‘Music is as crucial as the ramblings in my notebook app’ – The Undercover Soundtrack, Andrew Lowe

My guest this week says his entire novel was triggered by just one song – Nobody Wins by Kris Kristofferson. He’d had the idea rolling around in his head as a vague kind of fancy, but the Kristofferson song was a sudden technicolor epiphany, making sense of the half-formed ideas, giving him a final scene. And after a lot of thrashing, editing and a good deal of other music, he has a psychological thriller about a group of guys who decide to take a voyage of self-discovery to a deserted island. If you’ve followed this series for a while you’ll recognise his name as he’s been here before – he is Andrew Lowe, and he’s on the Red Blog with his Undercover Soundtrack.

‘A dead soul, a journalist in a dystopian Scotland, and painful family memories’ – The Undercover Soundtrack, Philip Miller

My guest this week has a novel of three complex threads – as you can probably guess from the above description. He says music was as much a part of the process as his notes, plotting and character building. Indeed, he found his way to a music style he’d never before warmed to – prog rock and, specifically, King Crimson. I’ve seen this before with contributors to the series – experiences and interests that you never took much notice of become suddenly essential. As you work on the book, it works on you. Other musical essentials for this author were Kate Bush, who I could never disapprove of, and he says the novel was so essentially ‘Bush’ that he began the edits by playing Hounds of Love on his iPod. He is Philip Miller and he’s on the Red Blog with his Undercover Soundtrack.

‘The unrelenting passage of time’ – The Undercover Soundtrack, Theresa Milstein

My guest this week has just published a collection of vignettes. They’re linked by a sense of time passing, anniversaries both happy and sad, and nostalgia. Music was the way to capture and preserve the essential moments and personal memories she wanted to examine, so the soundtrack was a soundtrack to her life too. She is Theresa Milstein and she’s on the Red Blog now.

‘Music is both my on and my off switch’ – The Undercover Soundtrack, Andrea Darby

My guest this week is a musician as much as a writer – she teaches piano, and she says that playing is the closest she ever gets to a state of mindfulness. Her debut novel was sparked by the uncanny conjunction of a magazine article and a piece of music. The former was a piece about a couple who had signed up to have their bodies cryonically preserved after their deaths, in the hope that they would be reawakened and reuinited. And the latter? A haunting, icy piece of music by Ennio Morricone that seemed to urge her to write a story about a couple who sign up for preservation, and the tragic situation that ensues. Drop by the Red Blog for the Undercover Soundtrack of Andrea Darby, and her novel The Husband Who Refused To Die.

‘The lives and loves the sea has claimed’ – The Undercover Soundtrack, Wyl Menmuir

This week’s guest first conceptualised his novel to the sound of the sea. Waves on rocks, rain against a hood. On a visit to a sea shanty festival, it took a firmer shape as he walked through the streets, hearing snatches of songs about love and loss. It became a novel about people struggling with grief and trying to make sense of it, catalysed by the spacey loops of ambient composers such as William Basinski, and the fragile otherworldliness of Ravel and Debussy. I listened to the entire set early one morning and it was like being pulled into a wild, melancholy dream. He is 2016 Man Booker nominee Wyl Menmuir and he’s on the Red Blog with his Undercover Soundtrack.

‘There’s something timeless and questing and unique about Talking Heads’ – the Undercover Soundtrack, Stephanie Gangi

My guest this week says her novel is steeped in music – and indeed had a massive Spotify playlist to accompany her drafts and rewrites. But certain tracks stood right out, tracks that seemed to catch her attention from the radio, or stick in her mind with an essential flavour of the characters and story. They’re strong vocals – Van Morrison, Rihanna, The Lumineers, Adele. Powerful, sassy, feisty, rocky, tormented and brimming with humanity – and perfect for her novel of obsessive revenge after love goes wrong. Do drop by the Red Blog for the Undercover Soundtrack of Stephanie Gangi.

‘Teenage life is freak-out and wonder’ – The Undercover Soundtrack, Josh Malerman

My guest this week is the perfect writer to see us into Halloween. He’s been a guest of the series before and he’s always had a liking for the unusual thrill. The title of his new release will probably tell you that: A House At The Bottom Of A Lake – an imaginative tale with plenty of scares and a good dose of first love. His approach to undercover soundtracks is also oddfield and individual – he likes to play music that feels very opposite of his book idea. But even he had to go with the flow when he found a band that played and recorded an entire show under water. He is Josh Malerman and he’s on the Red Blog with his Undercover Soundtrack.

‘A song that makes sense of my story’ – The Undercover Soundtrack, Annalisa Crawford

To introduce this week’s guest I’ll quote the opening line of her post: she says she envies songwriters because they are masters of the concise. She writes short stories and quite often doesn’t know where an idea will go, but finds her way by listening to a song, letting the words flow, trusting the music. A cover version of Mad World gave her a particularly dreamy, haunting tale about a girl struggling with identity. The post captures so well what we do, whether short or long form. From conciseness – a spark or a song – we get depth, a whole world. Anyway, do drop by the Red Blog for the Undercover Soundtrack of multi-award-winning short story writer Annalisa Crawford.

‘Hope, chaos and a fighting spirit’ – The Undercover Soundtrack, Deborah Andrews

I settled down to read this week’s Undercover Soundtrack contribution and what did I find? The writer seemed to have plundered some of my own favourite tracks. Massive Attack’s Unfinished Sympathy. The Verve’s Bittersweet Symphony. Kate Bush’s Cloudbusting (though if you’re as much of a Kate Bush nut as I am you could be forgiven for thinking I was going to make an orchestral hat trick with Symphony in Blue). Not only has my guest served up a stirring soundtrack, she’s also made big waves with the novel she’s showcasing – securing a position on the shortlist of the Guardian’s Not The Booker prize. She says music is the emotional heart of the novel, speaking of relationships, times, hope, love and validation. Drop by the Red Blog for the Undercover Soundtrack of Deborah Andrews and Walking The Lights. Yes, despite the cover change, the blog is still resolutely red.

‘Music to fill my mind but not fight the words’ – The Undercover Soundtrack, GD Harper

My guest this week says he is much concerned with reinvention. He’s spent his life setting himself challenges to embrace new careers, lifestyles, places to live – and the latest of those reinventions is being a novelist. His debut title is a story of 1970s Glasgow and required some daring imaginative reinventions – not least, writing in the voice and psyche of a 22-year-old woman. A soundtrack was essential – Tangerine Dream to soothe and order the brain; Pink Floyd, Bob Dylan and David Bowie to restart the period – and provide other wisdom besides. He is Glyn Harper – writing as GD Harper – and he’s on the Red Blog with his Undercover Soundtrack.