- Email me
- Nail Your Novel: books
- FAQ: I’m a new writer: which book should I read first?
- FREE Nail Your Novel Instant Fix: 100 Tips For Fascinating Characters
- My writing process: the picture tour
- Nail Your Novel: Why Writers Abandon Books and how you can Draft, Fix and Finish With Confidence
- Reviews of Nail Your Novel
- Who’s tweeting about Nail Your Novel …
- Writing Characters Who’ll Keep Readers Captivated: Nail Your Novel
- Writing Plots With Drama, Depth & Heart: Nail Your Novel
- Radio show
- Who am I?
Posts Tagged fantasy
My guest this week has set herself the task of reimagining the Trojan War and she says she couldn’t have done it without music. Her soundtrack has a stirring, epic scale with storming emotional keys, from Florence + the Machine to Thomas Tallis. More intimate pieces by Amanda McBroom and Esthero illuminated the interior lives of her Cressida (renamed Syd) and Cassandra (Cas). She is also a much-decorated writer of short stories and the editor of two cultural journals, Easy Street and The Lascaux Review. Drop by the Red Blog for the Undercover Soundtrack of Camille Griep.
Camille Griep, creativity, Easy Street, fantasy, Florence + the Machine, inspiration for creative people, music for writers, music for writing, The Lascaux Review, The Undercover Soundtrack, Trojan Wars, undercover soundtrack
‘Music was the writing tool to give me courage for this daunting task’ – The Undercover Soundtrack, Stephen Weinstock
My guest this week is another returner to the series, which is rather appropriate as the concern of his book series is reincarnation. He is a composer, pianist and dance accompanist for musical theatre with the UC Berkeley, Princeton, Juilliard, and the ‘Fame’ school. Last time he guested here he wrote about the hidden structures that tell stories. This time, nearly a year has passed and he finds himself questioning the role music is now playing in his writing life. So this is a slightly unusual Undercover Soundtrack, one of questions rather than statements. Nevertheless, you can expect some stirring musical choices. He is Stephen Weinstock and he’s on the Red Blog with his Undercover Soundtrack.
My guest this week describes a journey – of looking for a life path, of circling around it many times until he found where he was meant to fit. He says he thought he wanted to be a DJ because he loved music, and indeed became a music industry journalist. Then one day he started writing stories – and realised this was how he wanted to use the experiences that music gave him. It was clearly a good move as he has been nominated for the Nebula, the Theodore Sturgeon and StorySouth Million Writers awards. He studied fiction under Ursula K. Le Guin and Peruvian playwright Alonso Alegria and is now contributing to Hugh Howey and John Joseph Adams’s Apocalypse Triptych. He is Jake Kerr and he’s on the Red Blog with his Undercover Soundtrack.
Alonso Alegria, Apocalypse Triptych, authors, Depth & Heart, fantasy, Hugh Howey, Jake Kerr, John Joseph Adams, looking for a life path, male writers, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, Nebula Award, playlist for writers, Roz Morris, science fiction, speculative fiction, StorySouth Million Writers Award, The Undercover Soundtrack, Theodore Sturgeon, Theodore Sturgeon Award, undercover soundtrack, Ursula K Le Guin, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, Writing Plots With Drama, writing to music
You can’t read much about writing advice before you trip over an essay about story structure, and how it works invisible magic on the reader. My guest this week has used sophisticated musical structures as the skeleton of his fantasy series, a series of nested reincarnation tales inspired by The Thousand and One Nights – and his influences range from Alban Berg to Frank Zappa. For him, music does not so much conjure up a scene or a character as an entire shape, of how an idea moves into a story and where it eventually goes. He is uniquely qualified to do so, as he is a composer, pianist and dance accompanist for musical theatre with the dance faculties of UC Berkeley, Princeton, Juilliard, and the ‘Fame’ school (though he has not yet said if he is reincarnated). Stephen Weinstock is on the Red Blog with his Undercover Soundtrack.
SHORT BREAK I’ll be taking a short break from blogging but will be back with a post on 30 November.
1001: The Reincarnation Chronicles, 17th Century France, Alban Berg, authors, Desert Island Discs, fantasy, fantasy series, Frank Zappa, I Stravinsky, Igor Stravinsky, incarnation, Juilliard, lifetime, male writers, music, music for writers, music for writing, musical structures, musical theatre, My Memories of a Future Life, Nail Your Novel, playlist for writers, Princeton, reincarnation, Roz Morris, speculative fiction, Stephen Sondheim, Stephen Weinstock, Stephen Weinstock Soundtrack, story structure, tales, The Flood, The Thousand and One Nights, The Undercover Soundtrack, UC Berkeley, undercover soundtrack, Wozzeck, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music
There’s a shelf chez Morris that holds a set of books with such exquisite titles as Midwinterblood, White Crow, Floodland and, of course, the one quoted in the catchline of this post. So shall I cut to the chase and state that I’m honoured that he’s my guest this week? His novels blend folktales, myth and sometimes futuristic speculation, and music is a significant companion in the writing – from the mournful and joyous gypsy and folk ballads of Eastern European to the romantic compositions of Gustav Mahler. For his latest novel, The Ghosts of Heaven, no music would fit – so he composed his own. Do join me on the Red Blog for the Undercover Soundtrack of multi-award-winning author Marcus Sedgwick.
Arvon, authors, award-winning, Bath Spa University, Blue Peter Book Award, Booktrust Teenage Prize, Carnegie Medal, Costa Book Awards, Desert Island Discs, Eastern Europe, Eastern European folk music, Edgar Allan Poe Award, fantasy, Floodland, Guardian Children’s Fiction Prize, Gustav Mahler, Julian Sedgwick, Klezmer, literary novels, male writers, Marcus Sedgwick, Midwinterblood, music, music for writing, My Memories of a Future Life, My Sword Hand Is Singing, Nail Your Novel, playlist for writers, Printz Award, Revolver, Roz Morris, speculative fiction, spirals, The Ghosts of Heaven, The Undercover Soundtrack, Thomas Taylor, undercover soundtrack, White Crow, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music, YA, young adult, young adult novels, young adult thriller
I’m thinking about this because of a review I saw this week of a novel billed in The Times as science fiction, which sounded rather disappointing – and it’s put me on a bit of a mission.
I haven’t read the book so it would be wrong of me to name it, but it concerned a new planet populated by humanlike aliens. The main threads are the bringing of God to the indigenous people, and the exploitation of its resources by mining companies.
It seemed this story could have been set anywhere. The human challenges were no different from those in a historical novel. The other-world setting didn’t add anything fresh, except maybe to save the writer some research. (I see a lot of science fiction – and fantasy – novels that are written for this reason. If you invent the world, you can’t be accused of getting it wrong.)
But shouldn’t we be doing something better with science fiction (and fantasy)?
Bob Shaw says, in How To Write Science Fiction, that science fiction’s defining quality is that it deals with ‘otherness’. Whether it’s in the future, the present or the past, it’s about realities we don’t have at the moment.
He also says that the central idea in a science-fiction story is so important it should have the status of a major character. It needs to be developed and explored. It changes what people can do, creates new situations that illuminate the human condition. It adds a new quality of strangeness. And Shaw also says if that concept is taken away, the story should fall apart.
One of Shaw’s own short stories illustrates this. Light of Other Days sprang from an idea about an invention called ‘slow glass’, which allows you to see an event or a setting that happened years earlier. And so a man whose wife and child died in an accident can still see them, every day, in the windows of his house.
Take, by contrast, Andy Weir’s The Martian. An astronaut is trapped on Mars and has to make enough air, food and water to survive. It’s genuinely an addictive read and I loved it, but it could just as easily be happening in Antarctica or on a deserted island. The science provides the particular challenges and the possibilities, but it does not change the human essence of the story.
We’re used to thinking that any story outside the Earth’s atmosphere is science fiction, but they’re not. They’re survival stories. But take the slow glass out of Light of Other Days and you’d have no story at all. That’s science fiction.
The Martian is a great read. The other novel may be too. But it’s a pity if the critical press and the literary community are presenting them as examples of good science fiction.
Science fiction should be a literature of the imagination. I think it’s a shame if we forget this. The same goes for fantasy – Neil Gaiman’s Graveyard Book is a deeply invented world, and very different from The Jungle Book, which inspired it.
We only have to look at our own, real past to see how science fiction and fantasy should grapple with the idea of transformation. Every invention in the history of humanity shows us this. Think of electric light – we can change society and the very fabric of life with an idea like that. With phones – and particularly mobiles – we are reinventing the way society works, saving lives and creating new types of crime. With scientific narrative non-fiction like Rebecca Skloot’s The Immortal Life of Henrietta Lacks we also have a model for writing great science fiction. We can examine the impact of a scientific discovery and the quantum changes it brought, in individual lives and for global corporations.
Science fiction works on this same continuum, the scale of human change. A great science fiction idea should allow us to send humanity to startling new places with new advantages, cruelties and injustices. And those are places in our souls, not just other planets.
So – rant over. I’m hoping this isn’t too abstruse or marginalising for some of the regulars here, but you do know how I love the strange … Do you write science fiction or fantasy? What are the ideas you’re grappling with? How do you refine them or test if they will be bold enough? Would they pass the Bob Shaw test?
POSTSCRIPT How could I have forgotten one of my favourite things about science fiction? It took Dan Holloway to remind me of it in a comment – the reason these ideas prove so beguiling is that they are metaphorically resonant. They enable us to see aspects of humanity that aren’t yet visible. Do read Dan’s full comment below.
Andy Weir, authors, Bob Shaw, deepen your story, fantasy, fiction, having ideas, how to write a book, how to write a novel, how to write science fiction, Hugo Award, inspiration, Lifeform Three, Light of Other Days, literary fiction, literature, My Memories of a Future Life, narrative non-fiction, Neil Gaiman, novels, outer space, publishing, Rebecca Skloot, Robinson Crusoe, Roz Morris, sci-fi, science fiction, survival stories, The Graveyard Book, The Immortal Life of Henrietta Lacks, The Martian, The Times, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, Writing Plots With Drama, Depth & Heart
My guest this week represents something of a milestone. When I was new to Twitter I remember stumbling across his tweets and his blog, where he was taking his first steps in building a presence as a science fiction writer. Meanwhile, he was working on his debut novel, and over the months and years I would catch tweets and Facebook updates about rewrites, and his search for an agent and a publisher. That persistence paid off; he found representation and then a deal with Three Hares Press. Hosting him here feels like the satisfying end of a long journey. He is Nick Cook, the novel is the first in the Cloud Riders series, and he’s on the Red Blog with his Undercover Soundtrack.
authors, Awolnation, Cloud Riders, debut novel, Desert Island Discs, facebook, fantasy, male writers, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, Nick Cook, playlist for writers, Roz Morris, science fiction, science fiction writer, The Undercover Soundtrack, Three Hares Press, Three Hares Publishing, twitter, undercover soundtrack, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music
I find it so interesting how one novel’s soundtrack can absorb so many styles. My guest this week has written a supernatural mystery wrapped up in a 1920s comedy of manners and her soundtrack is a glorious tour of classical, folk and madcap jazz. Even more interesting, she uses Thomas Tallis – as my guest did last week – but with such a different outcome. We all operate in our own key of creativity, which is one of the wonders of this series for me. Anyway, this week you can enter the classical, folky and knock-bones skelly-shaking jazzy world of Alice Degan – with her Undercover Soundtrack on the Red Blog.
1920s, Adele, Alice Degan, authors, classical, comedy, comedy of manners, Desert Island Discs, False Doctrine, fantasy, folk, invocation, jazz, jazz music, Loreena McKennitt, Maddy Prior, medieval literature, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, playlist for writers, Ralph Vaughan Williams, romance, Roz Morris, Sarah Slean, soundtrack, Squirrel Nut Zippers, supernatural, supernatural romance, The Undercover Soundtrack, Thomas Tallis, undercover soundtrack, Women Writers, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music
My guest this week writes reimaginings of the Robin Hood legends. He uses music to conjure the atmosphere but says he has to avoid anything that’s too tuneful or he’ll pick up his guitar instead. He admits his choice of Scandinavian black metal is a challenging listen – but finds the fast drumming, screaming vocals and glowering noise is exactly right to shift him away from the 21st century and into a time of outlaws, campfires and battles. He is Steven A McKay and he’s on the Red Blog with his Undercover Soundtrack.
14th century, acoustic guitars, authors, Behemoth, Black metal, death, deepen your story, Def Leppard, Desert Island Discs, Enslaved, Fairport Convention, fantasy, fiction, guitar, heavy metal, heavy metal band, heavy metal guitar, Jethro Tull, male writers, merry men, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, playlist for writers, Robin Hood, Roz Morris, Scandinavian black metal, Sheriff of Nottingham, Steven A McKay, the Robin Hood legends, The Undercover Soundtrack, The Wolf and the Raven, undercover soundtrack, Wolf's Head, writers, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, Writing Plots With Drama, Depth & Heart, writing to music
Le tweet …. c’est chicMy Tweets
Facebook, Pinterest, Linked In, YouTube
- Avoid this plotting pitfall when writing drafts at speed May 22, 2016
- Avoid dumb plotting errors – post at Alliance of Independent Authors May 15, 2016
- ‘When I feel like a storm is raging’ – The Undercover Soundtrack, Stephanie Carroll May 12, 2016
- How to become a ghost-writer – post at Jane Friedman May 9, 2016
- One for them, one for me: ghost-writers and their soul projects May 8, 2016
- All aboard the ghost(writing) train… and get an early bird deal for my course May 7, 2016
- ‘The journey is more important than the destination’ – The Undercover Soundtrack, Toni Davidson May 5, 2016