Posts Tagged writing to classical music

‘A disturbing symphony’ – The Undercover Soundtrack, Paul Adkin

for logoMy guest this week has a background in acting and theatre directing. When he had the idea for his novel, he was very aware of music helping him to create the setting, the characters and their tensions. Flamenco gave him the unease in one protagonist’s heart; Greek drinking songs suggested another’s melancholy temperament; Miles Davis and Bowie suggested a bridge between them. He is Paul Adkin and he’s on the Red Blog with his Undercover Soundtrack.

Advertisements

, , , , , , , , , , , , , ,

2 Comments

‘Intensity, wildness and urban mayhem’ – The Undercover Soundtrack, Kathryn Guare

for logoMy guest this week began her debut novel with very little sense of where she was going.  All she had was a powerful scene and a yen to explore it. While she was experimenting, she happened on an audio seminar on understanding classical music. Suddenly she realised her character should be a virtuoso violinist – and the novel came alive. (Readers of My Memories of a Future Life will recognise a kindred spirit here. When I heard about her novel I had to recruit her.) She carried on collecting music to explore her character’s world and the result is a suspense novel with a rather unusual protagonist. She is Kathryn Guare and she’s on the Red Blog with her Undercover Soundtrack.

, , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Leave a comment