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Posts Tagged working with masks
I’m thinking about this because the other day I heard an interview with the British actor Peter Bowles. He explained that much of the time in acting life, he’d try to second-guess the director. When his character seized a sword or opened a letter, he’d be trying to figure out how the director wanted him to do it. Partly this was survival – after all, he wanted to be hired again. And he had a team player’s instinct to collaborate and please. However, he was aware that he was missing a fundamental connection – with the author of the text, and what they wanted.
But, said Bowles, this all changed when he put on a mask. Yep,. he couldn’t see the director any more but that’s not as fatuous as you think. It narrowed his awareness to just him and the text. And then it was as if all doubts vanished; the white noise of other people disappeared and he was suddenly certain of the emotions and truth in a dramatic moment. He knew, from inside, what to do.
It strikes me that writers spend a lot of time second-guessing. We’re surrounded by muddling influences. What’s popular in the market, what our favourite authors recently did. Suggestions from our extended writing family. Even, requests from our readers.
Writing has never been so connected. We can bust out of isolation, join social writing communities and cheer each other through Nanowrimo. As soon as a chapter leaves the brain, we can offer it for comment if we wish. Oh I’m not saying it isn’t fantastic to have support and guidance. If I disapproved, I’d hardly bother you with my weekly volume of bloggery. I love the world wide web of creativity we have. But no one knows a work’s bones as well as its creator. Are we taking enough quiet time to discover its deeper, instinctive truth?
I think there’s a part of writing that cannot be social. It must be done alone, unplugged and in a safe space. That’s how we strike out and find true inspiration – for the direction of a story, the meaning of a setting, the innate humour in a scene. It’s how we develop instincts we can rely on and a voice that’s indubitably our own. It’s how we become original and authentic.
Like those actors, there are times when we need to put on the mask and see what we find.
TINY NEWSFLASH Continuing the theme of creating our own space, I’ve revamped my author website with a new design and some extra pages, including Why I self-publish and a picture tour of my writing process.
Let’s discuss in the comments: Do you take time to retreat with your work? What do you do to cultivate your writer’s instinct?
acting, actors, authors, British actor, creativity, deepen your story, fiction, having ideas, how to be creative, how to be original, how to develop a writer's instinct, how to get inspiraed, how to write a book, how to write a novel, improv, inspiration, literature, My Memories of a Future Life, novels, Peter Bowles, publishing, Roz Morris, UK actor, working with masks, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, Writing Plots With Drama, Depth & Heart, writing routine
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