Posts Tagged The Undercover Soundtrack

‘The journey is more important than the destination’ – The Undercover Soundtrack, Toni Davidson

for logoMy guest this week describes music as ‘a portable environment’. His work patterns have taken him all over the world and he might find himself writing anywhere from a station waiting room to a hotel lobby or a scorching beach. No matter where he finds himself, the music will put him back where he left off. Perhaps unsurprisingly, his novels explore people who are lost, displaced or caught between cultures and he finds their soundtracks in the work of contemporary classical composers (including one of my own favourites, Olafur Arnalds). He is Toni Davidson and he’s on the Red Blog with his Undercover Soundtrack.

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‘The lowest note in the universe’ – The Undercover Soundtrack, Tracy Farr

for logoHands up if you know who Delia Derbyshire is. Don’t put them down yet. Keep them up, waft them gently and imagine you are conjuring a shimmering singing sound. That’s how you play a theremin, one of the first electronic musical instruments. Theremins are an abiding inspiration for my guest this week; her novel centres on the life and loves of a cellist who becomes famous in the 1920s and 30s for playing this eerie, theatrical device. Her soundtrack is an ethereal mix of Portishead, PJ Harvey, David Bowie, the classical cellist Yo-Yo Ma, and of course Ms Derbyshire, one of the pioneers of the BBC Radiophonic Workshop in the 1960s. And I also must mention that the novel (The Life and Loves of Lena Gaunt) has been nominated for several awards. She is Tracy Farr and she’s on the Red Blog with her Undercover Soundtrack.

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‘To make art by the grace of other artists’ – The Undercover Soundtrack, Camille Griep

for logoMy guest this week has set herself the task of reimagining the Trojan War and she says she couldn’t have done it without music. Her soundtrack has a stirring, epic scale with storming emotional keys, from Florence + the Machine to Thomas Tallis. More intimate pieces by Amanda McBroom and Esthero illuminated the interior lives of her Cressida (renamed Syd) and Cassandra (Cas). She is also a much-decorated writer of short stories and the editor of two cultural journals, Easy Street and The Lascaux Review. Drop by the Red Blog for the Undercover Soundtrack of Camille Griep.

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‘A story of a vagabonding soul’ – The Undercover Soundtrack, Daniel Paisner

for logoMy guest this week is a man of many guises. He’s a prolific bestselling ghostwriter with clients who include tennis champion Serena Williams, Hollywood stars Whoopi Goldberg and Denzel Washington and 9/11 fire chief Richard Picciotto. While writing the lives of others, his steady companion is the Spa channel on Sirius; whatever they play, all comers welcome. But he has three novels to his own name, and for those the choice of music was a much more particular matter. He says he finds himself drawn to artists of a singular vision, ‘a way of looking at the world that hasn’t been polished by mainstream success’. His latest novel, A Single Happened Thing, was inspired by the life of 1880s baseball player Fred “Sure Shot” Dunlap – and a particular line from a song. Drop by the Red Blog for the Undercover Soundtrack of Daniel Paisner.

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‘Vulnerable and isolated’ – The Undercover Soundtrack, Sanjida Kay

for logoMy guest this week has been here before. Not in a reincarnation sense; she’s guested on the series, but under a different name. For her latest novel she’s using a pseudonym for a change of direction. She’s written a gritty psychological thriller about a woman who discovers her young daughter is being bullied at school. Her attempts to intervene spark a series of sinister events, played out in the gritty, graffiti-scrawled areas of Bristol. Her soundtrack is full of brooding menace (and includes some of my own favourites, Massive Attack and Tricky). Anyway, come and meet Sanjida Kay on the Red Blog, when she’s sharing her Undercover Soundtrack.

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‘Those immortal days we might have enjoyed if we’d known better’ – The Undercover Soundtrack, Tim McDonald

for logoMy guest this week is a true hybrid of the two Undercover Soundtrack disciplines – music and writing. He’s primarily a musician with the indie rock band Broken Poets, but he traces his songwriting to a profound childhood loss – the death of his best friend at age 13. He decided he had to write about this in prose as well as music, and the result is a multimedia work which he calls a ‘music novel’. He is Tim McDonald and he’s on the Red Blog with his Undercover Soundtrack.

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‘Shadows of the past’ – The Undercover Soundtrack, Meg Carter

for logoMy guest this week has written a psychological thriller in which two former school friends confront a life-changing event from their past. To create their teenage years in the 1980s, the author delved into her own archives, discovering old mixtapes and an Elvis Costello LP whose sleeve contained a lyric sheet written out by a close friend. She was struck by the way music became less significant over the years. What had once been such a fierce marker of personal identity was now an emblem of a simpler time – though not necessarily for the characters in her novel. She is Women In Journalism advocate Meg Carter and she’s on the Red Blog with the Undercover Soundtrack for The Lies We Tell.

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‘When I’m most lost, a song will show the way’ – The Undercover Soundtrack, Ryan W Bradley

for logoMy guest this week says that music is the key to most of his work. The title of his short story collection, Nothing But The Dead and Dying, came from a line in a Simon and Garfunkel song. All the stories are bound by the landscape of Alaska, where he worked for a while in a construction crew. Ennio Morricone helped him recreate its barren desolation. And when he’s been stuck on a story, even to the extent of giving up, rescue usually comes in the form of a random piece of music. He is Ryan W Bradley and he’s on the Red Blog with his Undercover Soundtrack.

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‘The emptiness of being outside a perfect romantic scene’ – The Undercover Soundtrack, Dan Gennoe

for logoOh my! Do you know what I forgot to do? There hasn’t been an Undercover Soundtrack for a few weeks, and now there is I forgot to publish the teaser post. How easily we forget our own routines. Even more heinous, I’ve been adding the tracks to the soundtrack for my own WIP, greedily enjoying it while forgetting I needed to share it with you. Apologies, apologies.

So: my guest spent 16 years as a rock journalist, interviewing stars and trying to understand what their music was trying to say. When he started to write his first novel, music took on a fresh role – no longer the endpoint, it was now the beginning. The book is the story of a man looking back on an intense love affair, and the music is an aural journey of the character’s obsession, his unstable serenity that could turn dark, his complex sense of comfort in the prison of his memories. Dan Gennoe is on the Red Blog with his Undercover Soundtrack (and has been since Wednesday, mea culpa). Proper writing post to follow later, but for now, sit back with Dan.

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‘Music has informed everything I’ve written’ – The Undercover Soundtrack, Iain Maloney

for logoI’d like to bet that many readers of this blog went through a teenage phase where they wrote lyrics. Or is it just me? Well, it’s also my guest this week. He says the lyrics phase was superseded when the urge to create narrative took over, but music remains central to his creative life. It has formed many underlays for his novels, including the shorthand between friends, the backdrop to life events, the tunnel to the past. One major character came alive when he realised that music wasn’t a big deal for her. Funnily enough, a significant musical touchstone is Mogwai, who was cited just a few weeks ago by Philip Miller, one of his stablemates at the imprint Freight Books. There must be something in the water. Anyway, his name is Iain Maloney, and he’s on the Red Blog with his Undercover Soundtrack

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