Posts Tagged Outside the Box: Women Writing Women

2 days to get 7-novel box set – the band is about to split

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The band is about to split. Our magnificent seven will soon scatter. The box set containing our seven novels will evaporate at the stroke of midnight BST on Saturday 23 May.

We might even resume our normal colours.

Here’s a post that explains the box set experiment. Here’s one where we were asked just what kind of political statement we thought we were making. And, in case you feel like tackling a similar venture, here’s one where we explain lessons learned.

And here’s what it’s all about:

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And here’s a pretty thingy to watch

So, for the final time, you can get the box set on all ebook platforms here.

And in the meantime, I’m taking a blogging break this weekend, but I’ll be back with The Undercover Soundtrack as usual. See you there.

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‘His voice brought me back to where I began’ – The Undercover Soundtrack, Joni Rodgers

for logoMy guest this week returns for her third appearance on The Undercover Soundtrack. And it’s for her first novel, which she’s reissuing in a director’s cut, after reclaiming the rights. Plotlines and characters have been reimagined according to her original vision, and music was vital to recreating the book in her mind. Indeed, the story began in music, as she initially didn’t even realise her idea was destined to be a novel. She relates in her post how she’d sit on a gantry with guitar and writing pad, imagining a stage play with songs.  But then the back story began to take shape, and the subtext, and before she knew it, a novel was born. She is NYT bestselling author and ghostwriter Joni Rodgers, one of my partners in crime at the Women Writing Women box set, and she’s on the Red Blog with the Undercover Soundtrack for the novel she contributed, Crazy For Trying.

Women-Writing-Women-Box-Set-Cover_finalJPEGsmlLIMITED OFFER Psst… Outside The Box: Women Writing Women is available only until 24 May. 7 full-length novels for £7.99 or the dollarly equivalent, including My Memories of a Future Life by yours truly. And it vanishes on 24 May.

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Lessons learned from making a contemporary fiction box set – guest post at Jane Friedman

janefboxsetWomen-Writing-Women-Box-Set-Cover_finalJPEGsmlHow do you organise seven time-strapped authors to collaborate on a project? Who does what, especially the tedious jobs like proof reading? How do you decide on an image, a price,  a name, a thrust for the publicity campaign, how much to spend on advertising?

Indeed, how do you get seven individuals to agree on anything?

How do you get the attention of the press – and is that worthwhile? What’s the difference between a proper promotion strategy and flinging the book into the market to fend for itself?

As you know, I’ve been taking part in a box set release with six other authors. We started work, in secret, back in November. Now, Jane Friedman has grilled us about the lessons learned in making a nice notion into an actual live product. Do come over.

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How do we label ourselves as writers? Guest spot at Dan Holloway – and the box set is available NOW!

Women-Writing-Women-Box-Set-Cover_finalJPEGsmlForgive the capitals in the title. That’s the problem of being in a group of seven, rather excited writers who’ve been working towards this moment since November. Our ebook collection, Outside The Box: Women Writing Women, went live yesterday. If you pre-ordered it, it will have arrived on your ereader. If pre-orders aren’t your thing, you can grab it right now, because it vanishes on May 24. Oh, and it’s seven full-length novels, so clear a weekend or seven.

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authoright 1We’re getting coverage all over the place, including the UK national press. (This is why the release is such a moment of relief and excitement.) But today I want to highlight a particularly thoughtful, searching interview put together by Dan Holloway. He’s asked tricky questions:

Is this collection a marketing idea, a political statement or both? What are our common threads (aside from the possession of two X chromosomes)? danDo they help us come up with a ‘label’ for our diverse range of books? What should that label be? Do labels in fiction cause problems? What about the position of women writers in literary fiction? And, my own favourite: is it better for writers to be ambitious and fall short, or to succeed on more limited terms?

It’s a good discussion. Do come over.

And once again, this is our ensemble. And we are very excited.

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