My new novel isn’t set in the world of music and none of the characters are musicians. It’s a quirky take on the future dystopia/utopia, with a smattering of Arcadia too – misty woods, abandoned towns, a forbidden life by night; the scent of bygone days; and an enigmatic door in a dream. Behind the scenes, though, music did all the early work for me. The first, rough outline came to me from favourite tracks by Boards of Canada, Peter Gabriel, Vangelis, Enya, Ralph Vaughan Williams and the Hungarian electronica composer Gabor Presser. As I built the story I listened to them repeatedly, and now each of them represents a landmark on my main character’s journey. Join me on the Red Blog, when I’ll explain the Undercover Soundtrack for Lifeform Three.
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« Writing mentors, writer’s block and the Wife of Bath – guest post at Jon Winokur’s Advice To Writers
‘He hears sounds like a heartbeat in the ground’ – The Undercover Soundtrack, Lifeform Three
- Searching for places, emotions and characters – The Undercover Soundtrack, Gwendolyn Womack June 14, 2017
- Everyday chaos. Just another day in the genesis of a book June 11, 2017
- ‘A language to explain feeling and atmosphere’ – The Undercover Soundtrack, Libby O’Loghlin June 4, 2017
- Kind ways to deal with damaged POD books – guest post at Alliance of Independent Authors May 22, 2017
- Making a living as a writer: how social media can be a long-term investment for your career May 14, 2017
- ‘A dead soul, a journalist in a dystopian Scotland, and painful family memories’ – The Undercover Soundtrack, Philip Miller May 13, 2017
- A plea for reviewers – can we open up a dialogue about self-published books? April 23, 2017