Posts Tagged The Undercover Soundtrack
My guest this week says she usually finds music a distraction. She lives with music makers, and finds ‘other people’s sounds’ are too intrusive. But that changed when she started writing a crime novel about a teenage friendship in the 1980s/1990s. Listening to the music of the time helped her re-understand what life was like at that age. Gradually, it helped her tune into the characters and became a place she chose to be rather than an irritant to tune out. From listening to music about her characters she finally discovered, as she puts it, ‘music for me’. She is the award-winning poet, novelist and novella-ist Heidi James and she’s on the Red Blog with her Undercover Soundtrack.
‘Intense mystical dreams, an obsession with TS Eliot, and music’ – The Undercover Soundtrack, Vivienne Tuffnell
My guest this week has been here before, in the relatively young days of the blog. And it seems appropriate to introduce her with that slightly mystical flavour because her novel is about a woman who sees an alternate life. She wrote it in a creative blast, fuelled by dreams, TS Eliot’s Four Quartets and haunting Shamanic music. But this book’s world also includes a hefty dose of humour, with a zany set of invented complementary therapies such as Japanese Forest Bathing. She is Vivienne Tuffnell and she’s on the Red Blog with her Undercover Soundtrack.
When I invited my latest guest to the Undercover Soundtrack, she told me we’d met before, IRL. At a writing conference, she’d asked my advice about working with editors. A few years on and she has a novel with a very respectable endorsement from Esther Freud and Kirkus reviews, so it seems everything went well. The novel is the story of three generations of women in a village in the Ukraine, and she developed a playlist of music that would create the rich landscape of place and emotion she hoped to put on the page. Some of the music also gave her a mindset – the patience and purpose to refine every word, which was probably where she was when we met at the writing conference. I’m so chuffed to see her persistence paid off and to introduce her properly here. She is Leonora Meriel and you can read her Undercover Soundtrack on the Red Blog.
My guest this week might be familiar to you. I featured Claire Scobie a few months ago in a story about crowdfunding, when she was campaigning on Unbound to get her novel The Pagoda Tree published. I’m thrilled to say she hit her targets, and I went to the launch a few weeks ago in the very beautiful Daunt’s Bookshop in Marylebone. While her supporters chatted under its high glass roof, a violinist sat in the gallery and played sweeping, sultry traditional Indian music – the kind of music the novel’s protagonist would have heard as part of her daily life. Needless to say, it’s the kind of music Claire listened to as she wrote the story, about a temple dancer in Tamil Nadu in the 18th century. But Claire’s Undercover Soundtrack also includes some unexpected modern touches from James Blunt and Adele. Anyway, do drop by the Red Blog for her post.
‘Some of the best lyrical storytelling I’ve ever heard’ – The Undercover Soundtrack, Victoria Dougherty
Pull on your boots. My guest this week had a radical change in music taste when she reached her 30s, and she hopes to convert you too – unless you’re already a fan of country. It started when she moved out of Chicago and found that the sensibilities of country singers were more in tune with her new environment. Not only that, she realised they were wry, witty storytellers, writing about characters complex enough to satisfy any novelist. Soon they were guiding the way her stories developed. So come to the Red Blog and join a twangly, poignant chorus of Dolly Parton, Frankie Laine, Johnny Cash and Garth Brooks, all on the Undercover Soundtrack of Victoria Dougherty.
My guest this week is another returner to the series. When she posted about her first novel, her preoccupations included memory and time, and they return again in this new work – a romantic thriller based around the twined stories of an ancient memoir and the world’s first Tarot cards. Music was key to creating these different lands and lives and her mental soundscape includes a tour through ancient Egypt, Milan in the 1400s and the modern seers Dead Can Dance. She is Gwendolyn Womack and she’s on the Red Blog with her Undercover Soundtrack.
My guest this week is one half of a collaborative writing team known as ‘Christoph Martin’ – which is actually the two minds of Libby O’Loghlin and Christoph Martin Zollinger. Together they are writing the Expansion series of four political thrillers, and music became a common language that helped them keep their ideas in tune. Spanish-language pop from Nicky Jam helped establish some of the locations; Benjamin Clementine suggested a plot twist; and when a character faces terminal illness, David Bowie’s final album Black Star was a guiding light. They’re on the Red Blog with their Undercover Soundtrack.
My guest this week is a musician as much as a writer – she teaches piano, and she says that playing is the closest she ever gets to a state of mindfulness. Her debut novel was sparked by the uncanny conjunction of a magazine article and a piece of music. The former was a piece about a couple who had signed up to have their bodies cryonically preserved after their deaths, in the hope that they would be reawakened and reuinited. And the latter? A haunting, icy piece of music by Ennio Morricone that seemed to urge her to write a story about a couple who sign up for preservation, and the tragic situation that ensues. Drop by the Red Blog for the Undercover Soundtrack of Andrea Darby, and her novel The Husband Who Refused To Die.
This week’s guest first conceptualised his novel to the sound of the sea. Waves on rocks, rain against a hood. On a visit to a sea shanty festival, it took a firmer shape as he walked through the streets, hearing snatches of songs about love and loss. It became a novel about people struggling with grief and trying to make sense of it, catalysed by the spacey loops of ambient composers such as William Basinski, and the fragile otherworldliness of Ravel and Debussy. I listened to the entire set early one morning and it was like being pulled into a wild, melancholy dream. He is 2016 Man Booker nominee Wyl Menmuir and he’s on the Red Blog with his Undercover Soundtrack.