Posts Tagged thrillers

‘Music is as crucial as the ramblings in my notebook app’ – The Undercover Soundtrack, Andrew Lowe

My guest this week says his entire novel was triggered by just one song – Nobody Wins by Kris Kristofferson. He’d had the idea rolling around in his head as a vague kind of fancy, but the Kristofferson song was a sudden technicolor epiphany, making sense of the half-formed ideas, giving him a final scene. And after a lot of thrashing, editing and a good deal of other music, he has a psychological thriller about a group of guys who decide to take a voyage of self-discovery to a deserted island. If you’ve followed this series for a while you’ll recognise his name as he’s been here before – he is Andrew Lowe, and he’s on the Red Blog with his Undercover Soundtrack.

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‘A language to explain feeling and atmosphere’ – The Undercover Soundtrack, Libby O’Loghlin

My guest this week is one half of a collaborative writing team known as ‘Christoph Martin’ – which is actually the two minds of Libby O’Loghlin and Christoph Martin Zollinger. Together they are writing the Expansion series of four political thrillers, and music became a common language that helped them keep their ideas in tune. Spanish-language pop from Nicky Jam helped establish some of the locations; Benjamin Clementine suggested a plot twist; and when a character faces terminal illness, David Bowie’s final album Black Star was a guiding light. They’re on the Red Blog with their Undercover Soundtrack.

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‘Even the bed is forgetting you’ – The Undercover Soundtrack, AJ Waines

for logoMy guest this week is the author of Girl on a Train. No, another girl, another train. I first came across her work when she wrote very entertainingly about how her psychological thriller had been mistaken by readers for the much-hyped title by Paula Hawkins. And they were happy to have found her, for she gained many new fans. I then discovered she used to be a musician, and has played in all the major London concert halls, so I had to enquire whether music played a role in her writing. It certainly does – she has written a haunting, thoughtful post about the music that helped her layer her work with complexity, loss and betrayal, especially movie soundtracks like Blue Velvet and Let The Right One In. She is AJ Waines and she’s on the Red Blog with her Undercover Soundtrack.

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‘Plundered people and rotten exploitation’ – The Undercover Soundtrack, Paul Sean Grieve

for logoMy guest this week had talismanic pieces of music in his mind while he wrote his debut thriller. Indeed he says the music was such a guiding force that he cannot imagine how anyone reading the book could not hear it too. He chose anthems to embody his characters, their state of mind, their dilemmas and the way they change in the story’s events. They are protest songs, wry looks at characters who are abandoning their principles and songs of obsession and downfall. I’m also delighted to report that he includes Peter Gabriel – one of my long-time favourite musicians. He is Paul Sean Grieve and he’s on the Red Blog with his Undercover Soundtrack.

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‘Abhorrent combinations… fear not as the music writes the story for you’ – The Undercover Soundtrack, Josh Malerman

for logoMy guest this week says his novel was written in a trance. He rented an attic from a musician, who he could hear practising in the rooms downstairs, brought along a cageful of finches and set them free to fly around him as he typed. You’ll see from the title why they seemed like a good idea. These avian muses were also treated to the soundtracks of several movies – Rosemary’s Baby, The Fog and Creepshow – which doubtless helped them get further into character. When he needed to crank up the intensity, there would be two songs howling at once – the radio at one end of the room, classical music at the other. My guest reports that sometimes his birds got tired and stared at him. This endearing aural vandal is Josh Malerman, his novel is the post-apocalyptic thriller Bird Box, and he’s on the Red Blog with his Undercover Soundtrack.

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‘Music of raw power, pulling back from chaos and feedback’ – The Undercover Soundtrack, David Penny

for logoMy guest this week describes his writing as a constant state of striving – to achieve the same visceral punch of great music. His books come to him that way too – protagonist, thread and plot in one hit. In fact I’ve actually seen this thunderbolt descend; I was with him on a course one day when he told me he’d just overheard a conversation that gave him an entire plot and its characters in an instant. After that comes the hard work, of course, and music helps him return to that state of fever. The novel he is talking about this week is the first in a crime series, set in the final years of Moorish rule in Spain, and its soundtrack is full of sweat, guitars, lutes and bass. He is David Penny and he’s on the Red Blog with his Undercover Soundtrack.

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‘This song says it’s time to get serious’ – The Undercover Soundtrack, Rebecca Cantrell

for logoMy guest this week says she always begins a project by assembling a sequence of music tracks. To start with, she notices every word and note, but after a while they settle into a familiar environment – a mental writing room that claims her attention and tells her it’s time to immerse. The novel she’ll be sharing with us is set in 1938, so her soundtrack is a mix of her own favourite contemporary songs to help capture the mood, and then a lot of material from the period of her story to conjure the historical period. She is NYT bestselling thriller author Rebecca Cantrell, and she’s on the Red Blog with her Undercover Soundtrack.

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‘The thoughts start flowing again’ – The Undercover Soundtrack, Will Overby

for logoI’m finding it so curious to see how many novelists in this series are inspired by Bruce Springsteen. He’s probably not the kind of artiste people would imagine if you mentioned using music as a muse to write, but he’s behind so many characters and character dilemmas. My guest this week has compiled writing soundtracks ever since he was at school, and still keeps mixtapes from that time. He revisits them occasionally out of amused curiosity, and says that Springsteen gave his characters a gritty humanity he couldn’t otherwise have found. Decades on, he’s using soundtracks just as much as ever – sometimes not to write, but to fill himself with the book’s mood before he sits down at the keyboard. He is Will Overby and he’s on the Red Blog with his Undercover Soundtrack.

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‘Through the cold, lonely streets of NYC’ – The Undercover Soundtrack, Terrence McCauley

for logoMy guest this week says his friends assume his crime novels are inspired by other noir thrillers, but they’d be wrong. His novels have all come from songs. An opening scene sprang from Springsteen; the relentless grind of a fight from House of Pain; a tender moment from the soundtrack to Gladiator. He is Terrence McCauley and he’s on the Red Blog with his Undercover Soundtrack.

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‘A piece of music with dark water running through it’ – The Undercover Soundtrack, Timothy Hallinan

for logoSometimes I find there’s an inexplicable moment when the tune in my ears tells the story back to me and from then on is part of its world. My guest this week became wedded to a Ravel piano concerto when it started at exactly the moment he began a long, brooding sequence with a killer. He likes to write in public places and his playlist is forever topped up by suggestions from his wide fanbase. Indeed his musical roots run deep; in the 1970s he was in a band that recorded an album for Universal and which ultimately, minus him, became the gazillion-selling group Bread. How cool is that? As cool as this – songs he’s written have been recorded by a number of top artistes in several genres. Now he’s an Edgar- and Macavity-nominated author of thrillers and mysteries. Could it get any cooler? His name is Timothy Hallinan and I’m thrilled to have him on the Red Blog with his Undercover Soundtrack.

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