Writing multiple projects and keeping in touch with a book when you take a break – interview at Joined Up Writing podcast

In common with most freelances, I’m always working on multiple things at once! Books, courses, editing assignments…

One of those books is my third novel, Ever Rest, an undertaking that seems as gigantic as the mountain itself, and has to be fitted around other deadlines.

Hopping between projects is a way of life for most writers and is one of the subjects I discuss with Wayne Kelly on this new episode of his podcast. We also talk about ghostwriting (my course on that is here if you’re seriously curious), how we learn as writers, finding our niche, growing up in a landscape full of stories and the new Nail Your Novel Workbook. Do come over.

PS If you’re curious about why Ever Rest is taking so long, and how many other mountains I’m trying to tackle at the same time, there’s more in my newsletter

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Not going to AWP19 – try 7 authors free on audio for your commute

Right now, the annual conference of the Association of Writers & Writing Programs is taking place in Portland, Oregon, a mecca for writers, teachers, writers-in-training (actually that’s all of us anyway, we never seem to stop training).

Meanwhile in the ether, another event is afoot. Literary editor, critic and tireless author John Madera (tweet him as @aredamnhoj) has convened an alternative AWP for his podcast Jamming Their Transmission, on his site The Big Other (he has a lot of web territories!).

He’s handpicked a set of literary folk to give short readings (less than 5 minutes each) to let the world hear their work, in their own voices, and he’s publishing them as half-hour podcasts during real AWP. I’m thrilled to be one of the authors on part 3 and you can hear me read a piece from Not Quite Lost.

I’m even more thrilled to be sharing the stage with six exciting poets, memoirists and novelists, who are Tony Trigilio, Valerie Nieman, Kallie Falandays, Seth Berg, Cris Mazza and Michael A Ferro. Find our episode and the rest of John’s programme here.

Are creative writing degrees relevant in 2019’s publishing climate? The honest truth

The publishing world is moving faster than ever. Have creative writing courses kept pace? That’s the angle I’m considering this time in my series of interviews with creative writing professor Garry Craig Powell.

If you want a career in mainstream publishing, will a course equip you for that?

If you want a traditional deal, will a creative writing qualification make that more likely?

What about the indie world – does a creative writing degree confer any benefit, advantage or prestige?

If you decide to be master of your own work, will a degree help you do it more wisely and effectively?

Now that authors have to do so much platform-building for themselves – whether indie or traditional – have the academic departments kept up with these new demands?

As usual, Garry is patient and thoroughly candid and the discussion can be found at Late Last Night Books. It’s part of a longer conversation:

Part 1 Should you take a creative writing degree?

Part 2 How to choose a creative writing degree

Grab coffee and come over. As always, the comments system at Late Last Night Books is tricky to negotiate, but if you’d like to add to the discussion or ask a question, type it here!

The secret life of the book ghostwriter – podcast at The Bestseller Experiment

What’s it like writing books that other people put their names on? How do you get this kind of work? What makes a good ghostwriter?

I recently recorded this interview at The Bestseller Experiment, and I’m hugely flattered because their guest hotseat has held some pretty famous bottoms.  Bryan Cranston has sat there. Richard Morgan who writes Altered Carbon has sat there. Tad Williams and Michelle Paver have sat there (and Michelle and I share a liking for Everest so I made sure I listened to that one). Anyway, it’s my turn. You can find the others if you dig around their vaults.

And if my interview has made you seriously consider ghostwriting, don’t forget to check out my course.

The writer’s persona in the narrative, MFA courses and Englishness – interview at Rain Taxi

How much should a writer’s personality show in a book? Some authors keep themselves out of the narrative voice, even in a personal book such as a memoir. Others colour every page with their sensibilities and personality, even if they’re writing fiction. This is just one of the questions I’m discussing today in the literary magazine Rain Taxi.

You might recognise my interviewer – Garry Craig Powell, who has been a guest on The Undercover Soundtrack (he put Phil Collins songs to unforgettable and cheeky use). Garry has also taught creative writing at university level, so that’s another discussion we have – are these courses useful, necessary, a hindrance, something else? What about journalism – when is that a good start for a fiction author?

And then there’s Englishness. What is that? Well, it could be a quality of restraint – when saying less means more. It might also be a sense of Elysian yearning for an emblematically romantic world, including the tradition of stories about remarkable houses. We’re trying to thrash it out. Do come over, and bring tea.

Biggest challenge as an indie author and how to stay creative – interview at ALLi

How do I stay creative, motivated and productive when there are so many non-writing demands on an author’s life?

Today I’m answering these questions at the website of the Alliance of Independent Authors. What was the best decision I ever made? (Thankfully they didn’t ask about my worst…) Do drop in.

The culture of a close marriage and weird little trips – guest spot at Victoria Dougherty’s COLD

I ran into Victoria Dougherty a while ago in a Facebook group and recognised a kindred spirit. Not just because she writes fiction, personal essays and memoir, but because of the way she is inspired by family, place and relationships. (Take a look at this piece, Growing Old(er) Together, and tell me you don’t want to know her too.) She took a shine to Not Quite Lost and invited me to her blog, Cold, for a chat about the culture of a long marriage, the delight of exploring places that no-one else would bother with, the micro-cultures of quiet English towns and whether I should get out more. She raided my photo album too, as you can see. Do come over.

Southerners going north, the most romantic ruin and the town you can’t leave – interview at Chris Hill’s blog

Chris Hill is a name you might recognise here. A while ago he appeared on The Undercover Soundtrack with his prizewinning novel about young men taking lessons in love, The Pick-Up Artist. Today he’s picked up a copy of Not Quite Lost and asked a few questions.

Chris is originally from the north of England, and enjoys teasing southerners who never venture to those wuthering regions. Especially if, tsk tsk, they have the temerity to write a travel book. (In that case, he got a surprise – I’m from the north.) Chris also knows that travel isn’t all about postcard-perfect places and is not afraid to wield the term ‘crappy’. Expect a blunt conversation with a dash of Laurie Lee and The Prisoner. Come over if you dare.

Worldbuilding for SF and other fiction, reimagined for roleplayers. And pony books. Podcast at Fictoplasm

How do you create a world for a science fiction novel or a slipstream element for a more contemporary story? I’ve done both with my two fiction outings, My Memories of a Future Life and Lifeform Three. So Ralph Lovegrove invited me to guest on Fictoplasm, his podcast for roleplayers.

You probably know I’m fond of stories that flirt with the edges of SF and fable, and we discussed quite a few, some of which are in this thumbnail above. And Ralph has made detailed show notes with the titles and a time stamp so you can jump to exactly the bits that interest you.

Ralph’s podcast likes to explore unconventional inspirations for roleplayers, so I offered him a challenge. Could I convince him that the pony story, beloved of horse-mad kids (and grown-up kids) was worth a look? He was more than game – and it gave me a grand excuse to revisit some old, old friends. Do I get away with it? There’s only one way to know. Trot over for a look.

 

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Indie publishing the 2017 way – video chat with sci-fi author Nick Cook

When I was first hanging around Twitter, I came across Nick Cook, who was taking his first steps building a presence as a science-fiction author. I watched over the years as his hard work paid off – he found representation and then a book deal with Three Hares Press (which, by coincidence, was founded by an editor I used to work with).

After three books (one for each hare) Nick will publish his next series independently, and asked me onto his video blog to chat about this new and unknown territory.

After years of waving hello on line, spaceships passing in the night, our worlds collide properly for the first time.

We had so much to natter about that we split the video in two. Part 1 is how I came to self-publish, the rewards and freedoms.

Part 2 is the challenges, developing a fanbase for your work even if you make surprising detours (ahem), ghostwriting and the phenomenon of the celebrity author, how indie and traditional publishing co-exist and how they’ll move forwards, and my all-time favourite film. No, I couldn’t choose just one film, I chose three. (One for each hare.)