My guest this week says her first novels were fuelled by nostalgia and the past. She wrote them while living in a small market town in England, and harking back to her former homes in California and Ireland. Her soundtrack connects her back to those places and their people. Traditional emigrant songs that remind her of stoic characters in her family, while the gay anthem of La Cage Aux Folles is symbolic of friends in the LBGTQ community and her themes of loyalty and personal autonomy. There’s also a special place for the BBC shipping forecast, which she used to listen to in bed as a child, finding poetry in its strange names. She is Orna Ross – and she’s on the Red Blog with her Undercover Soundtrack.
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‘Oceans of silence beneath the words’ – The Undercover Soundtrack, Orna Ross
Le tweet …. c’est chicMy Tweets
- AI, the Bradbury tradition and imagined futures – interview at One Giant Read May 3, 2016
- How do you become an editor? May 1, 2016
- ‘The lowest note in the universe’ – The Undercover Soundtrack, Tracy Farr April 29, 2016
- How to blend a parallel, allegorical fantasy plot into your novel April 24, 2016
- ‘To make art by the grace of other artists’ – The Undercover Soundtrack, Camille Griep April 22, 2016
- Masterclass snapshots: why it helps to construct your novel in scenes April 17, 2016
- What can an editor do for me? Discussion video at Indie Author Fringe 16 April 16, 2016