Posts Tagged work in progress

In disguise: from ghostwriting to a voice of my own – interview at Slack podcast

Sometimes, the way to find yourself is to start by being someone else. That’s the subject of this podcast by the messaging app Slack. Each episode they interview people who find their identity in the work they do – and this time they’re looking at disguises. So they typed ‘ghostwriting’ into Google and found my grinning face … (Quick mention here of my ghostwriting course in case you’re professionally curious)

We talked about how I got started, the pressure from publishers to carry on writing sure-fire bestsellers, and the struggle to strike out as myself, writing my own fiction on my own terms. Along the way, presenter Lily Ames describes My Memories of a Future Life in a way I’ve never heard before … which proves yet again that someone else is always better at summing up your novel than you are.

The second half is a seasonal tale of a Vietnam veteran who became Santa Claus – and the surprising ways that this red, woolly-bearded disguise has made a genuine story_03difference in people’s lives.

Find it here on iTunes or stream it directly here (they concentrate on the Santa story in the write-up, but I’m on as the warm-up – you are in the right place!).

And merry everything xxxx

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Vow of silence: how much do you talk about your novel in progress?

Nail Your Novel vow of silenceIf you’ve hung around here for a while, you might have spotted that I’m writing my third novel and it’s called Ever Rest. Assuming you give two hoots about it, or even just one, you’ll have noticed that’s about all I give away.

I’ve mentioned Ever Rest in posts where I talk about a writing challenge that taught me a new trick. I’ve occasionally asked for help on tiny points of research (glory be to Facebook and Twitter). I’ve revealed occasional pieces of music that I’m using in its Undercover Soundtrack. If you subscribe to my newsletter, you’ll get updates when I discover a particularly breathtaking piece – but I won’t tell you what it’s telling me. Aside from that, the most tangible thing I’ve ever revealed was when I whipped away its working title (I first introduced it as The Mountains Novel). Even in craft posts, I have not explained the slightest thing about the story or characters.

A time of sharing (no, not Christmas)
Am I the only author to feel so inhibited? It’s quite normal to post about characters in progress, or significant locations, or to pin pictures, or publish snippets or early chapters. It’s the ethic of contact, involvement, engagement. It keeps the fans topped up. Certainly I revel in our connected lives and I’m a confirmed social media junkie. But I can’t work with an open door. Or perhaps, because my books need a long gestation period, such sharing would usually be premature for me.

But wait…

Ah, no, I must confess to one lapse. On Facebook I was nominated in a round-robin to share seven lines from the seventh page of a work in progress. I suddenly imagined the fun of instant feedback so I threw caution aside and contributed a paragraph. I may have bent the rules. The excerpt probably wasn’t on page seven unless you squeezed the point size, and it definitely isn’t on page seven now. What’s more, it didn’t give much away about the novel, because without a context, it was just pretty lines. I enjoyed the fact that people seemed to like it – and thank you, commenters – but I felt even that had revealed too much. I felt I’d invited readers in too soon.

Also, as I edit, I realise I’m more protective of those lines, because people responded so warmly. What if, when it comes out, they were looking forward to that passage or the thing it promised? Chances are, they won’t remember it, but it’s skewing my judgement. Good writing needs a ruthless mindset; you include only what’s good for the book, not the pieces you like or the crowd-pleasers.

So this vow of silence is important to my writing method.

Nail Your Novel vow of silence 2

But we might need to pitch…

But sometimes we might have to talk about our WIPs. Won’t we? Suppose we’re at an event and get a chance to talk to an agent or publisher? Well, if the book isn’t likely to be finished for a good few months, you can probably sketch it vaguely and talk about your influences and experience. Agents won’t judge you until they can read you, and they might be grateful not to be pitched a book that’s a way off the finish line. (They’re certainly frustrated by the hordes of authors who send them three chapters of something that isn’t fully written.)

And what should you do if you tweak an agent’s interest? For heaven’s sake, don’t rush to finish. You don’t have to lose the opportunity – get connected on social media and chat with them occasionally to keep the contact warm. Send the book when you’re ready.

Even unto the husband

I don’t even tell Dave (Mr Roz) about Ever Rest. He knows the basic concept, because I brainstormed it with him in the early days. Correction: the early years. This book has been creeping through my mind for decades. When Dave asks how I’m getting on, he gets vague pronouncements like: ‘I thought this character wasn’t going anywhere, but I suddenly discovered what I needed.’ I think he’s learned there’s nothing more irritating than a spouse with a policy of Not Talking About Her Book.

And indeed, it is a policy. No matter what the provocation, I don’t discharge about my novel before it’s fit to be read. I believe in keeping the pressure bottled up, so I give the best of it on the page. The title of Ever Rest might, if you can be bothered, lead you to assumptions; but those, my friend, are merely the tip and I probably couldn’t explain it all anyway. To do that, I must finish the story.

Let’s discuss! Do you have limits on what you’ll share about a work in progress? What do you happily talk about? What do you keep under wraps?

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