Novels in progress will always have rough patches and individual quirks, but there are certain common issues I routinely see that have quite simple fixes. Here are a few – and they can make a big difference.
Crucial event is underplayed or buried
Does an event change a character’s emotional state or world view? Does it make them change what they want, or strengthen their resolve? Make sure you haven’t buried it in a hasty paragraph of background or other explanation. These shifts in priorities are milestones in the story. Try showing them in real time so the reader experiences them. If a key event happens before the story timeline, consider making it a flashback.
Big reveal… falls flat
Is your big reveal a damp squib? I’ve read many climax scenes that fail to ignite, but I can tell the author was hoping they would be a thunderbolt. On some level, they know what they want … but they haven’t clarified it. Often it helps to dig into your ideas about why this moment will be so important. Write a mission statement – what do you want the reader to feel when they read this scene or revelation? Freewrite and brainstorm – you might not have given it much thought before now. Once you know what effect you’re looking for, consider what you should add in the earlier parts of the story to make it happen. Does it give the main character some important answers? What answers? And have you asked the questions earlier on? Is the moment a bigger, thematic connection, a sense of order being restored? Look back in the text – have you established a sense of instability, the world gone wrong?
Plot events make no sense
Are your plot events believable? If not, it may be because you haven’t established a plausible motivation, or given context. If we don’t know why a character does something, their actions might seem random or even dumb. What happens is important, but why is more important. Sort out the why – and you can make us believe pretty much anything (usually).
Thanks for the aurora borealis pic Patrick Shyu
Have you had to tackle any of these issues in your work? Have you spotted them in someone else’s – or even in published books? Let’s discuss!
These tips have come from my mentoring work with writers. If you found them useful there are plenty more in my books on character and plot … and let me discreetly mention that a set of Nail Your Novel paperbacks makes a terrific present for other scribblers you know, or even for yourself…