Posts Tagged undercover soundtrack

‘Music is both my on and my off switch’ – The Undercover Soundtrack, Andrea Darby

redpianoupdate-3My guest this week is a musician as much as a writer – she teaches piano, and she says that playing is the closest she ever gets to a state of mindfulness. Her debut novel was sparked by the uncanny conjunction of a magazine article and a piece of music. The former was a piece about a couple who had signed up to have their bodies cryonically preserved after their deaths, in the hope that they would be reawakened and reuinited. And the latter? A haunting, icy piece of music by Ennio Morricone that seemed to urge her to write a story about a couple who sign up for preservation, and the tragic situation that ensues. Drop by the Red Blog for the Undercover Soundtrack of Andrea Darby, and her novel The Husband Who Refused To Die.

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‘The lives and loves the sea has claimed’ – The Undercover Soundtrack, Wyl Menmuir

redpianoupdate-3This week’s guest first conceptualised his novel to the sound of the sea. Waves on rocks, rain against a hood. On a visit to a sea shanty festival, it took a firmer shape as he walked through the streets, hearing snatches of songs about love and loss. It became a novel about people struggling with grief and trying to make sense of it, catalysed by the spacey loops of ambient composers such as William Basinski, and the fragile otherworldliness of Ravel and Debussy. I listened to the entire set early one morning and it was like being pulled into a wild, melancholy dream. He is 2016 Man Booker nominee Wyl Menmuir and he’s on the Red Blog with his Undercover Soundtrack.

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‘There’s something timeless and questing and unique about Talking Heads’ – the Undercover Soundtrack, Stephanie Gangi

redpianoupdate-3My guest this week says her novel is steeped in music – and indeed had a massive Spotify playlist to accompany her drafts and rewrites. But certain tracks stood right out, tracks that seemed to catch her attention from the radio, or stick in her mind with an essential flavour of the characters and story. They’re strong vocals – Van Morrison, Rihanna, The Lumineers, Adele. Powerful, sassy, feisty, rocky, tormented and brimming with humanity – and perfect for her novel of obsessive revenge after love goes wrong. Do drop by the Red Blog for the Undercover Soundtrack of Stephanie Gangi.

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‘Teenage life is freak-out and wonder’ – The Undercover Soundtrack, Josh Malerman

redpianoupdate-3My guest this week is the perfect writer to see us into Halloween. He’s been a guest of the series before and he’s always had a liking for the unusual thrill. The title of his new release will probably tell you that: A House At The Bottom Of A Lake – an imaginative tale with plenty of scares and a good dose of first love. His approach to undercover soundtracks is also oddfield and individual – he likes to play music that feels very opposite of his book idea. But even he had to go with the flow when he found a band that played and recorded an entire show under water. He is Josh Malerman and he’s on the Red Blog with his Undercover Soundtrack.

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‘A song that makes sense of my story’ – The Undercover Soundtrack, Annalisa Crawford

redpianoupdate-3To introduce this week’s guest I’ll quote the opening line of her post: she says she envies songwriters because they are masters of the concise. She writes short stories and quite often doesn’t know where an idea will go, but finds her way by listening to a song, letting the words flow, trusting the music. A cover version of Mad World gave her a particularly dreamy, haunting tale about a girl struggling with identity. The post captures so well what we do, whether short or long form. From conciseness – a spark or a song – we get depth, a whole world. Anyway, do drop by the Red Blog for the Undercover Soundtrack of multi-award-winning short story writer Annalisa Crawford.

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‘Hope, chaos and a fighting spirit’ – The Undercover Soundtrack, Deborah Andrews

redpianoupdate-3I settled down to read this week’s Undercover Soundtrack contribution and what did I find? The writer seemed to have plundered some of my own favourite tracks. Massive Attack’s Unfinished Sympathy. The Verve’s Bittersweet Symphony. Kate Bush’s Cloudbusting (though if you’re as much of a Kate Bush nut as I am you could be forgiven for thinking I was going to make an orchestral hat trick with Symphony in Blue). Not only has my guest served up a stirring soundtrack, she’s also made big waves with the novel she’s showcasing – securing a position on the shortlist of the Guardian’s Not The Booker prize. She says music is the emotional heart of the novel, speaking of relationships, times, hope, love and validation. Drop by the Red Blog for the Undercover Soundtrack of Deborah Andrews and Walking The Lights. Yes, despite the cover change, the blog is still resolutely red.

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‘Music to fill my mind but not fight the words’ – The Undercover Soundtrack, GD Harper

for logoMy guest this week says he is much concerned with reinvention. He’s spent his life setting himself challenges to embrace new careers, lifestyles, places to live – and the latest of those reinventions is being a novelist. His debut title is a story of 1970s Glasgow and required some daring imaginative reinventions – not least, writing in the voice and psyche of a 22-year-old woman. A soundtrack was essential – Tangerine Dream to soothe and order the brain; Pink Floyd, Bob Dylan and David Bowie to restart the period – and provide other wisdom besides. He is Glyn Harper – writing as GD Harper – and he’s on the Red Blog with his Undercover Soundtrack.

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‘Freedom, broken ties and love outside of marriage’ – The Undercover Soundtrack, Diana Stevan

for logoMy guest this week delved into personal experiences to write her latest novel. In the 1970s she was working on a psychiatric ward where electric shock treatment was taking place. Years later, troubled by what she had seen, she wrote a novel. She turned to music to reawaken her own memories of the time and to create a cast of characters who are lost in the midst of a broken system. She remarks that her Soundtrack is as much about her own inner world as her characters’ – a line that for me is the very essence of the Undercover Soundtrack series. She is Diana Stevan and she’s on the Red Blog with the music that helped her write The Rubber Fence.

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‘When I feel like a storm is raging’ – The Undercover Soundtrack, Stephanie Carroll

for logoMy guest this week grew up in the Mojave desert where rain was a rarity. So a key for her creative space is the sound of wild, wet weather. Sometimes it’s tracks that include storm noises, but she’ll just as easily tune into a rain station at the same time as a piece of music. The sounds go in tandem, whipping up just the right tumult for her writing. So it’s probably not surprising that her work has a Gothic element; she writes what she describes as Victorian and Gilded Age with a Gothic twist. It certainly went down well with USA Book News, who voted her first novel 2013’s best cross-genre title. She is Stephanie Carroll and she’s on the Red Blog with her Undercover Soundtrack.

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‘The journey is more important than the destination’ – The Undercover Soundtrack, Toni Davidson

for logoMy guest this week describes music as ‘a portable environment’. His work patterns have taken him all over the world and he might find himself writing anywhere from a station waiting room to a hotel lobby or a scorching beach. No matter where he finds himself, the music will put him back where he left off. Perhaps unsurprisingly, his novels explore people who are lost, displaced or caught between cultures and he finds their soundtracks in the work of contemporary classical composers (including one of my own favourites, Olafur Arnalds). He is Toni Davidson and he’s on the Red Blog with his Undercover Soundtrack.

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