- Email me
- Nail Your Novel: books
- FAQ: I’m a new writer: which book should I read first?
- FREE Nail Your Novel Instant Fix: 100 Tips For Fascinating Characters
- My writing process: the picture tour
- Nail Your Novel: A Companion Workbook
- Nail Your Novel: Why Writers Abandon Books and how you can Draft, Fix and Finish With Confidence
- Reviews of Nail Your Novel
- Who’s tweeting about Nail Your Novel …
- Writing Characters Who’ll Keep Readers Captivated: Nail Your Novel
- Writing Plots With Drama, Depth & Heart: Nail Your Novel
- Who am I?
Posts Tagged why I write
There’s been quite a fuss about self-publishing on internet channels recently. Brit author Ros Barber swore in The Guardian that she’d never self-publish her fiction, which prompted a lot of us to reassert why we did. This post by me appears to join the general howl, but in fact it was commissioned several months ago.
It’s at the blog of Helena Halme (and in case you’re counting the nationalities, she’s Finnish). Topical or not, I wanted to make the case for self-publishing as a serious option for authors of independent mind and spirit, who can be their own creative directors. Do come over. It’s just a click. You don’t have to go all the way to Finland.
guest posts, Helena Halme, interview, interviews, literary authors self-publish, Ros Barber, self-publishing, the publishing world, why bestselling authors self-publish, why good authors self-publish, why I write
First there’s a swift guide to becoming a ghostwriter. Debbie Young, chief blogatrix at the Alliance of Independent Authors, asked me for a starter piece for writers who might be interested in ghostwriting as a career move. It’s something I’m forever asked about, and if you’ve hung around this blog for a while the advice won’t be new to you. But otherwise, step this way.
Secondly, I was contacted by Warren Adler, author of Wars of The Roses (yes, THAT Wars of the Roses), who’d seen me loitering on Twitter and wanted to include me in a showcase on his website, called Writers of the World. The brief was exacting – 150ish words on why I write. Of course, I could give him a complete dossier, and while I tried to super-condense my million-or-so favourite reasons, I ended up with a post about the power of why in storytelling. But I eventually completed my assignment and it’s here.
So I’ll be back in a couple of weeks, with posts and Undercover Soundtracks. In the meantime I’ve cued up a selection of useful tweets to keep your writing at a healthy bubble. See you soon.
Alliance of Independent Authors, being creative, creative writing, ghostwriting, guest post, how to become a ghostwriter, how to get into ghostwriting, interview, interviews, Warren Adler, Warren Adler bestselling author of Wars of the Roses, why do you write, why I write, Writers of the World
Today I’m at the blog of Chris Hill, which I’m rather chuffed about because Chris has appeared on some impressive writing shortlists: The Daily Telegraph Novel In A Year competition; the Yeovil Literature Prize; the Bridport. (And of course you might know him already from The Undercover Soundtrack.)
Chris asked me how I ended up with radio shows, masterclasses etc, and also a few things that made me think hard – the themes that characterise my fiction and what I’m like as a person. Which led to the statement you see in this headline. Come on over for more.
PS Proper Nail Your Novel post is in the pipes. Keep watching this space.
Bridport prize, Chris Hill, Daily Telegraph Novel In A Year, how authors do it, how to start a writing career, how to start writing, interview, interviews, Roz Morris, themes, why I write, writing careers, Yeovil Literature Prize
Fear not, I won’t inflict every post on you that we release for the Women Writing Women campaign, but this is one that celebrates and explores creativity. Pauline Baird Jones invited us to answer the question: why do we write?
Inevitably, this led us all to search for where we started. And here you see something we all have in common – not just the group here but all of us on this journey. Carol Cooper did it to get into the best gigs at college. Jessica Bell did it because otherwise she felt she’d disappear. Jane Davis did it after a friend died. Kathleen Jones did it when she ran out of stories to read as a child on a remote farm. Orna Ross did it to give an overdramatic teenage personality a safe space to express. Joni Rodgers did it when blood cancer put her into isolation. And me? An overexpressive kid with something to prove, I guess, and too much shyness to be big in real life. Come over to Pauline’s blog and discover the full story.
And if you feel inclined to share, tell me here: why do you write?
authors, book marketing, box set, Carol Cooper, Daily Mail, Depth & Heart, Fix and Finish With Confidence, guest posts, how to make a box set, how to write a book, how to write a novel, interview, interviews, Jane Davis, Jessica Bell, Joni Rodgers, Kathleen Jones, My Memories of a Future Life, novels, Orna Ross, publishing, Royal Literary Fund, Roz Morris, self-publishing, traditional publishing, Vine Leaves Literary Journal, why I write, Women, Women Writers, Women Writing Women, writing, writing a novel - Nail Your Novel, writing business, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, Writing Plots With Drama
- Writing memoir, taking control, long-term careers – talking to Victoria Dougherty about the 21st century author October 20, 2019
- What your readers will never notice… a small point about reader belief and story logic (with a little help from Terrance Dicks, Rod Hull and Nina Conti) October 13, 2019
- 7 writing resources I use all the time October 6, 2019
- My kind of weird, my kind of wonderful – interview at Davida Chazan’s blog September 11, 2019
- How to outline a novel – post at Ingram Spark September 8, 2019
- 7 swift storytelling hacks for back story, description, dialogue, exposition, point of view and plot August 18, 2019
- The secret is out: 10 thoughts on nearly finishing a long-haul novel July 27, 2019