My new novel isn’t set in the world of music and none of the characters are musicians. It’s a quirky take on the future dystopia/utopia, with a smattering of Arcadia too – misty woods, abandoned towns, a forbidden life by night; the scent of bygone days; and an enigmatic door in a dream. Behind the scenes, though, music did all the early work for me. The first, rough outline came to me from favourite tracks by Boards of Canada, Peter Gabriel, Vangelis, Enya, Ralph Vaughan Williams and the Hungarian electronica composer Gabor Presser. As I built the story I listened to them repeatedly, and now each of them represents a landmark on my main character’s journey. Join me on the Red Blog, when I’ll explain the Undercover Soundtrack for Lifeform Three.
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« Writing mentors, writer’s block and the Wife of Bath – guest post at Jon Winokur’s Advice To Writers
‘He hears sounds like a heartbeat in the ground’ – The Undercover Soundtrack, Lifeform Three
I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- ‘Armour and post-punk lullabies’ – The Undercover Soundtrack, Guy Mankowski March 25, 2015
- ‘Demons, frustrations and betrayal’ – The Undercover Soundtrack, Scott D Southard March 18, 2015
- Lessons learned from making a contemporary fiction box set – guest post at Jane Friedman March 17, 2015
- Two days of writer’s block unlocked a character’s secret March 15, 2015
- ‘Music for the Revolution’ – The Undercover Soundtrack, Debbie Moon March 11, 2015
- Clumsy dialogue – your mission statement for a subtle scene March 7, 2015
- ‘Men, women, flirtation and heartbreak’ – The Undercover Soundtrack, Chris Hill March 4, 2015
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