Posts Tagged planning a novel
Do you outline a novel before you write it or do you dive straight in? That’s the source of one of the great divides between writers, the ‘planners’ v the ‘pantsers’. To complicate matters, some pantsers are actually not as fancy-free as they appear.
And you might ask what counts as an outline. Is there a bare minimum an outline needs to do? Will an outline squash the creativity? Could you outline in a fresh way to give yourself more scope to be inventive? Does your outline even have to be in words? (Interpretive dancers, this is your chance to shine…’ I’m only half joking….)
Today I’m at the IngramSpark blog, because they asked me to talk about all the various and creative ways we can create outlines for our stories. There’s something for everyone. Do come over. There’s also a lot in my workbook, BTW.
And if you’re curious about what’s been going on in my own writerly lab, here’s the latest.
Last week I was back at The Guardian, teaching my course on advanced self-editing for fiction writers. My students kept me on my toes and I thought I’d explore their most interesting questions here. There are quite a few of them, and the weather is too darn hot, so instead of giving you a giant reading task I’ll be posting them in short bites over the next couple of weeks.
You’ll write a lot of material that is not intended for publication
One student who had taken a creative writing MA was bemused when her tutor set her the task of writing a scene from a different character’s point of view. This wasn’t intended to appear in the book; it was intended to encourage her to explore ramifications she hadn’t thought of. She said she found it a surprising idea, to create something that was never intended for publication.
We all have material we write that never reaches an audience. Sometimes this might be book ideas that don’t work out, or apprenticeship novels that are best filed in the ‘forget it’ drawer.
But those aside, a lot of our written output won’t end up between covers. I hadn’t thought about this until my student talked about this exercise, then I realised the amount of wordage we might write in order to get to the text.
In my own case this might be:
- musings on the meaning of the central idea, to hone the themes and discover the story, maybe with an Undercover Soundtrack
- ditto about characters, individual plot problems
- outlines and refinements thereof, or scrawlings of events on cards
- beat sheets for afterwards to aid revision
- tryouts of story events from other points of view, like the exercise my student was set.
That looks like a colossal amount of wastage. If I look in the folder for Ever Rest, I have 68 exploratory documents, and some of them are 20-30 pages.
And then there’s the material that gets cut from the manuscript – even more pages written that the reader never sees. The novel that emerges is a super-concentrated distillate.
I hadn’t ever questioned this, but I realise that for some writers it seems odd. They often think that, except for a bit of polishing, every word they write is intended for the book.
There’s more about exercises to build and refine your story in Nail Your Novel: Why Writers Abandon Books & How You Can Draft, Fix and Finish With Confidence. More posts here about insights from my Guardian masterclasses.
Next time: ‘My drafts are too brief’
So let’s continue the discussion. How much extra material do you write? Have you ever added it up?