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Posts Tagged speculative fiction
My guest this week describes a journey – of looking for a life path, of circling around it many times until he found where he was meant to fit. He says he thought he wanted to be a DJ because he loved music, and indeed became a music industry journalist. Then one day he started writing stories – and realised this was how he wanted to use the experiences that music gave him. It was clearly a good move as he has been nominated for the Nebula, the Theodore Sturgeon and StorySouth Million Writers awards. He studied fiction under Ursula K. Le Guin and Peruvian playwright Alonso Alegria and is now contributing to Hugh Howey and John Joseph Adams’s Apocalypse Triptych. He is Jake Kerr and he’s on the Red Blog with his Undercover Soundtrack.
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You can’t read much about writing advice before you trip over an essay about story structure, and how it works invisible magic on the reader. My guest this week has used sophisticated musical structures as the skeleton of his fantasy series, a series of nested reincarnation tales inspired by The Thousand and One Nights – and his influences range from Alban Berg to Frank Zappa. For him, music does not so much conjure up a scene or a character as an entire shape, of how an idea moves into a story and where it eventually goes. He is uniquely qualified to do so, as he is a composer, pianist and dance accompanist for musical theatre with the dance faculties of UC Berkeley, Princeton, Juilliard, and the ‘Fame’ school (though he has not yet said if he is reincarnated). Stephen Weinstock is on the Red Blog with his Undercover Soundtrack.
SHORT BREAK I’ll be taking a short break from blogging but will be back with a post on 30 November.
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There’s a shelf chez Morris that holds a set of books with such exquisite titles as Midwinterblood, White Crow, Floodland and, of course, the one quoted in the catchline of this post. So shall I cut to the chase and state that I’m honoured that he’s my guest this week? His novels blend folktales, myth and sometimes futuristic speculation, and music is a significant companion in the writing – from the mournful and joyous gypsy and folk ballads of Eastern European to the romantic compositions of Gustav Mahler. For his latest novel, The Ghosts of Heaven, no music would fit – so he composed his own. Do join me on the Red Blog for the Undercover Soundtrack of multi-award-winning author Marcus Sedgwick.
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‘Abhorrent combinations… fear not as the music writes the story for you’ – The Undercover Soundtrack, Josh Malerman
My guest this week says his novel was written in a trance. He rented an attic from a musician, who he could hear practising in the rooms downstairs, brought along a cageful of finches and set them free to fly around him as he typed. You’ll see from the title why they seemed like a good idea. These avian muses were also treated to the soundtracks of several movies – Rosemary’s Baby, The Fog and Creepshow – which doubtless helped them get further into character. When he needed to crank up the intensity, there would be two songs howling at once – the radio at one end of the room, classical music at the other. My guest reports that sometimes his birds got tired and stared at him. This endearing aural vandal is Josh Malerman, his novel is the post-apocalyptic thriller Bird Box, and he’s on the Red Blog with his Undercover Soundtrack.
apocalyptic, authors, Beetlejuice, Bird Box, birds, birdsong, classical music, Creepshow, Danny Elfman, Desert Island Discs, Detroit, future, futuristic, High Strung, John Carpenter, Josh Malerman, literary novels, male writers, medium, music, music for writers, My Memories of a Future Life, Nail Your Novel, playlist for writers, Rosemary's Baby, Roz Morris, Shameless, Slumber Party Massacre, speculative fiction, The Fog, The High Strung, The Undercover Soundtrack, thriller, thrillers, undercover soundtrack, wild birds, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music
I think this is the first interview I’ve done about Lifeform Three. I’m at the blog of Chele Cooke, whose name you may recognise because she was an Undercover Soundtrack guest a week or so ago. Chele is holding a sci-fi festival at her blog this month, and has invited along a number of authors who’ve written in the genre, from epic fantasy to chrome-plated mind-voyages. The awesome Hugh Howey is coming tomorrow, so I must be warm-up for him!
Chele made us all answer the same questions. How we developed our stories, what our distinctive takes are and who we’ve been influenced by. Personally, I think of SF as the classic genre of the imagination, one of the finest ways to ask questions about humanity that can’t be asked any other way. But I’m getting ahead of myself. Come over for the rest.
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My guest this week says she can ignore just about any distraction and write – except if she can hear music. But she also can’t write a character until she has found the perfect song as a vehicle for their personality, back story and secrets. Her debut novel fits rather well with this blog for another reason too – it’s the story of the world’s most reincarnated man, with all the troubles – past and present – that that implies. She is Candace Austin and she’s on the Red Blog with her Undercover Soundtrack.
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‘I hear these songs and see the flawless story I wanted to write’ – The Undercover Soundtrack, KM Weiland
One of my earliest Undercover Soundtrack guests returns this week with a brand-new novel – and another beguiling musical journey. The story features a character whose life spans two timelines, which she envisaged in her head as having a soundtrack of two personalities. Aggressive guitar, driving percussion – softened by the melancholy lyricism of early Celtic folk songs. But she’d never heard such a thing in real life – until a chance listen one day expressed exactly what she’d been looking for. She is KM Weiland and she’s on the Red Blog talking about the Undercover Soundtrack for her newest release, Dreamlander.
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Le tweet …. c’est chicMy Tweets
- ‘Shadows of the past’ – The Undercover Soundtrack, Meg Carter February 11, 2016
- Keep the faith: a mindset to put criticism in perspective… and a tip to stay inspired through multiple revisions February 7, 2016
- Fates and Furies by Lauren Groff … under discussion at Literary Roadhouse book club! February 5, 2016
- ‘When I’m most lost, a song will show the way’ – The Undercover Soundtrack, Ryan W Bradley February 4, 2016
- Found in translation: three literary translators share tips and secrets January 31, 2016
- Evidence and verdicts: a simple way to understand show not tell January 24, 2016
- ‘The emptiness of being outside a perfect romantic scene’ – The Undercover Soundtrack, Dan Gennoe January 24, 2016