Posts Tagged writers and music

‘Choices, mistakes, consequences and childhood’ – The Undercover Soundtrack, Leonora Meriel

When I invited my latest guest to the Undercover Soundtrack, she told me we’d met before, IRL. At a writing conference, she’d asked my advice about working with editors. A few years on and she has a novel with a very respectable endorsement from Esther Freud and Kirkus reviews, so it seems everything went well. The novel is the story of three generations of women in a village in the Ukraine, and she developed a playlist of music that would create the rich landscape of place and emotion she hoped to put on the page. Some of the music also gave her a mindset – the patience and purpose to refine every word, which was probably where she was when we met at the writing conference. I’m so chuffed to see her persistence paid off and to introduce her properly here. She is Leonora Meriel and you can read her Undercover Soundtrack on the Red Blog.

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‘Some of the best lyrical storytelling I’ve ever heard’ – The Undercover Soundtrack, Victoria Dougherty

Pull on your boots. My guest this week had a radical change in music taste when she reached her 30s, and she hopes to convert you too – unless you’re already a fan of country. It started when she moved out of Chicago and found that the sensibilities of country singers were more in tune with her new environment. Not only that, she realised they were wry, witty storytellers, writing about characters complex enough to satisfy any novelist. Soon they were guiding the way her stories developed. So come to the Red Blog and join a twangly, poignant chorus of Dolly Parton, Frankie Laine, Johnny Cash and Garth Brooks, all on the Undercover Soundtrack of Victoria Dougherty.

 

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‘Cyclical melodies, beginnings and endings’ – The Undercover Soundtrack, Nicole Evelina

I had a hard time this week picking just one pull-quote to represent my guest’s work. She’s a writer of two halves – historical romantic fiction and contemporary romance. And she’s now also venturing into biographical historical fiction as well. The common thread is always music. A song by Sting that evoked for her a sense of an untold angle for the Arthurian legend. Or a friend who recommended music by The Civil Wars that gave her the opening and closing lines of a modern romance. What could be more fitting for the week of Valentine’s day? Drop by the Red Blog for the Undercover Soundtrack of Nicole Evelina.

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‘The emptiness of being outside a perfect romantic scene’ – The Undercover Soundtrack, Dan Gennoe

for logoOh my! Do you know what I forgot to do? There hasn’t been an Undercover Soundtrack for a few weeks, and now there is I forgot to publish the teaser post. How easily we forget our own routines. Even more heinous, I’ve been adding the tracks to the soundtrack for my own WIP, greedily enjoying it while forgetting I needed to share it with you. Apologies, apologies.

So: my guest spent 16 years as a rock journalist, interviewing stars and trying to understand what their music was trying to say. When he started to write his first novel, music took on a fresh role – no longer the endpoint, it was now the beginning. The book is the story of a man looking back on an intense love affair, and the music is an aural journey of the character’s obsession, his unstable serenity that could turn dark, his complex sense of comfort in the prison of his memories. Dan Gennoe is on the Red Blog with his Undercover Soundtrack (and has been since Wednesday, mea culpa). Proper writing post to follow later, but for now, sit back with Dan.

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