Posts Tagged music for writers

‘Shadows of the past’ – The Undercover Soundtrack, Meg Carter

for logoMy guest this week has written a psychological thriller in which two former school friends confront a life-changing event from their past. To create their teenage years in the 1980s, the author delved into her own archives, discovering old mixtapes and an Elvis Costello LP whose sleeve contained a lyric sheet written out by a close friend. She was struck by the way music became less significant over the years. What had once been such a fierce marker of personal identity was now an emblem of a simpler time – though not necessarily for the characters in her novel. She is Women In Journalism advocate Meg Carter and she’s on the Red Blog with the Undercover Soundtrack for The Lies We Tell.

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‘When I’m most lost, a song will show the way’ – The Undercover Soundtrack, Ryan W Bradley

for logoMy guest this week says that music is the key to most of his work. The title of his short story collection, Nothing But The Dead and Dying, came from a line in a Simon and Garfunkel song. All the stories are bound by the landscape of Alaska, where he worked for a while in a construction crew. Ennio Morricone helped him recreate its barren desolation. And when he’s been stuck on a story, even to the extent of giving up, rescue usually comes in the form of a random piece of music. He is Ryan W Bradley and he’s on the Red Blog with his Undercover Soundtrack.

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‘The emptiness of being outside a perfect romantic scene’ – The Undercover Soundtrack, Dan Gennoe

for logoOh my! Do you know what I forgot to do? There hasn’t been an Undercover Soundtrack for a few weeks, and now there is I forgot to publish the teaser post. How easily we forget our own routines. Even more heinous, I’ve been adding the tracks to the soundtrack for my own WIP, greedily enjoying it while forgetting I needed to share it with you. Apologies, apologies.

So: my guest spent 16 years as a rock journalist, interviewing stars and trying to understand what their music was trying to say. When he started to write his first novel, music took on a fresh role – no longer the endpoint, it was now the beginning. The book is the story of a man looking back on an intense love affair, and the music is an aural journey of the character’s obsession, his unstable serenity that could turn dark, his complex sense of comfort in the prison of his memories. Dan Gennoe is on the Red Blog with his Undercover Soundtrack (and has been since Wednesday, mea culpa). Proper writing post to follow later, but for now, sit back with Dan.

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‘Music has informed everything I’ve written’ – The Undercover Soundtrack, Iain Maloney

for logoI’d like to bet that many readers of this blog went through a teenage phase where they wrote lyrics. Or is it just me? Well, it’s also my guest this week. He says the lyrics phase was superseded when the urge to create narrative took over, but music remains central to his creative life. It has formed many underlays for his novels, including the shorthand between friends, the backdrop to life events, the tunnel to the past. One major character came alive when he realised that music wasn’t a big deal for her. Funnily enough, a significant musical touchstone is Mogwai, who was cited just a few weeks ago by Philip Miller, one of his stablemates at the imprint Freight Books. There must be something in the water. Anyway, his name is Iain Maloney, and he’s on the Red Blog with his Undercover Soundtrack

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‘Tearing open the doors of the heart’ – The Undercover Soundtrack, Michael Golding

for logoMy guest this week says he needs silence to write, but not necessarily aural silence. Instead he seeks what he calls a ‘silence of the mind’, a cessation of chaos, so that he can tune his senses to his novel’s world and the feelings of his characters. Music by Bach and Joni Mitchell, among others, prepare the way for his latest novel – the story of a boy born in thirteenth-century Persia with four ears instead of two, and his path towards spiritual awakening and love. Stop by the Red Blog to meet literary novelist Michael Golding, and the Undercover Soundtrack for A Poet of the Invisible World.

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‘A cracked but steely song of survival and beauty’ – The Undercover Soundtrack, Philip Miller

for logoMy guest this week is a poet and award-winning arts correspondent as well as a literary novelist. His novel is a reckoning with loss and a mystery involving a lost painting, and his musical companions range from Ralph Vaughan Williams to Boards of Canada. He describes BOC’s music as making you feel you might walk into a mirror or meet yourself – which is not only brilliant, it’s a fairly accurate manifesto for the unsettling journey of the book. Even more exciting, I noticed as I downloaded the cover image that the novel is endorsed by one of my favourite mischievously inventive writers, Alasdair Gray. Deep breath. Philip Miller is on the Red Blog with his Undercover Soundtrack.

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‘Where words fail, music speaks’ – The Undercover Soundtrack, Rhian Ivory (with help from Hans Christian Andersen)

for logoMy guest this week has written a novel with a dual timeline and an intriguing title that has more than a hint of fairytale – The Boy Who Drew The Future. She flitted past me on Twitter one day and I set off in pursuit, waving an example of The Undercover Soundtrack and hoping she’d find it appealing. Thankfully she did, and her piece describes the music that drew her into the hearts of her characters. One particularly memorable line is the phrase she used to describe Samuel Barber’s Adagio for Strings – a private and fragile piece, a place for learning secrets. The Boy Who Drew The Future is her fifth novel and she’s held a string of distinguished writing posts including a WoMentoring mentor, a Patron of Reading and National Trust Writer In Residence. She is Rhian Ivory and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music was the writing tool to give me courage for this daunting task’ – The Undercover Soundtrack, Stephen Weinstock

for logoMy guest this week is another returner to the series, which is rather appropriate as the concern of his book series is reincarnation. He is a composer, pianist and dance accompanist for musical theatre with the UC Berkeley, Princeton, Juilliard, and the ‘Fame’ school. Last time he guested here he wrote about the hidden structures that tell stories. This time, nearly a year has passed and he finds himself questioning the role music is now playing in his writing life. So this is a slightly unusual Undercover Soundtrack, one of questions rather than statements. Nevertheless, you can expect some stirring musical choices. He is Stephen Weinstock and he’s on the Red Blog with his Undercover Soundtrack.

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‘Watching the wintry sea and reflecting on a marriage’ – The Undercover Soundtrack, Clare Flynn

for logoMy guest this week has written the story of a marriage. Her novel spans many decades, from when her protagonist is a 17-year-old debutante in the 1930s, to the swinging sixties, where the character finds herself revisiting old haunts and sifting through her memories and her hopes. It’s a poignant post, honest and searching, and full of loss. She is Clare Flynn and she’s on the Red Blog with her Undercover Soundtrack.

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‘Close your eyes and listen with your hands’ – The Undercover Soundtrack, Tawnysha Greene

for logoMy guest this week might seem a surprising addition to the Undercover Soundtrack series as she has impaired hearing. Nevertheless, music is important to her, both as a writing environment and to help her slip into the shoes of her characters. Some of her novel’s people also have impaired hearing, which is an interesting creative choice – what they miss in aural terms, they make up for in what they understand and observe. My author is also a creative writing tutor at Tennessee University and a regular contributor to literary magazines, so I’m delighted she’s guesting here with her first novel. She is Tawnysha Greene and you’ll find her on the Red Blog with her Undercover Soundtrack. What’s more … you could win a beautiful print edition.

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