How do you use research to build a plot? If you’re writing beyond your own personal experience – and most of us are – what details make a difference? How can you use your actual experience as a starting point? What are the absolutes to cover if you’re writing historical fiction, or fiction set in a special world?
Today I’m at BooksGoSocial, talking about this to Tom Burkhalter. He writes World War II novels created from meticulous research and deep understanding of his subject – indeed he’s often complimented on his flying experience, which he admitted to me was 90% research. And I have wide experience of writing what I don’t physically know, from my years as a ghostwriter and now with my own novels. Just for my most recent novel, Ever Rest, I learned two special worlds – music and mountaineering.
We also talk about how to organise material for a novel and how to teach yourself revision techniques that are effective and rewarding. If you’ve hung around here for any length of time, you’ll know I’m zealous about revision – for me it’s one of the great creative processes. Do come over.
In common with most freelances, I’m always working on multiple things at once! Books, courses, editing assignments…
One of those books is my third novel, Ever Rest, an undertaking that seems as gigantic as the mountain itself, and has to be fitted around other deadlines.
Hopping between projects is a way of life for most writers and is one of the subjects I discuss with Wayne Kelly on this new episode of his podcast. We also talk about ghostwriting (my course on that is here if you’re seriously curious), how we learn as writers, finding our niche, growing up in a landscape full of stories and the new Nail Your Novel Workbook. Do come over.
PS If you’re curious about why Ever Rest is taking so long, and how many other mountains I’m trying to tackle at the same time, there’s more in my newsletter
What’s it like writing books that other people put their names on? How do you get this kind of work? What makes a good ghostwriter?
I recently recorded this interview at The Bestseller Experiment, and I’m hugely flattered because their guest hotseat has held some pretty famous bottoms. Bryan Cranston has sat there. Richard Morgan who writes Altered Carbon has sat there. Tad Williams and Michelle Paver have sat there (and Michelle and I share a liking for Everest so I made sure I listened to that one). Anyway, it’s my turn. You can find the others if you dig around their vaults.
And if my interview has made you seriously consider ghostwriting, don’t forget to check out my course.
You probably know I’m fond of stories that flirt with the edges of SF and fable, and we discussed quite a few, some of which are in this thumbnail above. And Ralph has made detailed show notes with the titles and a time stamp so you can jump to exactly the bits that interest you.
Ralph’s podcast likes to explore unconventional inspirations for roleplayers, so I offered him a challenge. Could I convince him that the pony story, beloved of horse-mad kids (and grown-up kids) was worth a look? He was more than game – and it gave me a grand excuse to revisit some old, old friends. Do I get away with it? There’s only one way to know. Trot over for a look.
When I was first hanging around Twitter, I came across Nick Cook, who was taking his first steps building a presence as a science-fiction author. I watched over the years as his hard work paid off – he found representation and then a book deal with Three Hares Press (which, by coincidence, was founded by an editor I used to work with).
After three books (one for each hare) Nick will publish his next series independently, and asked me onto his video blog to chat about this new and unknown territory.
After years of waving hello on line, spaceships passing in the night, our worlds collide properly for the first time.
We had so much to natter about that we split the video in two. Part 1 is how I came to self-publish, the rewards and freedoms.
Part 2 is the challenges, developing a fanbase for your work even if you make surprising detours (ahem), ghostwriting and the phenomenon of the celebrity author, how indie and traditional publishing co-exist and how they’ll move forwards, and my all-time favourite film. No, I couldn’t choose just one film, I chose three. (One for each hare.)
Well that headline was a mouthful, but these two posts share a common theme.
I’m at The Creative Penn today talking about the process of turning a set of personal diaries into a book for outside readers. We cover the thorny topics of writing about real people, staying faithful to the truth, organising material – and also when a personal account might be better left quietly in a drawer.
As usual with the wonderful Joanna, you can read a transcript, download an audio or watch us wave our hands and crook our eyebrows on video. And there’s an appearance of the actual diary that started it all (now looking rather tattered). This is the direct video link, if that’s your thing.
I’m also at Clare Flynn’s blog, with a more leisurely conversation about personal journeys – from my own writing journey, to creating the book, to a provocative statement from Anthony Burgess. He said all literature was mostly about sex. If you want to chew that over, step this way. Oh, and there’s also an ‘ahhh’ moment with a big old friend.
Hello! I’m slightly late posting this week because I knew I had this waiting. Joanna Penn invited me back to her podcast to thrash out a thorny topic – how to find your author voice.
We discuss what voice is, how to develop it, how character dialogue differs from narrative voice, how authors might adapt their style for different kinds of book, voice considerations for non-fiction, the value of experimenting and – that perennial favourite – why literary fiction might take so darn long to write. Plus side helpings of Nigella Lawson and Nigel Slater, so bring a picnic.
What is plot? What ingredients are essential, regardless of genre? How do we use themes effectively, and subplots? What makes a satisfying ending? Author-entrepreneur and heroic podcaster Joanna Penn invited me to her podcast to answer these questions and more – and as you see, at 33:47 you can be assured of authorly hilarity.
Every week, my bookseller friend Peter Snell gets customers who ask him nervously: ‘how do I write’ and ‘how do I get published’? Sometimes they give him manuscripts or book proposals. I get emails with the same questions.
So we decided to team up for a series of shows for Surrey Hills Radio. If you’re a regular on this blog, you’re probably beyond starter-level advice, but if you’re feeling your way, or your friends or family have always hankered to do what you do, this might be just the ticket.
If you follow me on Facebook you’ll have seen the various pictures of us goofing with a fuzzy microphone, recording in the bookshop while customers slink past with bemused expressions. (Yes, that tiny gizmo is the complete mobile recording kit. It’s adorable.) So far the shows have been available only at the time of broadcast on Surrey Hills Radio (Saturday afternoons at 2pm BST), but the studio guys have now made podcasts so you can listen whenever you want. Shows in the back catalogue have covered
We’re forming the creative posse at IndieReCon, a free online conference for writers at all stages of their publishing careers. Do come over – and check out the other terrific events in the line-up. There’s info from all kinds of experts in publishing, writing and marketing.