Posts Tagged Women Writers

Getting to the truth about strong women and troubled teenhood – novelist, playwright, essayist, writing coach Martha Engber @MarthaEngber

Martha Engber is a wordsmith in multiple ways. You’ve met her briefly – when she asked me to write a piece about my horse. Her most recent release is a YA novel, Winter Light, but that’s just one aspect of Martha’s art and work.  So here she is in full – editor, playwright, poet, novelist, essayist, writing coach, journalist.

Roz What’s the core Martha, your recurring themes, the character types you’re most interested in? And where did they come from?

Martha I grew up in a nuclear family of two older sisters, a mom and a dad. My mom strongly believed women should be independent financially and in action, a sentiment with which my dad agreed. As such, my sisters and I mowed lawns, played to win, stood our ground in arguments and otherwise always believed females can do almost everything males can, other than pee standing up, which I’ve since learned females more talented than myself can actually do.

Roz I can see this will be a fun conversation. Sorry, you were saying…

Martha So running through all of my stories are girls and women such as 15-year-old Mary Donahue in Winter Light, i.e., strong in the way of strong females.

Throughout life I’ve been annoyed, no end, by cliched women characters who act like men with boobs. They talk tough, they fight like ninja, they’re brought into stories to be tortured or killed as a means of providing male characters with that final burst of motivation to win the day.

Roz Give me the better version…

Martha Women are awesome at working together. They’re flexible both emotionally and creatively. They’re willing to help one another and ready to try, and try harder, and try harder once again using all available resources and every ounce of passion and intelligence. And no, they don’t hate men. Quite the contrary: they work with males, while at the same time always angling to create new paths for moving forward.

My next book, for which I’m seeking a publisher, is about two young Native American women warriors of opposing tribes. How they challenge one another can only be described as very female.

Roz Tell me about Winter Light.

Martha It’s a story about what I witnessed in high school during the blizzard year of 1978-79. The characters are dealing with alcoholism and addiction.

Roz How did you ensure the details were correct? For instance, the alcohol and addiction aspects wouldn’t be handled in a 2020s way.  

Martha I used my yearbooks and memories about fashion and music, and research to refresh myself regarding the politics and cultural events of the time.

Roz I love the post you made on your Facebook page, about your protagonist’s cherished concert T-shirts. And this, her playlist. Why was YA the most suitable approach?

Martha Actually I had no intention of writing a YA novel. I wrote a literary story.

I grew up when there was no “YA.” My favorite books were those that didn’t pull any punches: To Kill a Mockingbird, Jane Eyre, The Outsiders, Lord of the Flies. Such stories left me with lots to think about and opened my eyes to the strife others suffer.

Both as a teenage reader and as a writer, I hated the idea of an author dumbing down a story for me in order to make parents feel less vulnerable to problems that take place somewhere within all families.

While I didn’t witness alcoholism and abuse in my nuclear family, I heard and could see those harsh stories taking place almost right next to me. Stories that weren’t cute or cliched or focused on a sweet teen romance. Instead, they involved brutal truths about our species, that if we’re abused and unhappy, we pass on that misery and ugliness. Only those who are strong, smart and get a helping hand rise to overcome their lot in life.

Initially I was disconcerted to learn my story would be categorized as YA, just because of Mary’s age. But I’ve since been encouraged by two facts:  50% of YA readers are adults, and many contemporary YA books take on tough topics, such as The Hate U Give by Angie Thomas.

Roz You describe your work as literary. There must be a hundred definitions. What’s yours?

Martha Thank you so much for asking! Over the years, I’ve honed this definition: a story for readers who like to puzzle over human nature.

Roz You have another novel, The Wind Thief.

Martha The story literally arose from the fact I love winds of all kinds: breezes, gusts, headwinds, tailwinds, etc. I began to imagine winds as sentient, with different personalities and motives. I gave that belief to the main character, Medina, who allows that fantasy to envelop her in an emotional cocoon to protect her from a tragedy she suffered when she was a girl.

The research was fascinating, which is one of the reasons the book took me 10 years to write, though honestly, I seem unable to sufficiently plumb the depths of any story in a shorter time period. I typically work on a story until I don’t see even one more connection I make or one more angle from which I can view the characters’ actions.

Roz I love this. I’m also a long-haul writer. You’ve also been a journalist, with hundreds of credits in the Chicago Tribune. Any specialities?

Martha I enjoyed writing medical stories, since science is so fascinating. I also enjoyed the features that took me on one adventure after another. I’ve toured a haunted hotel; spent time talking to ice fishermen in sub-zero weather; met Imelda Marcos, the infamous Filipino First Lady who accumulated a vast shoe collection; and witnessed amazing dance and music troupes that include the Kodo Drummers from Japan.

Roz I’m envious of those experiences. What rich ore for your work. Speaking of rich ore, you’ve distilled your editing knowledge into a book on character development. Why characters?

Martha Characters are the story!

If writers develop their characters properly and let those characters lead, those protagonists will write an exciting plot.

Most readers only know if they like your book or not. If you were to question them closely, though, they’ll comment first and foremost about whether they love your characters, meaning they find them consistent, believable and admirable.

Like most writers, I failed at most of my initial characters. Then I realized throwing readers a lot of details about characters tells a lot about them, but doesn’t give readers what they need most, the one detail that explains how a character ticks. And that’s the concept of Growing Great Characters From The Ground Up.

Roz What writing craft question are you most commonly asked?

Martha At the beginning of workshops I ask participants what questions they’d like to have answered, and this is almost always on the list:

How do I find my protagonist’s motivation?

That leads directly into character development, which ends up looking like this:

character’s defining detail —> what they’re most afraid of —> what they’re motivated to do (run away from that fear!)

The plot consists of pushing them toward that greatest fear by placing ever bigger obstacles in front of them until they run straight into their worst fear. Boom!

Roz The arts are something we never truly master. There’s always more to learn. Even if we’re also teachers. Where do you do your learning?

Martha I think creative brains are like bottom-feeding fish: we’re constantly sweeping up every morsel for possible nutrients.

Biggest problem-solving moment: in semi-sleep just before I wake up. Most significant moments of enlightenment: while deep into editing a scene in which the characters are only inches away and I can see and hear and feel them.

Greatest generation of ideas: art museums –

Roz Me too. Museums and galleries are like drifting through a beautifully curated dream.

Martha … and the journeys of other creatives, especially podcasts like Hidden Brain and documentaries like My Octopus Teacher that explore how humans think.

Roz So what’s your writing process at the moment? Does it change from book to book?

Martha I continue working until the story gets less terrible.

Seriously, every story begins as a huge pile of dung. Then it’s a matter of using my shovel to find that stupid, irritating, tiny, brilliant gem within.

My writing life would be a lot simpler if I stuck with one style and genre. Instead, I write poetry, experimental short stories, journalistic/opinion/personal essays, historical fiction, etc. But I like that variety, and understand each story deserves its own shape.

Roz What are you working on at the moment?

Martha A memoir. Only within the last few months have I managed to wrestle the damn thing to the ground. What’s emerging is a poetry-prose hybrid that captures my personal upheaval. While not perfect, the story now has its own quirky, appropriate dwelling.

Secondly, I’ve started a book for writers based on my workshop regarding show vs. tell, and what a misconstrued piece of advice that is.

Roz Oh, it is. I explained it in one of my books and an author wrote to me and said: thank goodness, I’ve never understood it before.

With editing, journalism, workshops and running an author career, how do you find time for your own creative writing?

Martha Juggling time commitments is so tough! I want to do everything before I croak, which makes me busy, indeed.

I most likely have undiagnosed Attention Deficit Hyperactivity Disorder (ADHD), which means I have a high need to move. I do so every day: hiking, biking, running, surfing, etc. Energy expended, I can then sit down to think in an orderly manner. I’ve followed that behaviour pattern since I was a kid: dance around, then write.

Creative writing is my zen, meaning the deep place I go to meditate on life. Once I’ve taken in information about the world through my other activities, that writing time is when I get to chew on the ideas and pull out every possible nutrient, whether for a poem, short story, book or other project.

In a good day, I’ll get two hours of creative writing, one-and-a-half hours of marketing and one hour of writing planning (workshops, new story ideas, submissions). That allows me the other hours to work out and train my clients. I’m also a fitness instructor and personal trainer.

Roz Tell me about that. I’m also a gym fiend. (And guys, you can find Martha’s fitness blog here.)

Martha Woohoo!

Roz Body Pump, running, dance, horse riding…

Martha It sounds like you and I need to work out together sometime! After this pandemic, come visit.

Roz I used to suffer from RSI but discovered that the more exercise I do, the fewer problems I have with shoulder, wrist and back pain. Also, it’s an utterly necessary complement to the world of imagination and words. Of course, I think about work while exercising. Nothing stops me thinking. But the thoughts come differently when my blood’s up. If I’m chewing on a story problem, I take it for a run and I find a solution that’s more aggressive and daring than if I sat at a desk… I found the midpoint of my last novel that way. (Here I wrote about writing and exercise.)

How about you? How does fitness professional Martha merge with writer-journalist-editor Martha and how are they different?

Martha The beauty of a creative brain type is that creativity sweeps across every moment of my day. Every choice I make, whether going for a run, making chocolate cake or mapping out a story, are all just variations on the need to squeeze out every possible moment of enlightenment.

The trick to accomplishing that goal is to daily move amongst a healthy swirl of activities, because each feeds the other.

The body is very much a chemical lab, and each body represents a unique mix of chemicals. No matter your capacity for movement — people are different in what they can do — some type of movement is necessary to circulate blood and oxygen to the brain so we think better and have the energy to create.

And when we create, we make the world a better place.

Roz We do. Thank you, Martha.

Find Martha’s website here, her blog here, and tweet her @marthaengber

If you’d like more concentrated writing advice, my Nail Your Novel books are full of tips. If you’re curious about my own creative writing, find novels here and my travel memoir here. If you’d like to support bricks-and-mortar bookstores use Bookshop.org. And if you’re curious about what’s going on at my own writing desk, find my latest newsletter here and subscribe to future updates here.

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‘Shadows of the past’ – The Undercover Soundtrack, Meg Carter

for logoMy guest this week has written a psychological thriller in which two former school friends confront a life-changing event from their past. To create their teenage years in the 1980s, the author delved into her own archives, discovering old mixtapes and an Elvis Costello LP whose sleeve contained a lyric sheet written out by a close friend. She was struck by the way music became less significant over the years. What had once been such a fierce marker of personal identity was now an emblem of a simpler time – though not necessarily for the characters in her novel. She is Women In Journalism advocate Meg Carter and she’s on the Red Blog with the Undercover Soundtrack for The Lies We Tell.

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‘Watching the wintry sea and reflecting on a marriage’ – The Undercover Soundtrack, Clare Flynn

for logoMy guest this week has written the story of a marriage. Her novel spans many decades, from when her protagonist is a 17-year-old debutante in the 1930s, to the swinging sixties, where the character finds herself revisiting old haunts and sifting through her memories and her hopes. It’s a poignant post, honest and searching, and full of loss. She is Clare Flynn and she’s on the Red Blog with her Undercover Soundtrack.

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2 days to get 7-novel box set – the band is about to split

Remember us?

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The band is about to split. Our magnificent seven will soon scatter. The box set containing our seven novels will evaporate at the stroke of midnight BST on Saturday 23 May.

We might even resume our normal colours.

Here’s a post that explains the box set experiment. Here’s one where we were asked just what kind of political statement we thought we were making. And, in case you feel like tackling a similar venture, here’s one where we explain lessons learned.

And here’s what it’s all about:

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And here’s a pretty thingy to watch

So, for the final time, you can get the box set on all ebook platforms here.

And in the meantime, I’m taking a blogging break this weekend, but I’ll be back with The Undercover Soundtrack as usual. See you there.

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‘An expectant silence, a connection to something greater’ – The Undercover Soundtrack, Kathryn Craft

for logoI have been looking forward to sharing this Soundtrack with you. I’ve known the writer for a number of years on social media as we’ve moved in the same Venn diagrams, but when I saw the pre-publicity for her latest novel I had to approach her for this series. One of the hallmarks of these posts is that they are deeply personal journeys, and this novel is perhaps an ultimate example – it’s based on true events, the suicide of her husband. Do you recognise her already? If you’re in our Venn diagrams, perhaps you do. Before I confirm her name, let me say a little more about the music. This Soundtrack is a series of songs that reached out of the radio at the right time, to comfort, add perspective or share a moment; to make it possible to create a novel out of such a happening. She is Kathryn Craft, and she’s on the Red Blog with the Undercover Soundtrack to The Far End of Happy.

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‘His voice brought me back to where I began’ – The Undercover Soundtrack, Joni Rodgers

for logoMy guest this week returns for her third appearance on The Undercover Soundtrack. And it’s for her first novel, which she’s reissuing in a director’s cut, after reclaiming the rights. Plotlines and characters have been reimagined according to her original vision, and music was vital to recreating the book in her mind. Indeed, the story began in music, as she initially didn’t even realise her idea was destined to be a novel. She relates in her post how she’d sit on a gantry with guitar and writing pad, imagining a stage play with songs.  But then the back story began to take shape, and the subtext, and before she knew it, a novel was born. She is NYT bestselling author and ghostwriter Joni Rodgers, one of my partners in crime at the Women Writing Women box set, and she’s on the Red Blog with the Undercover Soundtrack for the novel she contributed, Crazy For Trying.

Women-Writing-Women-Box-Set-Cover_finalJPEGsmlLIMITED OFFER Psst… Outside The Box: Women Writing Women is available only until 24 May. 7 full-length novels for £7.99 or the dollarly equivalent, including My Memories of a Future Life by yours truly. And it vanishes on 24 May.

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‘Music for the Revolution’ – The Undercover Soundtrack, Debbie Moon

for logoMy guest this week is a master of many storytelling disciplines – including screenwriting and radio as well as prose fiction. She’s currently writing an action-adventure screenplay set during the Russian Revolution, with a decidedly spooky twist. Her soundtrack includes Holst, the romantic 20th century composer George Butterworth and a haunting, melancholy piano piece she discovered on an album of Chinese composers. Best known for creating the TV series Wolfblood, she is Debbie Moon and she’s on the Red Blog with her Undercover Soundtrack.

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How do we label ourselves as writers? Guest spot at Dan Holloway – and the box set is available NOW!

Women-Writing-Women-Box-Set-Cover_finalJPEGsmlForgive the capitals in the title. That’s the problem of being in a group of seven, rather excited writers who’ve been working towards this moment since November. Our ebook collection, Outside The Box: Women Writing Women, went live yesterday. If you pre-ordered it, it will have arrived on your ereader. If pre-orders aren’t your thing, you can grab it right now, because it vanishes on May 24. Oh, and it’s seven full-length novels, so clear a weekend or seven.

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authoright 1We’re getting coverage all over the place, including the UK national press. (This is why the release is such a moment of relief and excitement.) But today I want to highlight a particularly thoughtful, searching interview put together by Dan Holloway. He’s asked tricky questions:

Is this collection a marketing idea, a political statement or both? What are our common threads (aside from the possession of two X chromosomes)? danDo they help us come up with a ‘label’ for our diverse range of books? What should that label be? Do labels in fiction cause problems? What about the position of women writers in literary fiction? And, my own favourite: is it better for writers to be ambitious and fall short, or to succeed on more limited terms?

It’s a good discussion. Do come over.

And once again, this is our ensemble. And we are very excited.

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‘Music for looking into the past’ – The Undercover Soundtrack, Audrina Lane

for logoMy guest this week brings a real blast of the 1980s, with a bright red emphasis on romance (I guess it’s that time of year). She drew on the soundtrack of her adolescent years to create the love-torn characters in her novel, and the heart of the story beats to George Michael, Berlin and Patrick Swayze. She is Audrina Lane and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music for tragedy, coming of age, romance’ – The Undercover Soundtrack, Karen Wojcik Berner

for logoMy guest this week says she was a singer long before she was a writer, and when she started writing, music was a natural place to find story inspiration. She writes a series of novels based around the members of a book club, and many of the titles and characters come from tracks that have been special to her. I took unashamed pleasure in seeing Icicle Works and Peter Gabriel make an appearance – the latter with Sinead O’Connor (gasp). And one of her books was inspired by a track by Indigo Girls, which talks about reincarnation and the soul reinventing – possibly a familiar idea to longtime visitors here. Anyway, she is award-winning journalist and contemporary women’s fiction author Karen Wojcik Berner and she’s on the Red Blog with her Undercover Soundtrack.

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