Posts Tagged interviews
When astronaut Major Tim Peake blasted off for the International Space Station, the UK literary community launched a project of its own. One Giant Read is described as ‘a shared reading experience from Literature Works in partnership with the UK Space Agency, Royal National Institute for Blind People and supported by Gollancz, the Poetry Archive and Plymouth University’.
I’m beyond delighted that Lifeform Three is included in this month’s edition, which explores artificial intelligence in both the provable world (I refer you to that fetching shot of Benedict Cumberbatch in The Imitation Game) and in speculative fiction.
I’m taking a short blogging break to finish a big project before Easter, but in the meantime I can leave you with some slightly unusual bloggery.
Look at the question in the header. When I received it in my email, I thought I’d quietly pass. I don’t really see my fiction as a cudgel for issues. But I followed the link and found Howlarium, a thoughtful discussion blog by short story writer Jason Howell. And by then, I was itching to answer. So today I find myself on his blog, with a few other thoughtful types who have plenty to say about what we ‘should’ or ‘shouldn’t’ write.
If you’ve got an opinion about that too, argue it here in the comments. Back soon!
The organisers of my Venice masterclass, Henry and Janys Hyde, have just published this interview about the course. If you’d like to know a little more about my teaching approach, or indeed how I came to be doing this at all, this is the place to go. And if you’d like to come to another, let them know!
Also, I’ve been on BBC Radio London this week, on Jo Good’s afternoon show. The day before I’d listened to Jo interview Candace Bushnell, so I made sure to wear feisty boots. Jo asked me about ghostwriting, tips for writers etc – some of which may be familiar to those of you who have hung around here for a while. Anyway, if you’re curious it’s here for the next 30 days. My section begins at 1 hour 10 minutes.
Oh, and these were my interview boots. Roberto Cavalli. I hope Carrie Bradshaw would approve.
At school, I wrote science fiction stories because it made my teachers supremely annoyed. That probably set me up well for my attempts to get an agent or a publisher, when I annoyed with stories that bent and mixed genres. And why not, when it was good enough for Atwood, Banks and Ballard? And the magic realists?
Today I’m at the blog of Jane Davis, one of my co-writers in the Outside The Box collection, answering questions about what I write and why, and how self-publishing began for me as a last resort and became the most positive step I’d ever taken. How times change, you might say – but we also discuss whether self-publishers are truly gaining more legitimacy or whether there is further to go. I think the latter. There are still barriers and indie authors are still treated discourteously.
Did I really use the word ‘discourteously’? I did. Do come over.