I’ve just guested again at Litopia, the online writers’ colony and community. Each week they have a YouTube show, Pop-Up Submissions, where four manuscripts are read and critiqued live on air by literary agent Peter Cox @agentpete and a guest, or sometimes two. This time the other guest was longtime Litopian and author Jon Duffy.
The format is simple. Four manuscripts, each with a short blurb. We hear the opening pages, then discuss how they’re working – exactly as agents and commissioning editors would consider a submission.
As you can see, there is oodles to learn from the chat room comments alone. The audience might not always know why something does or doesn’t work, but they know when they’re engaged, or confused, or eager to read more. Then your trusty hosts discuss the whys and hows.
On this show we talk about:
Blurbs – the information a reader needs from a blurb or sales summary. How long a blurb should be. How much of the plot you should describe.
The author’s biographical details – how important are they? Who takes notice of them? Do they matter to readers or are they more significant for literary agents and publishers?
Difficult names – if you’re using names that are historically accurate but difficult for 21st-century readers to process and distinguish, should you make them more accessible?
What gets a reader involved in a scene and the characters? A lot of it is down to the writing style. Here’s where you’ll hear an old chestnut of writing theory – show not tell.
Description versus story – how much scene-setting does a reader want at the start? Could some of it be left until later?
Titles – we always discuss the suitability of titles! Many of the titles were intriguing on first glance, but did they hit the right genre notes?
Opening scene – has the writer started with the right scene or is the reader primed to hope for another set of characters? What expectations has the blurb and title set up? Is the romantic lead a bit too stalkerish for the genre?
Vagueness versus detail – is the opening scene weighed down with commentary and would we prefer more straightforward action?
Find the full show here. And if you’ve got a manuscript you’d like critiqued, apply here.
There’s a lot more about writing in my Nail Your Novel books – find them here. If you’re curious about my own work, find novels here and my travel memoir here. And if you’re curious about what’s going on at my own writing desk, here’s my latest newsletter. You can subscribe to future updates here.