Posts Tagged The Undercover Soundtrack

‘The distraction of silence’ – The Undercover Soundtrack, Louise Marley

for logoThis week’s guest discovered by accident how music could be such a useful a creative partner. She found that whenever she got stuck on a scene or a character, the most distracting thing would be the silence around her. She began playing music purely so she wouldn’t hear it – and magical things started to happen. The novel she’s talking about in her post is a romantic suspense with a whiff of murder, and her first book was a finalist in the Poolbeg Write A Bestseller competition. She also writes short stories for the UK women’s magazines Take a Break and My Weekly. She is Louise Marley and she’s on the Red Blog with her Undercover Soundtrack.

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‘Unending feelings of loss and loneliness’ – The Undercover Soundtrack, Chrissie Parker

for logoMy guest this week has a historical novel with two timelines, each of them full of loss and turmoil. Music by Portishead, Jem and The Moxy defined the characters and their dilemmas, hurling her into their lives and channeling their emotions as she wrote. Modern Greek music by Elena Paprizou and Glykeria inspired the setting – the island of Zakynthos. She also writes short stories and poems and performed at the 100 poems by 100 women event at the Bath International Literary Festival 2013. She is Chrissie Parker and she’s on the Red Blog with her Undercover Soundtrack.

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‘Armour and post-punk lullabies’ – The Undercover Soundtrack, Guy Mankowski

for logoMy guest this week says his novel emerged as part of his creative writing PhD. He was inspired by the post-punk scene in Manchester, and drew on a soundtrack of The Manic Street Preachers, New Order, Ultravox, Savages and David Bowie to summon the grim streets of the city and the mindset of his troubled main character, a rock star who mysteriously disappears. He is Guy Mankowski and he’s on the Red Blog with his Undercover Soundtrack.

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‘Demons, frustrations and betrayal’ – The Undercover Soundtrack, Scott D Southard

for logoMy guest this week is making a return appearance to the series. Last time he wrote about how he’d driven his wife bonkers by playing certain albums that evoked the souls of his characters. This good spouse will surely be donning the earplugs again as his musical choice for his current novel is a striking album by Fiona Apple, which consists of drums, close-up vocals and percussive piano. He describes the pieces as having the feel of a therapy session, all raw emotion and obsession – and perfect for his characters who are all connected by an act of betrayal. He is Scott D Southard and he’s on the Red Blog with his Undercover Soundtrack.

And there’ll be a slight hiatus in my posting schedule this weekend as I’m teaching at WriteCon in Zurich. (This is tremendously exciting as it’s the first time anyone’s flown me anywhere to teach!) So I’m tied up preparing for that at the moment, but I’m anticipating some interesting issues to share afterwards.

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‘Music for the Revolution’ – The Undercover Soundtrack, Debbie Moon

for logoMy guest this week is a master of many storytelling disciplines – including screenwriting and radio as well as prose fiction. She’s currently writing an action-adventure screenplay set during the Russian Revolution, with a decidedly spooky twist. Her soundtrack includes Holst, the romantic 20th century composer George Butterworth and a haunting, melancholy piano piece she discovered on an album of Chinese composers. Best known for creating the TV series Wolfblood, she is Debbie Moon and she’s on the Red Blog with her Undercover Soundtrack.

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‘Men, women, flirtation and heartbreak’ – The Undercover Soundtrack, Chris Hill

for logoMy guest this week describes his novel as a romantic comedy about a young man’s attempts to find love through an internet community. Despite its thoroughly contemporary setting, he says it was sparked by a song from the early 1960s, by a band who have long faded into obscurity. Other songs joined it, to represent the strong women characters who are at the centre of the book – people who are aloof, cool, full of contradictions – and some of them dealing with the painful bewilderment of losing a loved one. He is Chris Hill and he’s on the Red Blog with his Undercover Soundtrack.

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‘I heard a song being played in an electrical store’ – The Undercover Soundtrack, Glynis Smy

for logoI’m particularly pleased to welcome this week’s guest as I seem to have known her for all the time I’ve been zipping about the internet. When I was first blogging, and launching the original Nail Your Novel, she was writing and blogging too. Now she’s got five novels to her name, and one of them was shortlisted for the Festival of Romance fiction 2014, writing what she describes as historical romance with a twist. But what about the music, I hear you ask? Yes, it’s a pervasive influence, as you’ll have guessed from the headline of this piece. And among her choices is an unorthodox version of a well-known song, so she ticks those boxes for me too. She is Glynis Smy and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music for tragedy, coming of age, romance’ – The Undercover Soundtrack, Karen Wojcik Berner

for logoMy guest this week says she was a singer long before she was a writer, and when she started writing, music was a natural place to find story inspiration. She writes a series of novels based around the members of a book club, and many of the titles and characters come from tracks that have been special to her. I took unashamed pleasure in seeing Icicle Works and Peter Gabriel make an appearance – the latter with Sinead O’Connor (gasp). And one of her books was inspired by a track by Indigo Girls, which talks about reincarnation and the soul reinventing – possibly a familiar idea to longtime visitors here. Anyway, she is award-winning journalist and contemporary women’s fiction author Karen Wojcik Berner and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music is the undertow to what I am writing’ – The Undercover Soundtrack, Davina Blake

for logoMy guest this week is one of those many writers who values silence – but is keenly aware that music is influencing what comes out on the page. She describes how music acts as a portal, letting her access moods and mental states in order to recreate them faithfully in her fiction. She describes trying to capture a state of longing and nostalgia, but without sentimentality and the soundtrack she shares here is such a treat: a Gershwin cover by Kate Bush; a Purcell lament sung by Alison Moyet. If you follow my show on Surrey Hills Radio you might hear me finding an excuse to give them airplay sometime soon. Anyway, this imaginative guest is wartime romance author Davina Blake (who also writes historical novels as Deborah Swift), and she’s on the Red Blog with her Undercover Soundtrack.

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‘A sequence of notes to transport you to a time and place’ – The Undercover Soundtrack, Debbie Bennett

for logoMy guest this week says she was always secretly a rock chick, and has provided pictorial evidence to prove it. When she turned her creative impulses to writing, music helped create the mood and tone. She writes gritty crime with a heavy dose of psychological thriller, and drew on a aural landscape of Alice Cooper, Soul Asylum, Bon Jovi and Skid Row. She is Debbie Bennett and she’s on the Red Blog with her Undercover Soundtrack.

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