Posts Tagged working with an editor

What can an editor do for me? Discussion video at Indie Author Fringe 16

indie fringe 16If you’re friends with me on Facebook you’ll have seen a good bit of gallivanting this week at the London Book Fair. As soon as Olympia closed its doors, the Alliance of Independent Authors began its 24-hour marathon festival of  advice and information for authors. Whether you’re indie or not, there’s heaps of interesting stuff for the 2016 author, such as: a cover design clinic, marketing advice and tips on crowdfunding.

I’m chairing a panel on editing – what an editor does, how you choose one, some misconceptions and some stories from the trenches. My co-conspirators are Ricardo Fayet of the Reedsy editorial marketplace; indie author Laxmi Hariharan; and author and editor Andy Lowe (who you may recognise from The Undercover Soundtrack). Do come over.

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Why your editor admires you (and why you might not realise this)

5730710531_07b49820e8_zWhen I write a report about an author’s novel, it usually runs to at least 25 pages of detailed notes and developmental suggestions, plus annotations on the manuscript. Sometimes I’ve written 60-page reports. Although I make my responses constructive and helpful, and discuss strengths as weaknesses, I know it’s daunting to receive such a screed. I know my writers think ‘crikey, she needed to say all that? Did I get it so wrong?’

And this: ‘I thought the book was perfect. What kind of shambolic half-wit does she think I am?’

Well today, I’d like to let you know how the editor sees your book.

My open letter to the edited

Although it may be hard for you to believe when you see the size of my report, I know your manuscript represents aeons more time than the hours it takes me to glide through with my editorial eye. I never underestimate the care you have put in – because I write novels too.

I know the painstaking research and life experience you’ve used to create the world and the plot.

I know you invented – from nothing – a long, twisty path between beginning and end, with carefully laid crumb trails, reversals and surprises. And that it didn’t all happen in one Eureka moment.

sidebarcropI know you’ve invented the people from thin air, with their lives, loves and losses.

I know you’ve chosen every name after careful deliberation – and possibly many rejects. Ditto for the style, language, themes.

I know this manuscript is the result of many decisions and readjustments, made month after month – and that although you might have beta readers, the only thing you could rely on was your own spider sense. Although I might remark on research, locations, character back story and other material that does not fit, I know that you have reams more, which you were already disciplined enough to excise.

I never forget that the draft you give me doesn’t represent just enthusiasm, but also dedication – to persist when the problems were drowning the pleasure.

So yes, you get reams of comments from me, and they’re usually a shock because you thought you were done. But when I write them, I don’t feel like I’m telling you you’ve done it wrong. I feel I’m pointing out the details you didn’t have time, distance or expertise to see because you were already doing a superhuman job.

And so, when this editor sends you her notes, she also sends her admiration.

Welcome back to writing in 2014. What are you hoping to achieve? I’m ploughing on with Ever Rest and aiming to get another Nail Your Novel book out (2015 update – NYN Plot is alive and kicking). Tell me your goals in the comments!

Thanks for the pic soccerlime

lf3 print treesNEWS The print edition of Lifeform Three is now available! If you’re wondering what it’s all about, it’s been amassing some nice reviews, which you can see here, and I’ll also be sharing its Undercover Soundtrack on the Red Blog this week. Hope to see you there.

 

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