Archive for category Interviews
Where would you most like to go? Underground, overground, back in time, out of this world? I’ll have all of them, please. (That’s the mysterious Down St Tube station in the picture, abandoned and dark since 1932.)
Book blogger Davida Chazan (who you might remember was incredibly nice about Not Quite Lost) has devised this quirky questionnaire for authors she’s reviewed and today it’s my turn. As well as preposterous travel, expect brightest of times, darkest of times. and a book I wish I’d written. She’s also known as The Chocolate Lady, so one of her questions is, of course, answered by this.
And if you’re curious to know more about my weird and wonderful, here’s my latest newsletter.
Writing multiple projects and keeping in touch with a book when you take a break – interview at Joined Up Writing podcast
One of those books is my third novel, Ever Rest, an undertaking that seems as gigantic as the mountain itself, and has to be fitted around other deadlines.
Hopping between projects is a way of life for most writers and is one of the subjects I discuss with Wayne Kelly on this new episode of his podcast. We also talk about ghostwriting (my course on that is here if you’re seriously curious), how we learn as writers, finding our niche, growing up in a landscape full of stories and the new Nail Your Novel Workbook. Do come over.
PS If you’re curious about why Ever Rest is taking so long, and how many other mountains I’m trying to tackle at the same time, there’s more in my newsletter
The publishing world is moving faster than ever. Have creative writing courses kept pace? That’s the angle I’m considering this time in my series of interviews with creative writing professor Garry Craig Powell.
If you want a career in mainstream publishing, will a course equip you for that?
If you want a traditional deal, will a creative writing qualification make that more likely?
What about the indie world – does a creative writing degree confer any benefit, advantage or prestige?
If you decide to be master of your own work, will a degree help you do it more wisely and effectively?
Now that authors have to do so much platform-building for themselves – whether indie or traditional – have the academic departments kept up with these new demands?
As usual, Garry is patient and thoroughly candid and the discussion can be found at Late Last Night Books. It’s part of a longer conversation:
Grab coffee and come over. As always, the comments system at Late Last Night Books is tricky to negotiate, but if you’d like to add to the discussion or ask a question, type it here!
I recently recorded this interview at The Bestseller Experiment, and I’m hugely flattered because their guest hotseat has held some pretty famous bottoms. Bryan Cranston has sat there. Richard Morgan who writes Altered Carbon has sat there. Tad Williams and Michelle Paver have sat there (and Michelle and I share a liking for Everest so I made sure I listened to that one). Anyway, it’s my turn. You can find the others if you dig around their vaults.
And if my interview has made you seriously consider ghostwriting, don’t forget to check out my course.
How much should a writer’s personality show in a book? Some authors keep themselves out of the narrative voice, even in a personal book such as a memoir. Others colour every page with their sensibilities and personality, even if they’re writing fiction. This is just one of the questions I’m discussing today in the literary magazine Rain Taxi.
You might recognise my interviewer – Garry Craig Powell, who has been a guest on The Undercover Soundtrack (he put Phil Collins songs to unforgettable and cheeky use). Garry has also taught creative writing at university level, so that’s another discussion we have – are these courses useful, necessary, a hindrance, something else? What about journalism – when is that a good start for a fiction author?
And then there’s Englishness. What is that? Well, it could be a quality of restraint – when saying less means more. It might also be a sense of Elysian yearning for an emblematically romantic world, including the tradition of stories about remarkable houses. We’re trying to thrash it out. Do come over, and bring tea.
I ran into Victoria Dougherty a while ago in a Facebook group and recognised a kindred spirit. Not just because she writes fiction, personal essays and memoir, but because of the way she is inspired by family, place and relationships. (Take a look at this piece, Growing Old(er) Together, and tell me you don’t want to know her too.) She took a shine to Not Quite Lost and invited me to her blog, Cold, for a chat about the culture of a long marriage, the delight of exploring places that no-one else would bother with, the micro-cultures of quiet English towns and whether I should get out more. She raided my photo album too, as you can see. Do come over.
Southerners going north, the most romantic ruin and the town you can’t leave – interview at Chris Hill’s blog
Chris Hill is a name you might recognise here. A while ago he appeared on The Undercover Soundtrack with his prizewinning novel about young men taking lessons in love, The Pick-Up Artist. Today he’s picked up a copy of Not Quite Lost and asked a few questions.
Chris is originally from the north of England, and enjoys teasing southerners who never venture to those wuthering regions. Especially if, tsk tsk, they have the temerity to write a travel book. (In that case, he got a surprise – I’m from the north.) Chris also knows that travel isn’t all about postcard-perfect places and is not afraid to wield the term ‘crappy’. Expect a blunt conversation with a dash of Laurie Lee and The Prisoner. Come over if you dare.