Archive for category Interviews
Our show on Surrey Hills Radio just got this lovely write-up on a new website, This Is Wild. I’m not sure how we fit the wild agenda, but the interviewer has cited our enthusiasm for all things of publishing, our robust arguments about how you pronounce the Norrell of Jonathan Strange and our music collection. (Okay; my music collection.)
We talk about how the show began, and how the fans made our early episodes into a party on Facebook. (Chriss from Whoknowswhere and Henry in Hyding should also be on that list.) There are a few useful writing tips in among all that, as well as pointers for making friends with local bookshops. And if you prefer audio, you can listen to the whole interview on Soundcloud from the This is Wild site.
In other terribly exciting news, Lifeform Three has just been selected as one of just 200 self-published books to be promoted nationally in libraries across the US. It’s part of an initiative called Library Journal Self-e, and you still have time to enter their awards. And Lifeform Three brings us neatly back to the Surrey Hills, because this haunting landscape was one of my inspirations.
If you’re friends with me on Facebook you’ll already have seen this picture. Years ago I held a fancy dress party with the theme ‘mad, bad and dangerous to know’. My costume was The Masque of the Red Death, after the story by Edgar Allan Poe. Well this week, I was the guest of The Literary Roadhouse podcast, an online discussion group for short stories. Each week they choose a literary short story and gnaw over it for a good hour. If you want a conversation that cares about a story’s language, themes, resonances and whether it works, this is for you.
Even better, you can take part. Read the story before you listen, and you can tell them afterwards in the comments what you agree and disagree about. Indeed, they’d love it if you did.
So, to explain the splendid party picture you see here. Literary Roadhouse pick the stories by a random and bizarre game. I have only once in my life dressed up as a short story, and the hand of fate took it to Literary Roadhouse for my guest spot. Spooky. Hop over there now. If you dare.
Extremely serious question. If you had to dress as a short story, or ‘mad, bad and dangerous to know’, what would your costume be? You don’t do that sort of thing? Just me, then.
What is plot? What ingredients are essential, regardless of genre? How do we use themes effectively, and subplots? What makes a satisfying ending? Author-entrepreneur and heroic podcaster Joanna Penn invited me to her podcast to answer these questions and more – and as you see, at 33:47 you can be assured of authorly hilarity.
You can either listen to it as a podcast or read the transcript here, or you can watch us laugh, furrow our brows and occasionally drink tea by clicking on the screen below.
We all have periods when our creative time is nuked. Day jobs, family responsibilities or out-of the-blue crises can make our writing goals streak away into the impossible distance. Even if writing is our chief occupation, there are platforms to build, decisions to mull. And if we self-publish we can add more exacting tasks to the list.
This year I’ve become more aware than ever how scarce my writing time has become. As well as editing work, I’ve got invitations to speak and run courses. I’m thrilled, and happily surprised as I never expected it. I consider myself fantastically lucky to be able to build a career on this art I’ve practised quietly for decades. But if my own novels take a back seat, my soul will shrivel. So this is how I stay on track.
You don’t always need big chunks of writing time. Instead, schedule micro-sessions. Can you set the alarm 20 minutes earlier? Earmark that to spend time with your book’s textfile, planning the next scene, honing the one you’re currently writing, creating your beat sheet if you’re in the revision stage (more about that here). Begin your day with a short stretch of clear, quality book time – and it will travel with you all the rest of the day. I’ve written more about that here.
Develop smart triggers for quick access to your book’s world. If you’ve hung around here for any period of time you’ll know how keen I am on music for this . At the moment, I’m gathering an Undercover Soundtrack for Ever Rest, and it keeps my enthusiasm stoked, reminds me of the book’s world, the characters and their mysteries.
Draw inspiration from everyday life
The more I am immersed in the book, the more I find useful material comes to me – the view out of a window will help me build a scene in a new location, the outfit of a guy on the Tube is how one of my characters will dress.
Baby steps keep your mission clear
It’s easy to become overwhelmed by the little glitches that spring up as we write and edit. We can be just as disrupted by new ideas that suggest fresh possibilities. Suddenly our clarity has gone, the book’s getting out of control. The mistake is to try to muddle on with all those new ideas boiling around you. Instead, isolate a question you want to consider, brainstorm it, consider the consequences for one path or another – and when you’re ready, return to the main book. When I bump up against a problem with plot or characters, I scribble it on a scrap of paper and carry it with me so I can work it out without getting confused or derailing the rest of the book.
Remember editing is part of the writing
Some authors regard redrafting as a chore of corrections, a dispiriting process of confronting what we did wrong. And indeed, some authors still don’t realise they can self-edit at all. (I get emails from writers who worry their first draft is turning bad, and want to send it to me for a developmental report.) But revision is 1 – necessary and 2 – an intensively creative opportunity. Most novels get better from multiple visits. The more you edit, the more you understand what your book needs and how to streamline it. More here on this – revision is re-vision.
Find a buddy
I have a writer friend who’s also fiercely defending his writing time, while over-run by a busy career. For a few years now, we’ve been direct messaging on Twitter first thing each morning, a little nudge to say ‘I’m on my book – are you on yours?’ Find a buddy who’s also in danger of drowning, and keep each other accountable.
There’s a lot more on getting your novel finished in Nail Your Novel: Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence.
And tell me – how do you stay in touch with your writing when time is scarce?
How do we label ourselves as writers? Guest spot at Dan Holloway – and the box set is available NOW!
Forgive the capitals in the title. That’s the problem of being in a group of seven, rather excited writers who’ve been working towards this moment since November. Our ebook collection, Outside The Box: Women Writing Women, went live yesterday. If you pre-ordered it, it will have arrived on your ereader. If pre-orders aren’t your thing, you can grab it right now, because it vanishes on May 24. Oh, and it’s seven full-length novels, so clear a weekend or seven.
We’re getting coverage all over the place, including the UK national press. (This is why the release is such a moment of relief and excitement.) But today I want to highlight a particularly thoughtful, searching interview put together by Dan Holloway. He’s asked tricky questions:
Is this collection a marketing idea, a political statement or both? What are our common threads (aside from the possession of two X chromosomes)? Do they help us come up with a ‘label’ for our diverse range of books? What should that label be? Do labels in fiction cause problems? What about the position of women writers in literary fiction? And, my own favourite: is it better for writers to be ambitious and fall short, or to succeed on more limited terms?
It’s a good discussion. Do come over.
And once again, this is our ensemble. And we are very excited.
At school, I wrote science fiction stories because it made my teachers supremely annoyed. That probably set me up well for my attempts to get an agent or a publisher, when I annoyed with stories that bent and mixed genres. And why not, when it was good enough for Atwood, Banks and Ballard? And the magic realists?
Today I’m at the blog of Jane Davis, one of my co-writers in the Outside The Box collection, answering questions about what I write and why, and how self-publishing began for me as a last resort and became the most positive step I’d ever taken. How times change, you might say – but we also discuss whether self-publishers are truly gaining more legitimacy or whether there is further to go. I think the latter. There are still barriers and indie authors are still treated discourteously.
Did I really use the word ‘discourteously’? I did. Do come over.