Posts Tagged My Memories of a Future Life

How I cope with writers’ RSI – and when your books come back to haunt you

lizspikolIt was final revision time on Lifeform Three. I’d been living at the computer, desperate to spend every moment with my book. And one morning I woke up unable to move my right arm.

To be truthful, I could move it, but it hurt so much I preferred not to. Reaching for my glasses left me a gasping wreck. Keeping still wasn’t much better. I’d felt it nagging the previous day, but never thought it could turn into this.

The repetitive strain injury was back.

In a way it seemed like divine retribution. In my first novel My Memories of a Future Life, I inflicted a cruel case of RSI on a concert pianist. And now it seemed that some deity that sat on the interface between art and life had thought it would be very fine to dump the same fate on me – and right when I needed my fingers most.

In my defence, I hadn’t used the RSI device glibly. Its details didn’t come from comfy googling.

rsi googleThey were earned.

Ouch

My RSI journey began when I became a sub-editor in the 1990s, when desktop publishing loused up a lot of limbs and livelihoods. I’ve battled this keyboarder’s curse ever since.

In some ways, I was kind to Carol, my concert pianist protagonist. Although I gave her my gruesome medical tests, I spared her the acupuncture.

Wait, are you thinking acupuncture is benign? Do you imagine it’s like being stroked by a healing Chinese butterfly? No. It is not. When the therapist needled my painful nerves, they hurt even more. (He was perplexed, though, and probably suspected I was a wuss. I thought he was an idiot. If you poke painful parts with needles, don’t you expect they will hurt?)

I also spared Carol the buzz needles – this is acupuncture jollied along by voltage from a car battery. Meanwhile my journalist colleagues told (possibly tall?) tales of being put on racks to pull their necks straight. But in our gallery of horrors, buzz needles trumped traction; hands down.

After a year of these random tortures I said stop. The publisher paid for ergonomic chairs and such, and I think these have kept me typing over the years.

So this is the advice I’d pass on to a fellow sufferer

Posture and straightness are important – I got a kneeling chair, because it makes you sit upright as though poised on a horse. (It’s good for horse-riders too, if lifeform threes are your thing.)
I learned to touch type, fluttering across the keys instead of stabbing them in my own peculiar pattern. (I rather missed my invented fingering, though. It felt more expressive than the ‘correct’ way.)
Some RSI is caused by muscle wastage, which means nerves aren’t as padded as they should be. I certainly found relief by lifting considerable weights in Body Pump classes. After a bad bout two years ago I bought a split ergonomic keyboard and joystick mouse.
Screen breaks are sensible, if I remember them. I’m not always sensible.
It helps to put the strain on different muscle groups. If my neck starts to rebel, I jack the monitor up to a different height. Hooray for Time-Life books.

Some people use dictation software. As a sub-editor, that was never an option for me and it’s no good for manuscript doctoring either. As a writer, it might do for drafting, but the vast majority of my creative writing is done in the edits. Like a masseur, I think through my fingers. I can’t imagine editing hands free.

I also can’t imagine how anyone can write lolling at their laptops in bed, as we see in the movies.

But sometimes all the ergonomic wisdom in the world doesn’t help me, so I go to the bad side. I get my notebook computer, put it on my knee and hunch over. A few days contorted like that gives the overused muscles a break and they recover. Or they have so far.

So these are the ways I can carry on. But a musician, like Carol in my novel, has no other way. It’s piano or nothing, and the pain of that is worse than anything physical.

Back to haunt you

We novelists have a cruel side. We’re ruthless enough to create exquisite tortures – and sensitive enough to appreciate what they are doing. When I was writing that novel I would wake at night, telling myself these questions were not to be treated lightly, asking how I would feel if I had to face them. I know I’m earning more bad karma for what I’m doing in Ever Rest.

I soldier on, bludgeoning the RSI when I have to, so that I can continue to do my own version of playing an instrument. I hope I never have to be really brave, the way I force my characters to be.

(thanks for the pic Lizspikol. This post originally appeared on the Authors Electric blog)

Do you get RSI – and what do you do about it? How bad are you to your characters? Are you grateful you don’t have to live their lives?

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2 days to get 7-novel box set – the band is about to split

Remember us?

WWW FULL BANNERaml

The band is about to split. Our magnificent seven will soon scatter. The box set containing our seven novels will evaporate at the stroke of midnight BST on Saturday 23 May.

We might even resume our normal colours.

Here’s a post that explains the box set experiment. Here’s one where we were asked just what kind of political statement we thought we were making. And, in case you feel like tackling a similar venture, here’s one where we explain lessons learned.

And here’s what it’s all about:

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And here’s a pretty thingy to watch

So, for the final time, you can get the box set on all ebook platforms here.

And in the meantime, I’m taking a blogging break this weekend, but I’ll be back with The Undercover Soundtrack as usual. See you there.

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‘Music for looking into the past’ – The Undercover Soundtrack, Audrina Lane

for logoMy guest this week brings a real blast of the 1980s, with a bright red emphasis on romance (I guess it’s that time of year). She drew on the soundtrack of her adolescent years to create the love-torn characters in her novel, and the heart of the story beats to George Michael, Berlin and Patrick Swayze. She is Audrina Lane and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music for tragedy, coming of age, romance’ – The Undercover Soundtrack, Karen Wojcik Berner

for logoMy guest this week says she was a singer long before she was a writer, and when she started writing, music was a natural place to find story inspiration. She writes a series of novels based around the members of a book club, and many of the titles and characters come from tracks that have been special to her. I took unashamed pleasure in seeing Icicle Works and Peter Gabriel make an appearance – the latter with Sinead O’Connor (gasp). And one of her books was inspired by a track by Indigo Girls, which talks about reincarnation and the soul reinventing – possibly a familiar idea to longtime visitors here. Anyway, she is award-winning journalist and contemporary women’s fiction author Karen Wojcik Berner and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music is the undertow to what I am writing’ – The Undercover Soundtrack, Davina Blake

for logoMy guest this week is one of those many writers who values silence – but is keenly aware that music is influencing what comes out on the page. She describes how music acts as a portal, letting her access moods and mental states in order to recreate them faithfully in her fiction. She describes trying to capture a state of longing and nostalgia, but without sentimentality and the soundtrack she shares here is such a treat: a Gershwin cover by Kate Bush; a Purcell lament sung by Alison Moyet. If you follow my show on Surrey Hills Radio you might hear me finding an excuse to give them airplay sometime soon. Anyway, this imaginative guest is wartime romance author Davina Blake (who also writes historical novels as Deborah Swift), and she’s on the Red Blog with her Undercover Soundtrack.

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‘A sequence of notes to transport you to a time and place’ – The Undercover Soundtrack, Debbie Bennett

for logoMy guest this week says she was always secretly a rock chick, and has provided pictorial evidence to prove it. When she turned her creative impulses to writing, music helped create the mood and tone. She writes gritty crime with a heavy dose of psychological thriller, and drew on a aural landscape of Alice Cooper, Soul Asylum, Bon Jovi and Skid Row. She is Debbie Bennett and she’s on the Red Blog with her Undercover Soundtrack.

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Free book giveaways – when do they work? When don’t they?

5275640024_243d3bcfcb_zOnce upon a time, authors could get a great start if they made their book available free. Back in 2008 and 2009, I got huge traction for the original Nail Your Novel when I offered it free as a pdf. There wasn’t much free material out there, so it got attention. Indeed, as far back as the early 2000s, science fiction writer Cory Doctorow had been giving away digital copies of his novels on a Creative Commons basis, famously saying that his chief problem was to battle obscurity.

But times change. ‘Free’ soon became a deluge. If readers grabbed them in the digital equivalent of a supermarket sweep, they probably didn’t even remember they had them. In all likelihood, those books sat unnoticed in the bottomless vaults of their Kindles.

I flirted briefly with free when KDP Select started. Indeed, I organised a free event to coincide with World Book Night for Authors Electric, a group blog of published authors I used to belong to. We each gave away a book for five days, campaigned our socks off, tweeted until we grew beaks, watched the tallies mount in our KDP dashboards… and virtually nothing came of it afterwards.

Now, is a giveaway the way for authors to get noticed? I contend it is not for everyone.

Where free works

I’ll admit that I worry we give away our work too easily. If we create a culture where a book costs less than a sheet of gift-wrap and a greetings card, there’s something badly wrong. An ebook may not have material form, but it does give you more time and experience than something you glance at and throw away. And tellingly, the people who get cross with me for speaking out are the ones who say they refuse to spend more than a couple of dollars on a book, or berate me for not putting my books into Kindle Unlimited.

So that’s my rant done. However, free does work in some cases – where it adds value, rather than dilutes it.

Lest you think I’m waxing hypocritical, with my WordPress blog and Hootsuite account, let me state that I think free works very well with certain kind of services.

And certain kinds of book. In the kind of genre markets where the series rules, making the first book free can work very well. The authors who do this have plenty more titles to offer once readers are hooked. (Joanna Penn has had great results giving the first book of her series away free, and offering free books as incentives to sign up to newsletters – her post about it is here.) These authors are using free books in the way that WordPress and Hootsuite give starter packages free – to build long-term trust and familiarity. (When I want to upgrade my web services, WordPress and Hootsuite will be my first ports of call.)

Where ‘free’ may not work

But outside those genres, how do readers decide to try an unfamiliar author? Especially those who write the more individual kind of book, perhaps not easily pigeonholed? Usually, it’s by deciding if they like to spend time in that author’s company.

How do they do that? By reading something that sparks their interest. That could be anything. It doesn’t have to be a book. If you’re one of those authors, every post you write, every meaningful conversation you have on social media is already giving a sample of your voice, your personality, your tastes, your passions, the workings of your unique mind. The books you write will be made from that same material. If that doesn’t persuade readers you are fascinating and intriguing, giveaways and free books won’t make much difference.

Giveaways as prizes

Indeed, I have evidence that free giveaways with delayed prizes aren’t working any more. Every week I offer a guest spot on The Undercover Soundtrack. In past years, book giveaways got good uptake. Now, they hardly get any. The blog’s readership has grown enormously, but no one’s bothering to contend for prizes.

Perhaps it’s partly impatience. If a reader likes the look of a book from its Undercover Soundtrack, they don’t want to wait a week for the giveaway result. They buy it immediately. So who’s left to take part in the giveaway? The people who don’t much mind whether they read it or not.

Even giveaway campaigns to well-targeted readers don’t seem to produce much return these days. I recently donated copies of Nail Your Novel for a fellow writer’s launch campaign, which should in theory have resulted in more exposure for the series. I saw no increase in sales afterwards.

reversecov compI have, however, had great results when I’ve done a giveaway of something special – like the NYN notebook or the My Memories of a Future Life antimatter edition. But those were specially made prizes, limited editions. Readers will pitch up for a unique prize, but they seem pretty indifferent to an ebook they might or might not get.

Spend your free books wisely

I know this is contentious. But I see a lot of writers who think they’re not trying hard enough if they don’t give books away and don’t examine whether the tactic is working for them. I think we have to look hard at every free ebook we spend. If we get a worthwhile return, that was an ebook well spent, no doubt about it. If not, we should stop.

Thanks for the pic Constanca Cabral

So let’s discuss. Where do you think free works and where doesn’t it work? How has this changed over the years? Do you think authors are being pressured to do giveaways all the time?

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‘A sense of collective trauma across a century’ – The Undercover Soundtrack, Suzie Grogan

for logoMy guest this week is a writer of non-fiction. Her book is an exploration of the legacy of the World Wars on mental health – the soldiers who developed shell shock, broke down afterwards or endured their nightmares in silence. And those on the home front too, the families torn apart by grief or traumatised by air raids. Her soundtrack is honest and searching, seeking a way to do justice to a tough subject. There is the gentle despair of Nick Drake, the Question of the Moody Blues, and a reading of Wilfred Owen by Kenneth Branagh. The author is Suzie Grogan and she’s on the Red Blog with her Undercover Soundtrack.

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Quirky tales and the difficulty of leaving a book behind: My Memories of a Future Life featured at Triskele Books

triskeleJW Hicks collects writers of quirky books, and I’m honoured she’s chosen me for her collection on the fab blog of the Triskele Books collective. (You might recognise Jane as a recent guest on The Undercover Soundtrack with her novel Rats.) She’s prised me out of my writing cage to answer questions on whether I start with characters or plot, what ghostwriting does to your writing style, how I keep track of ideas, and whether I worry the ideas will dry up. (In fact, I confess to acute separation anxiety when I finish a book. I don’t want to leave it. Does anyone else get that?)

Anyway, it’s all there at Triskele – you can get there with a hop, a skip or a tricycle .… or you could ask a soothing voice to guide you there in a dreamy state. At your own risk, of course.

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The inner horse – and your fictional character’s true nature

Lifeform Three Roz MorrisI was teaching a masterclass at The Guardian yesterday and we were discussing characters. One of my students said this:
‘I think of my characters as horses.’

To be honest, I couldn’t believe my ears. If you know me on Facebook and Twitter, you’ll know I’m rather fond of the equine breed, so when one of my students said ‘I think of my characters as horses’, I thought I was still in bed at home, waiting for the alarm.

Not as mad as it seems

But she went on to explain. She ran a carriage-driving centre, and found that all of her horses were such different temperaments they were a great basis for building fictional characters.

Stay with me here, because it makes glorious sense. One of the fundamentals of a character is what they’re like in the core of their soul, the things they can’t fake or change. Whether they’re bold in new situations, whether they feel safer following the crowd or prefer to be in charge, what kind of personalities annoy them, whether there are bad past experiences that have left scars, whether they’re naturally friendly or touchy-feely, or prefer to keep to themselves, whether they’re gentle or insensitive.

If you hang around horses a lot – and, I can imagine, dogs – you’re used to the company of a creature that can’t pretend. It always shows the material they’re made of. Then if we start to imagine those behaviours translated into a human character, who might try to cover them up, and whose life might make more complex demands…

The Johari Window

Indeed, this is not unlike the Johari Window, which can be useful for designing characters. It’s a grid, split into four, in which you write:

  • the things the character and everyone else knows
  • the things only the character knows
  • the things everyone else knows but the character doesn’t
  • the things that are unknown – the traits, fears, and feelings that no one suspects.

These last two are where we can have most fun with the character: the impulses that drive them, behaviours they are not in control of, and make them complex and interesting.

That’s the horse self. (And a nice excuse for me to include a picture of my own Lifeform Three.)

Use this to write a character who is very different from your own personality

Another student asked how to write a character who is very different from you.

This is where advice to ‘write what you know’ seems somewhat unhelpful. If we followed it we wouldn’t write murderers, queens, abuse victims, abusers, fatally jealous people, talented artists, heiresses, politicians, housemaids in Victorian houses, wizards…

On the other hand, ‘writing what you know’ is the place to start. All characters will have certain traits that we can relate to. Again, these come back to very simple impulses. What do they want to protect? What makes them feel threatened? What gives them joy and release? What makes them feel safe? If you start with those, you can find your way into most characters.

nyn2 2014 smlThere are more tips for your fictional people in Writing Characters Who’ll Keep Readers Captivated: Nail Your Novel.

Do you have any off-the-wall tips for getting to the hidden depths in a character? All pets welcome.

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