My guest this week says he needs silence to write, but not necessarily aural silence. Instead he seeks what he calls a ‘silence of the mind’, a cessation of chaos, so that he can tune his senses to his novel’s world and the feelings of his characters. Music by Bach and Joni Mitchell, among others, prepare the way for his latest novel – the story of a boy born in thirteenth-century Persia with four ears instead of two, and his path towards spiritual awakening and love. Stop by the Red Blog to meet literary novelist Michael Golding, and the Undercover Soundtrack for A Poet of the Invisible World.
Tag: writers who use music
‘Battle songs’ – The Undercover Soundtrack, Naomi Elana Zener
My guest this week is writing about a character trying to find her way to happiness. Love and career have not gone as planned, and the protagonist ends up living with her parents in Los Angeles – a cue for a feisty, fighting soundtrack of Guns n Roses and Chumbawumba, and a story where relationships, family and pseudofamilies are key. And it’s the first time AC/DC has appeared on an Undercover Soundtrack, would you believe. She is Huffington Post blogger Naomi Elana Zener and she’s on the Red Blog with her Undercover Soundtrack.
‘The planes, the explosions, the dust, the calm’ – The Undercover Soundtrack, Kerry Drewery
My guest this week specialises in YA novels set in war zones. With just two novels under her belt, she’s already much-decorated with awards and award nominations. Her music selection is small in number, but it helped her keep the intensity of the environments she was writing about, and connect with the characters’ emotions. Indeed, she has scored a first among Undercover Soundtrackers, because one of her choices was to help her decompress after working with such harrowing material. She is Kerry Drewery and she’s on the Red Blog with her Undercover Soundtrack.
‘Close your eyes and listen with your hands’ – The Undercover Soundtrack, Tawnysha Greene
My guest this week might seem a surprising addition to the Undercover Soundtrack series as she has impaired hearing. Nevertheless, music is important to her, both as a writing environment and to help her slip into the shoes of her characters. Some of her novel’s people also have impaired hearing, which is an interesting creative choice – what they miss in aural terms, they make up for in what they understand and observe. My author is also a creative writing tutor at Tennessee University and a regular contributor to literary magazines, so I’m delighted she’s guesting here with her first novel. She is Tawnysha Greene and you’ll find her on the Red Blog with her Undercover Soundtrack. What’s more … you could win a beautiful print edition.
‘Tenderness, fragility, an understanding beyond her years’ – The Undercover Soundtrack, Myfanwy Collins
My guest this week has just one musician in her book-s arsenal – a singer who perfectly, wholly, uncannily embodied the character she was searching for. The story is a young adult novel – a new departure for the writer, who has had other works published in the adult market and in literary magazines. Anyway, the emotions run high – and also the fragility. Hop over to the Red Blog where Myfanwy Collins is sharing her Undercover Soundtrack.
‘Everyone walks around with their own theme tune’ – The Undercover Soundtrack, Nadine Matheson
My guest this week has a theory that everyone’s head is carrying a tune – a permanent soundtrack, a default earworm. Her own cerebrum is tuned to Jimi Hendrix’s All Along The Watchtower, which has special significance when she starts writing as she sees the process of plotting as the search for an escape. And her book centres on two characters who need this escape – sisters who were professional singers, who go through multiple misunderstandings before they find their equilibrium. (Cue Nina Simone: Don’t Let Me Be Misunderstood.) The author is Nadine Matheson and she’s on the Red Blog with her Undercover Soundtrack.
‘Music, grief and sibling rivalry’ – The Undercover Soundtrack, Lindsay Stanberry-Flynn
My guest this week used the Moonlight Sonata to guide her through her latest novel. A central character was a pianist, and the story explores the emotions and reckonings that emerge in the wake of his death. She says the Moonlight pulled her in surprising directions, peeling off the layers of a family’s bonds and rifts, and illuminating a complex web of relationships and resentments. The piece became so significant that when she launched the novel, she persuaded her husband to give a performance of the first movement. She is award-winning author Lindsay Stanberry-Flynn and she’s on the Red Blog with her Undercover Soundtrack.
‘I wanted music that was angry and soulful, both at the same time’ – The Undercover Soundtrack, Zoe Sharp
My guest this week writes to everything from Gregorian chant to grinding rock. For her latest novel in her crime series, she wanted to explore themes of regret and loss – and she looked for resentful, raw emotional songs to echo the pressures in her character’s life. She is Zoe Sharp, the novel is Fifth Victim: Charlie Fox book nine and she is on the Red Blog with its Undercover Soundtrack.