Posts Tagged interviews

2 interviews about teaching and writing – Venice, BBC Radio London

venice postThe organisers of my Venice masterclass, Henry and Janys Hyde, have just published this interview about the course. If you’d like to know a little more about my teaching approach, or indeed how I came to be doing this at all, this is the place to go. And if you’d like to come to another, let them know!

BBC LondonAlso, I’ve been on BBC Radio London this week, on Jo Good’s afternoon show. The day before I’d listened to Jo interview Candace Bushnell, so I made sure to wear feisty boots. Jo asked me about ghostwriting, tips for writers etc – some of which may be familiar to those of you who have hung around here for a while. Anyway, if you’re curious it’s here for the next 30 days. My section begins at 1 hour 10 minutes.

Oh, and these were my interview boots. Roberto Cavalli. I hope Carrie Bradshaw would approve.




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I write because… I’m totally unsuited to anything else – interview at Chris Hill’s blog

chris hillToday I’m at the blog of Chris Hill, which I’m rather chuffed about because Chris has appeared on some impressive writing shortlists: The Daily Telegraph Novel In A Year competition; the Yeovil Literature Prize; the Bridport. (And of course you might know him already from The Undercover Soundtrack.)

Chris asked me how I ended up with radio shows, masterclasses etc, and also a few things that made me think hard – the themes that characterise my fiction and what I’m like as a person. Which led to the statement you see in this headline. Come on over for more.

PS Proper Nail Your Novel post is in the pipes. Keep watching this space.

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Lessons learned from making a contemporary fiction box set – guest post at Jane Friedman

janefboxsetWomen-Writing-Women-Box-Set-Cover_finalJPEGsmlHow do you organise seven time-strapped authors to collaborate on a project? Who does what, especially the tedious jobs like proof reading? How do you decide on an image, a price,  a name, a thrust for the publicity campaign, how much to spend on advertising?

Indeed, how do you get seven individuals to agree on anything?

How do you get the attention of the press – and is that worthwhile? What’s the difference between a proper promotion strategy and flinging the book into the market to fend for itself?

As you know, I’ve been taking part in a box set release with six other authors. We started work, in secret, back in November. Now, Jane Friedman has grilled us about the lessons learned in making a nice notion into an actual live product. Do come over.

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Self-publishing and staying true to yourself – interview at Jane Davis’s blog

janedavisblogjanedavisblog2At school, I wrote science fiction stories because it made my teachers supremely annoyed. That probably set me up well for my attempts to get an agent or a publisher, when I annoyed with stories that bent and mixed genres. And why not, when it was good enough for Atwood, Banks and Ballard? And the magic realists?

Today I’m at the blog of Jane Davis, one of my co-writers in the Outside The Box collection, answering questions about what I write and why, and how self-publishing began for me as a last resort and became the most positive step I’d ever taken. How times change, you might say – but we also discuss  whether self-publishers are truly gaining more legitimacy or whether there is further to go. I think the latter. There are still barriers and indie authors are still treated discourteously.

Did I really use the word ‘discourteously’? I did. Do come over.

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Quirky tales and the difficulty of leaving a book behind: My Memories of a Future Life featured at Triskele Books

triskeleJW Hicks collects writers of quirky books, and I’m honoured she’s chosen me for her collection on the fab blog of the Triskele Books collective. (You might recognise Jane as a recent guest on The Undercover Soundtrack with her novel Rats.) She’s prised me out of my writing cage to answer questions on whether I start with characters or plot, what ghostwriting does to your writing style, how I keep track of ideas, and whether I worry the ideas will dry up. (In fact, I confess to acute separation anxiety when I finish a book. I don’t want to leave it. Does anyone else get that?)

Anyway, it’s all there at Triskele – you can get there with a hop, a skip or a tricycle .… or you could ask a soothing voice to guide you there in a dreamy state. At your own risk, of course.

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Bereavement, a bid to exist, a way to control an antisocial persona: why we write

why we write pauline blogWomen-Writing-Women-Box-Set-Cover_finalJPEGsmlFear not, I won’t inflict every post on you that we release for the Women Writing Women campaign, but this is one that celebrates and explores creativity. Pauline Baird Jones invited us to answer the question: why do we write?

Inevitably, this led us all to search for where we started. And here you see something we all have in common – not just the group here but all of us on this journey. Carol Cooper did it to get into the best gigs at college.  Jessica Bell did it because otherwise she felt she’d disappear. Jane Davis did it after a friend died. Kathleen Jones did it when she ran out of stories to read as a child on a remote farm. Orna Ross did it to give an overdramatic teenage personality a safe space to express. Joni Rodgers did it when blood cancer put her into isolation. And me? An overexpressive kid with something to prove, I guess, and too much shyness to be big in real life. Come over to Pauline’s blog and discover the full story.

And if you feel inclined to share, tell me here: why do you write?



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‘Each morning, there was a chapter to listen to’ – guest post at Jane Davis’s blog on making audiobooks with ACX

rozjaneToday I’m at Jane Davis’s blog, reflecting on the experience of making Lifeform Three and My Memories of a Future Life into Audible books. If you’ve been following my audiobook journey for a while you may find the ‘how-to’ section is familiar material, but there are plenty of more reflective moments – so I hope they’ll encourage and inspire you if you’re considering an audiobook too.

I also want to introduce Jane Davis. I first spotted her when The Guardian newspaper featured our novels in an article about quality indie authors. I tried to drag her onto The Undercover Soundtrack, but alas she was too honest and told me that music hasn’t really featured in her creative process. So I’ll tell you a little more about her here. She secured jane davis1a publishing contract when her debut manuscript won the Daily Mail First Novel Award, but has since gone proudly indie, following up with four other titles that deal with tricky subjects in thoughtfully honed prose. Her titles are delicious and hopefully will give you an appetite for more – I Stopped Time, A Funeral For An Owl, An Unchoreographed Life. There’s more about Jane and her books here.

So do join us at her blog for audiobooks, the inside experience.

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How to finish your novel: top professional tips – guest video at The Write Life

pepwupepwu2You started writing a book… but will you finish? Laura Pepper Wu of The Write Life Magazine invited me to her series ‘7 Superstars in Writing & Publishing’ to answer that question.

I’m thrilled to be on this because her other superstars are steampunk author and marketing guru Lindsay Buroker, Bestseller Labs founder Jonathan Gunson, Writer’s Digest editor Brian Klems, prolific series novelist and podcaster Sean Platt, magazine journalist Linda Formichelli … and she’s rounding off the series with literary agent Rachelle Gardner! (I’m usually sparing with exclamation marks but I think such a well-connected bunch deserves one…)

In a 20-minute video Laura and I discuss drafting, fixing, beating writer’s block, getting better ideas and writing with CONFIDENCE! And if you scroll through you’ll find the other guys’ interviews too. Come on over… 


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How to write a novel: following the strange – guest post on

writerlyHave you ever filled in one of those questionnaires that’s supposed to tell you what your ideal job is? Whenever I did, I usually found them desperately disappointing – but then they probably weren’t meant to send people to precarious, impractical occupations like writing. Except that one day, I filled one in that did. And it did it with one excellently judged question: ‘do you value the strange’?

Not only did this prove there is only one job I’m really fit for, it also summed up what drives me to write.

Today I’ve been invited to, who asked me to describe how I develop my novel ideas. Expect a lot of head-scratching, thinking, running, shopping – and writing of notes that no one will ever see but me. Come on over… and tell me if you also value the strange …



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Reading revolutions: serialising a novel – interview at the Malaysia Star

serialmalayYou really know you’re in a world wide web when an email arrives from a journalist on a newspaper in Malaysia. Elizabeth Tai contacted me for a series she was writing called reading revolutions. She’d seen that I had originally released my first novel, My Memories of a Future Life, as a four-part serial on Kindle, and wanted to ask me how that worked and why I did it. We talk about pros, cons, cautions – and tips I’d give to anyone considering doing the same. Come on over…

And in the meantime, tell me: where’s the furthest-flung place you’ve had a surprise email from about your work?

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