Posts Tagged The Undercover Soundtrack
To introduce this week’s guest I’ll quote the opening line of her post: she says she envies songwriters because they are masters of the concise. She writes short stories and quite often doesn’t know where an idea will go, but finds her way by listening to a song, letting the words flow, trusting the music. A cover version of Mad World gave her a particularly dreamy, haunting tale about a girl struggling with identity. The post captures so well what we do, whether short or long form. From conciseness – a spark or a song – we get depth, a whole world. Anyway, do drop by the Red Blog for the Undercover Soundtrack of multi-award-winning short story writer Annalisa Crawford.
I settled down to read this week’s Undercover Soundtrack contribution and what did I find? The writer seemed to have plundered some of my own favourite tracks. Massive Attack’s Unfinished Sympathy. The Verve’s Bittersweet Symphony. Kate Bush’s Cloudbusting (though if you’re as much of a Kate Bush nut as I am you could be forgiven for thinking I was going to make an orchestral hat trick with Symphony in Blue). Not only has my guest served up a stirring soundtrack, she’s also made big waves with the novel she’s showcasing – securing a position on the shortlist of the Guardian’s Not The Booker prize. She says music is the emotional heart of the novel, speaking of relationships, times, hope, love and validation. Drop by the Red Blog for the Undercover Soundtrack of Deborah Andrews and Walking The Lights. Yes, despite the cover change, the blog is still resolutely red.
My guest this week traces her novel to a series of musical and poetic influences. She says she can’t write or think in silence, but music or poetry orders her thoughts like a steadily flowing river. In her novel, her characters are travelling from darkness and confusion into light and her muses were WB Yeats, Joanna Newsom and Kate Bush. Drop by the Red Blog for the Undercover Soundtrack of Sandra Leigh Price.
‘Music brought me closer to that amalgum of confusion, self-pity and nostalgia’ – The Undercover Soundtrack, Anne Goodwin
My guest this week has a novel about a woman who has kept her past identity hidden. The novel is its reckoning, of course, and its author had a challenge in evoking the many colours of her protagonist’s progress from child to woman. So she built herself a soundtrack. It’s a mix of radio theme tunes from her own childhood (possibly the first appearance in the series of Listen With Mother), traditional songs that conjure a powerful sense of place and melancholy reminders of the emotional rollercoaster of adolescence. Drop in on the Red Blog to meet Anne Goodwin and her Undercover Soundtrack.
My guest this week describes music as ‘a portable environment’. His work patterns have taken him all over the world and he might find himself writing anywhere from a station waiting room to a hotel lobby or a scorching beach. No matter where he finds himself, the music will put him back where he left off. Perhaps unsurprisingly, his novels explore people who are lost, displaced or caught between cultures and he finds their soundtracks in the work of contemporary classical composers (including one of my own favourites, Olafur Arnalds). He is Toni Davidson and he’s on the Red Blog with his Undercover Soundtrack.
Hands up if you know who Delia Derbyshire is. Don’t put them down yet. Keep them up, waft them gently and imagine you are conjuring a shimmering singing sound. That’s how you play a theremin, one of the first electronic musical instruments. Theremins are an abiding inspiration for my guest this week; her novel centres on the life and loves of a cellist who becomes famous in the 1920s and 30s for playing this eerie, theatrical device. Her soundtrack is an ethereal mix of Portishead, PJ Harvey, David Bowie, the classical cellist Yo-Yo Ma, and of course Ms Derbyshire, one of the pioneers of the BBC Radiophonic Workshop in the 1960s. And I also must mention that the novel (The Life and Loves of Lena Gaunt) has been nominated for several awards. She is Tracy Farr and she’s on the Red Blog with her Undercover Soundtrack.
My guest this week has set herself the task of reimagining the Trojan War and she says she couldn’t have done it without music. Her soundtrack has a stirring, epic scale with storming emotional keys, from Florence + the Machine to Thomas Tallis. More intimate pieces by Amanda McBroom and Esthero illuminated the interior lives of her Cressida (renamed Syd) and Cassandra (Cas). She is also a much-decorated writer of short stories and the editor of two cultural journals, Easy Street and The Lascaux Review. Drop by the Red Blog for the Undercover Soundtrack of Camille Griep.
My guest this week is a man of many guises. He’s a prolific bestselling ghostwriter with clients who include tennis champion Serena Williams, Hollywood stars Whoopi Goldberg and Denzel Washington and 9/11 fire chief Richard Picciotto. While writing the lives of others, his steady companion is the Spa channel on Sirius; whatever they play, all comers welcome. But he has three novels to his own name, and for those the choice of music was a much more particular matter. He says he finds himself drawn to artists of a singular vision, ‘a way of looking at the world that hasn’t been polished by mainstream success’. His latest novel, A Single Happened Thing, was inspired by the life of 1880s baseball player Fred “Sure Shot” Dunlap – and a particular line from a song. Drop by the Red Blog for the Undercover Soundtrack of Daniel Paisner.
‘Those immortal days we might have enjoyed if we’d known better’ – The Undercover Soundtrack, Tim McDonald
My guest this week is a true hybrid of the two Undercover Soundtrack disciplines – music and writing. He’s primarily a musician with the indie rock band Broken Poets, but he traces his songwriting to a profound childhood loss – the death of his best friend at age 13. He decided he had to write about this in prose as well as music, and the result is a multimedia work which he calls a ‘music novel’. He is Tim McDonald and he’s on the Red Blog with his Undercover Soundtrack.