My new novel isn’t set in the world of music and none of the characters are musicians. It’s a quirky take on the future dystopia/utopia, with a smattering of Arcadia too – misty woods, abandoned towns, a forbidden life by night; the scent of bygone days; and an enigmatic door in a dream. Behind the scenes, though, music did all the early work for me. The first, rough outline came to me from favourite tracks by Boards of Canada, Peter Gabriel, Vangelis, Enya, Ralph Vaughan Williams and the Hungarian electronica composer Gabor Presser. As I built the story I listened to them repeatedly, and now each of them represents a landmark on my main character’s journey. Join me on the Red Blog, when I’ll explain the Undercover Soundtrack for Lifeform Three.
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« Writing mentors, writer’s block and the Wife of Bath – guest post at Jon Winokur’s Advice To Writers
‘He hears sounds like a heartbeat in the ground’ – The Undercover Soundtrack, Lifeform Three
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- ‘Cyclical melodies, beginnings and endings’ – The Undercover Soundtrack, Nicole Evelina February 19, 2017
- Writers, are you showing off or sharing? A way to kill your darlings February 12, 2017
- Literary writers, we are not alone – meet Main Street Writers February 10, 2017
- ‘You get an idea and… it just grows’ – interview with book and writing blogger Michelle Dunton February 6, 2017
- ‘Music is both my on and my off switch’ – The Undercover Soundtrack, Andrea Darby February 5, 2017
- 5 qualities of a brilliant story January 29, 2017
- ‘The lives and loves the sea has claimed’ – The Undercover Soundtrack, Wyl Menmuir January 22, 2017