Tracy Farr and she’s on the Red Blog with her Undercover Soundtrack.

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‘To make art by the grace of other artists’ – The Undercover Soundtrack, Camille Griep

for logoMy guest this week has set herself the task of reimagining the Trojan War and she says she couldn’t have done it without music. Her soundtrack has a stirring, epic scale with storming emotional keys, from Florence + the Machine to Thomas Tallis. More intimate pieces by Amanda McBroom and Esthero illuminated the interior lives of her Cressida (renamed Syd) and Cassandra (Cas). She is also a much-decorated writer of short stories and the editor of two cultural journals, Easy Street and The Lascaux Review. Drop by the Red Blog for the Undercover Soundtrack of Camille Griep.

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‘Shadows of the past’ – The Undercover Soundtrack, Meg Carter

for logoMy guest this week has written a psychological thriller in which two former school friends confront a life-changing event from their past. To create their teenage years in the 1980s, the author delved into her own archives, discovering old mixtapes and an Elvis Costello LP whose sleeve contained a lyric sheet written out by a close friend. She was struck by the way music became less significant over the years. What had once been such a fierce marker of personal identity was now an emblem of a simpler time – though not necessarily for the characters in her novel. She is Women In Journalism advocate Meg Carter and she’s on the Red Blog with the Undercover Soundtrack for The Lies We Tell.

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‘When I’m most lost, a song will show the way’ – The Undercover Soundtrack, Ryan W Bradley

for logoMy guest this week says that music is the key to most of his work. The title of his short story collection, Nothing But The Dead and Dying, came from a line in a Simon and Garfunkel song. All the stories are bound by the landscape of Alaska, where he worked for a while in a construction crew. Ennio Morricone helped him recreate its barren desolation. And when he’s been stuck on a story, even to the extent of giving up, rescue usually comes in the form of a random piece of music. He is Ryan W Bradley and he’s on the Red Blog with his Undercover Soundtrack.

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‘The emptiness of being outside a perfect romantic scene’ – The Undercover Soundtrack, Dan Gennoe

for logoOh my! Do you know what I forgot to do? There hasn’t been an Undercover Soundtrack for a few weeks, and now there is I forgot to publish the teaser post. How easily we forget our own routines. Even more heinous, I’ve been adding the tracks to the soundtrack for my own WIP, greedily enjoying it while forgetting I needed to share it with you. Apologies, apologies.

So: my guest spent 16 years as a rock journalist, interviewing stars and trying to understand what their music was trying to say. When he started to write his first novel, music took on a fresh role – no longer the endpoint, it was now the beginning. The book is the story of a man looking back on an intense love affair, and the music is an aural journey of the character’s obsession, his unstable serenity that could turn dark, his complex sense of comfort in the prison of his memories. Dan Gennoe is on the Red Blog with his Undercover Soundtrack (and has been since Wednesday, mea culpa). Proper writing post to follow later, but for now, sit back with Dan.

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